CommanderBond.net
  1. EA Announces "GoldenEye: Rogue Agent"

    By johncox on 2004-05-05

    EA Games announced today what up until now EA and Bond fans have called “GoldenEye 2”. GoldenEye: Rogue Agent will not be a sequel to the N64 1997 hit game GoldenEye, nor will it feature 007 as its main character. Instead, the first-person shooter will feature a dismissed double-O agent who takes on a series of memorable James Bond villains from the past. The game is due for release November 1, 2004.

    The following press release comes from EA Games.

    REDWOOD CITY, Calif., May 5, 2004 – Why save the world when you can rule it? Going where no previous James Bond game has dared to tread, the upcoming GoldenEye: Rogue Agent first-person shooter from Electronic Arts (NASDAQ: ERTS) breaks all the rules by transporting players to the dark side of the Bond universe to experience life as a high-rolling, cold-hearted villain. The highly anticipated game is scheduled to ship this fall on the PlayStation 2 computer entertainment system, the Xbox video game system from Microsoft, and the Nintendo GameCube under the EA GAMES brand.

    As an aspiring 00 agent dismissed from MI6 for reckless brutality, the player is hired as an enforcer by Auric Goldfinger, the wealthy super-villain with a lust for all things gold. Goldfinger is locked in a ruthless war against his archenemy, the brilliant scientist Dr. No. The prize is control of the world’s greatest criminal organization. A brutal encounter with Dr. No costs the player an eye, but Goldfinger’s technicians replace it with a gold-hued, synthetic eye, earning the player the name ‘GoldenEye’. Players have the ability to customize and upgrade their villain persona and wreak havoc as they make their unrelenting rise through the ranks.

    With a radical twist to the Bond franchise that makes the player’s goal to rule the world rather than save it, GoldenEye: Rogue Agent is the ultimate thrill ride through the 007 underworld. Players will cross paths with such legendary allies and enemies as Oddjob, Scaramanga, Xenia Onatopp, and, of course, Pussy Galore on globe-spanning missions of vengeance and demolition. Players will travel to famous and original Bond locations from the mountains of Switzerland to the streets of Hong Kong and from Fort Knox to Dr. No’s Crab Key lair in the Caribbean. Enemies will react intelligently in combat situations and use the environment to their advantage for intense and unpredictable shootouts.

    GoldenEye: Rogue Agent seamlessly integrates single-player, multiplayer split-screen, and online gameplay for the PlayStation 2 console* across all game modes. Featured modes include story-driven campaign missions, deathmatch style simulator trials, and objective-based war games. Officially licensed by MGM Interactive, GoldenEye: Rogue Agent is being developed by EA’s Los Angeles studio. This game has not yet been rated by the ESRB.

    *PlayStation 2 online play requires Internet connection, Network Adaptor and Memory Card for the PlayStation 2.

    Key Features:

    • Build your own personalized villain, equipped with a customizable synthetic eye and physical attributes.
    • E.V.I.L. AI engine motivates enemies to react intelligently to your actions and their surroundings to make every shootout more believable, intense, and unpredictable.
    • GoldenEye: Rogue Agent integrates single-player, multiplayer split-screen, and online gameplay for the PlayStation 2 computer entertainment system across all game modes.
    • Featured game modes include story-based campaign missions, deathmatch style simulator trials, and objective-based team war games.
    • Fight with and against legendary villains and Bond girls such as Oddjob, Dr. No, Goldfinger, Pussy Galore, and Xenia Onatopp.
    • Travel to famous and original Bond locations from the mountains of Switzerland to the streets Hong Kong and from Fort Knox to Dr. No’s Crab Key lair in the Caribbean.
    • Production design by Academy Award winning Sir Ken Adam, visionary creator for the look of the Bond film universe.
    • Character models from Rene Morel (Final Fantasy film) and wardrobe designed by Kym Barrett (Matrix films, Titan A.E.)
  2. Saying It All: 'Octopussy & The Living Daylights'

    By Devin Zydel on 2004-05-04

    While For Your Eyes Only occupied the time between Goldfinger and Thunderball, Octopussy and the Living Daylights can be said to finish off the Ian Fleming era, or be described as “The Last Great Adventures of James Bond 007.” This collection was first published with only two stories and with the title of simply Octopussy. Later on, a third story (The Property of a Lady) was added, and most recently, the little-known short story, 007 in New York, was included. When comparing the two Fleming collections, it is sometimes notable to see which fans prefer which short story collection more. While not of the same number of stories as the previous For Your Eyes Only collection, the Octopussy and The Living Daylights stories have a great deal to offer: James Bond as a witness to a story of greed 20 years earlier, the choice between obeying government orders or killing “that tall blonde with the cello”, plus the proof that there’s more than meets the eye at an auction.


    Octopussy, the darling, was a bit surly. The tentacle she lashed around Major Smythe’s arm that morning was none too gentle. So when Smythe found himself the sudden quarry of James Bond at cocktail time, the Major had a brilliant, if rather gruesome, inspiration…”

    In my own opinion, Octopussy remains one of Ian Fleming’s most interesting additions to the literary 007 canon. While James Bond isn’t the true centerpiece of the action, he nonetheless plays an integral role in the proceedings. Octopussy tells of James Bond going to Jamaica to track down Major Dexter Smythe (who lives there with his pet octopus)–a man accustomed to extreme luxury. While speaking to Bond, Smythe confesses in a flashback tale of how he killed a man for gold and then how that very same gold has financed his life of luxury. A level of respect for this retired officer has risen in Bond and he gives Smythe the chance to choose his own fate by leaving for a short time. In an ironic turn of events, Smythe’s pet octopus plays a central role in choosing the fate for Smythe and when Bond returns later, he finds the man dead. The case is closed with a conclusion of ‘found drowned.’

    The action of this story lies in two places: what Smythe divulges to Bond in the flashback scene and what happens to Smythe after Bond leaves. Fleming makes people able to sympathize with Smythe in certain parts of the story and his character himself–who seems to suffer from boredom–is all the more identifiable thanks to this level of detail from Fleming.

    Other bits and pieces that make Octopussy a memorable 007 adventure include the plot of the stolen gold and how it is tied together with the man who was killed–Hannes Oberhauser–the man who taught a young James Bond how to ski several years earlier and someone 007 obviously held in high regard. The unexpected ending finishes the story off quite well, leading one to wonder which fate Smythe will choose until the decision is finally made for him.

    Comparison To The Film: Little more than the title was ultimately used. Major Dexter Smythe gets a brief mention during the first scene with James Bond and Octopussy (as he was her father in this version of the story).


    The Living Daylights are about to be blasted out of a living target on a crowded Berlin street. Crouched behind a .308 International Experimental Target rifle, James Bond sights his victim, makes a split-second decision, and gently squeezes the trigger…”

    In this story James Bond is assigned to be a cover for an agent simply described as ‘272’. Bond is told by ‘M’ that the KGB also know of the escape route planned by agent 272 from East Berlin and they will be sending one of their snipers–with the appropriate name ‘Trigger’–to kill him. In the tension-filled build-up to the climactic finale, Bond comes to see a lovely girl with a cello at a concert as he waits for agent 272 to make his escape. When 272 finally takes the chance, Bond sets his sights on ‘Trigger’ and discovers the true identity of the marksman, or rather, markswoman. Disregarding his strict orders to kill the sniper, Bond merely fires off a close-call shot to scare her away and advises his associate:


    "Scared the living daylights out of her. In my book, that was enough. Let's go."

    Whereas Bond was looking in on the action in the previous short story, Octopussy, here he is absolutely essential to the plot. While knowing it will likely not be a particularly pleasent assignment, a frosty ‘M’ still offers little sympathy to Bond.

    Bond’s tension also shows with his comment to Captain Sender before the killing, “Look my friend, I’ve got to commit a murder tonight. Not you. Me. So be a good chap and stuff it, would you?”

    Comparison To The Film: The entire short story by Ian Fleming basically makes up the first fifteen minutes of the film with the same name. ‘Trigger’ becomes Bond girl Kara Milovy.


    The Property of a Lady, a valuable object d’art, is about to be auctioned at Sotheby’s. At the start of the bargaining, the room becomes electric with danger and terror, and nobody but James Bond knows why…”

    This final story (with the exception of 007 in New York in the recent Penguin Books editions) finishes off the collection. It’s a very short story that has Bond attending an auction while on the lookout for KGB agents–namely Maria Freudenstein–who have created a plan to up the price at an auction in order to create a payment for themselve. Bond has little time to figure out which of the many guests at the event are the KGB agents secretly trying to raise the price.

    In my personal opinion, The Property of a Lady is the weakest of the three stories. While the plot is straightforward enough, there are very few interesting details regarding any of the supporting characters (such as Freudenstein, Snowman, Mary Goodnight, ‘M’, the KGB, and Dr. Fanshawe)–something Fleming manages to do quite well in many of his other Bond adventures.

    Comparison To The Film: The title remains one of the few that have yet to be used, although the plot features in the 1983 film Octopussy.

  3. The Men Who Could Be Bond

    By Athena Stamos on 2004-05-02

    With MGM Vice Chairman Chris McGurk saying that there will be a decision as to who will be James Bond “in the next few months” (MGM Vice Chairman Talks Bond 21), speculation as to who will play 007 in Bond 21 has been running wild. Will Pierce Brosnan come back for one last outing, or will we see an all-new actor in the role? As we wait for an official announcement, do the lists on IMDB of the leading candidate’s upcoming projects offer any clues as to who will be wearing Bond’s tux in 2005? Here’s a look…

    (Bond 21 is currently set for a late 2005 release, which means filming would take place in late 2004 and/or early 2005)


    Orlando Bloom
    He currently has two films set for release in 2005 (Kingdom of Heaven and Elizabethtown) and one set for 2006 (Pirates of the Caribbean 2). Seeing as Kingdom of Heaven (2005) is currently being filmed… there are two scenarios. If Elizabethtown is filmed in late 2004 / early 2005 and Pirates of the Caribbean 2 is filmed in late 2005, then he probably won’t have time to fit Bond 21 (2005) in. But if Elizabethtown‘s filming doesn’t conflict with Bond 21’s filming and Pirates of the Caribbean 2 is set for late 2006 instead of early 2006 (being filmed in early 2006), then he will indeed have time for Bond 21.

    Pierce Brosnan
    He has two films, excluding Bond 21, set for release in 2005 (Instant Karma and Mexicali). He’s currently filming The Matador which means that Instant Karma will probably be filmed in late 2004 and Mexicali will film before or after Bond 21 in 2005. Bond 21 is listed in his current films, but notice the cast list is just the 3 Bond characters who carry over from film to film – M, Q, & Bond. I think he is definitely making room for it if the roll is offered to him again.

    Colin Farrell
    He currently has two films listed for release in 2005 (The New World and Ask the Dust). From the looks of it, it’s possibly that both will be filming in 2005 and therefore it would be a tight squeeze if he were to add Bond 21 into his schedule.

    Mel Gibson
    He has one film listed for release in 2005 (Mad Max: Fury Road). From the looks of it, it seems possible that the filming of Mad Max would conflict with the filming of Bond 21.

    Hugh Jackman
    His last project listed is Van Helsing (2004, currently in theaters). He is not yet listed for X-Men 3 (2006)… is he holding out for something else? You’d think being Wolverine that his negotiations would have been one of the first to be taken care of. Even if he does get signed for X-Men 3 (2006) filming would take place in late 2005 / early 2006). He is also performing in a Broadway play, The Boy From Oz, but the show will end it’s season in September 2004. So, knowing this… he could in fact work both X-Men 3 and Bond 21 into his schedule.

    Jude Law
    He currently has one film listed for release in 2005 (Dexterity). Oddly enough he has seven films coming out this year, two being filmed in 2004 and the rest in post-production. And now suddenly he only have one film for 2005, maybe he has something up his sleeve? He definitely has the room for Bond 21 in his schedule.

    Heath Ledger
    He has three films set for release in 2005 (Nautica, Brokeback Mountain, andCasanova). So from the looks of things his time is taken up for 2004-2006, therefore it’s highly unlikely that he would be able to work in Bond 21 for a 2005 release.

    Ewan McGregor
    He has one film set for release in 2005 (Robots) which is currently being filmed. Then he has one film set for release in 2006 (Gnomeo and Juliet), to either be filmed in late 2005 or early 2006. So he quite possibly has the whole of 2005 open for Bond 21.

    Clive Owen
    Filming for his next film Savage Grace (2004) should start soon. This is the last film he has listed on IMDB. That leaves him with an open schedule in 2005 for Bond 21.

    George Lazenby
    His schedule is completely clear for him to accept the roll. Will he be given a second go at 007?


    To discuss this article visit this thread on the CBn Forums.

  4. Brosnan Tempers Rhetoric in Recent T.V. Appearances

    By johncox on 2004-05-02

    Pierce Brosnan, who has been waging somewhat of a PR war with James Bond producers Michael G. Wilson and Barbara Broccoli over his future as 007, has dramatically tempered his rhetoric in his latest television appearances promoting his new film, Laws of Attraction. While print interviews still contain Pierce’s oft-quoted statements that “The producers are in a state of paralysis,” and “They don’t know what to do,” Pierce all but avoided discussing James Bond in two recent high-profile T.V. appearances on The Tonight Show With Jay Leno (April 29) and The Tavis Smiley Show (April 30).

    On The Tonight Show With Jay Leno — certainly the largest T.V. audience of Pierce’s Laws of Attraction press tour — Pierce said nothing about James Bond. The only mention of Bond came as part of a Leno joke (he asked Pierce if when he was dating he used the line “I’m Remington Steele” or “I’m James Bond’”). On PBS’s The Tavis Smiley Show, host Smiley, who again and again said that he was a “huge” James Bond fan, got little from Pierce on the current state of affairs. In the provocative interview — in which Pierce spoke of his environmental concerns and even called the current U.S. administration “men of war” — the subject of James Bond was left until the very end. Here Pierce simply shrugged and said, “I’m not sure where it’s gonna go from here, but, it’s been good.” [Read the complete transcript of the interview here.] Pierce did give his standard “paralysis” speech on ABC’s The View, but it appears this show was taped before the Leno and Smiley interviews.

    Does this sudden lack of Bond talk indicate some sort of change in the current situation? Is it resignation on Pierce’s part that the role is, indeed, going to another actor, or does it indicate a possible resumption of talks? Or perhaps Brosnan is simply trying to keep the interviews focused on Laws of Attraction (which opened #4 at the box office this weekend) and away from the always enticing topic of James Bond.

    MGM Vice Chairman Chris McGurk has stated that Bond 21 is on schedule for 2005 and that a decision as to who will play Bond will be made “in the next few months.”

    Stay tuned.


    Related articles:

  5. Brosnan Confirms The Producers Are Talking to Jackman & Owen
  6. Bitter Brosnan: “Negotiations have now ceased.”

  7. MGM Vice Chairman Talks Bond 21

  8. Brosnan ‘On The Record with Bob Costas’
  9. Pierce Keeps Pressure on Bond Producers

  10. ‘…I don’t know what’s going to happen. I have no idea.’
  11. Brosnan Speaks Out in Detail on His Future as Bond

  12. Pierce Brosnan A Little Frazzled?

  13. Brosnan: “My Future As 007 Is Opaque”

  14. Eon Says That Brosnan is Bond ‘For Now’
  15. LICENCE REVOKED
  16. Brosnan’s Head is on the Block?

    To discuss this news visit this thread in the CBn Forums.
    Thanks to “Mr. Asterix” for The Tonght Show info.

  • An Inside Look at 'Everything or Nothing'

    By Guest writer on 2004-04-30

    Written by John Lambert (aka: Johnboy007)

    Everything or Nothing is easily the best game EA has created with the 007 license. The 3rd person point of view provides a refreshingly different vantage point. The levels are longer and more difficult than in EA’s previous outings. The enemy AI improved dramatically from Nightfire. All of this combined with excellent scans of the actors, and the use of their actual voices makes Everything or Nothing one the greatest James Bond games ever.


    James Bond has returned to console, and more stylish than ever. Sean Callery’s opening music hurls you right into the mayhem! You are thrown right in the middle of a firefight, with nuclear materials to recover. After mercilessly blowing away adversaries, James Bond makes his escape in to an awaiting Harrier jet. Cue in Mya’s title song, and prepare to be blown away.

    Bond is shipped off to Egypt. His mission, find the (treacherous) nano-technology researcher Katya Nadanova (Heidi Klum), and rescue her from Max Zorin’s KGB prodigy Nikolai Diavolo (Willem Dafoe). One jump off a burning building, motorcycle ride, brawl with our old toothy friend Jaws (Richard Kiel), and a helicopter chase, Bond catches up with St. Germaine, and delivers her back safely.

    003 has suddenly gone missing, and has failed to report to Mi6 for several days. 003 was investigating Diavolo in Puerto Viejo, Peru. M ships our 007, equipped for the first time, a gadget laden Porsche Cayenne Turbo SUV, in search of 003. James Bond finds 003’s hideout. While searching through, the telephone rings, with geologist. Serena St. Germaine (Shannon Elizabeth) calling to meet with 003. Bond and Serena make their escape out of the city, to begin investigating Diavolo’s platinum mines.

    007’s investigation within the mine soon turns in to a fight for his life. Bond ends up in a firefight with numerous enemies throughout a series of ruins. Bond finds 003, who had been shot by Diavolo, and dies not long after he is found. Bond begins to make his exit, running up the stairs of a tower in the mine. Bond makes it out of the mine, but faces a daunting cliff. To make matters worse, Serena has been captured, and been thrown off of the cliff. Bond rappels off the cliff and while dodging machine gun toting adversaries and large protruding rocks, Bond rescues Serena from death.

    Bond and Serena make their exit in true 007 fashion, a commandeered tank! Bond and Serena blast their way through patrols, back to 003’s hideout. They find a more practical vehicle to end the journey, a new Triumph Daytona. With little time before the aircraft to take them home leaves, they speed away, and board at the last possible moment.

    Bond makes his return to New Orleans for some Mardi gras mayhem. Bond roams the streets for the second time in the more traditional Aston Martin with all the usual refinements. Bond is sent to NSA Agent Mya Starling (Mya Harrison) in the Kiss Kiss Club. Bond stealthily enters the club, and eliminates a few unsuspecting guards. A shootout within the club ensues, with chairs, tables, and beer bottles in play. Agent Starling is captured and whisked away to the crematorium. Bond blasts out and into the graveyard.

    No easy walk in the park for 007, as gunfire soon roars through the cemetery. After tagging a few snipers, Bond enters (for once) through the front door. Bond comes face to face with Mya’s captor and battles him, with Mya dangling towards the crematorium’s fierce flames. Bond disposes his adversary and unhooks Mya from her cable. Bond and Mya hit the streets to her apartment, avoiding enemy cars. They of course, make it back unharmed. Together, they “unwind” after a rough night.

    Bond is next taken to an old mansion on the outskirts of the Big Easy. Bond infiltrates the mansion, to find out what Diavolo’s men are planning. Bond stumbles into an underground factory. Diavolo has begun production of thousands of nanobots that plan to eat into the levees around New Orleans to flood the city. Bond destroys the factory, but not before a truckload has been taken out, driven by your orthodontist’s favorite patient, Jaws.

    The game is now on to its most exciting level. Aboard the Triumph, Bond is in hot pursuit of Jaws’ tanker truck bound for New Orleans, in an effort to dodge pursuers Bond jumps bridge construction to the other side in to incoming traffic. Bond swerves back in the correct lane, and begins to flatten his Triumph under a soon to explode innocent tanker truck. Bond comes away unscathed and takes a clear path at Jaws. Bond disables the truck, thwarting Diavolo’s plans in New Orleans.

    EoN is still not finished.

    Bond returns back to Peru to try and meet Diavolo uninvited. Bond. In an effort to meet Diavolo, Bond finds that should he win the local road rally, he would dine with Diavolo that evening. Bond penetrates the hotel where the drivers are staying, and replaces one of the drivers. Bond finishes as usual, in 1st.

    The dinner does not go as planned. Serena has once more been captured by Diavolo’s thugs, and you have to rescue her. Bond battles through the carnage inside the hotel, and find his way in a secret passage under the hotel where Bond frees Serena. Bond once more finds himself in the rally car, the escape Diavolo’s forces. Bond ditches Serena with the rally car, and rides the Triumph once more. A bike chase not unlike Tomorrow Never Dies’ ensues in the streets, with Bond finding his way back to Diavolo’s mine. Bond’s discovery within the mine is utterly disturbing. Diavolo plans to use his metal destroying nanobots to destroy the armed forces of Russia, and take over the government, putting Communist rule back in place.

    Bond is sent to Russia to stop Diavolo’s final plan. Diavolo plans to explode a bomb under the Kremlin, which would release toxic gas, and kill Russia’s leaders. Bond commandeers one of Diavolo’s platinum tanks to seek out and destroy the bomb. Bond annihilates the bomb and makes his exit out of the Kremlin.

    Bond begins search for Diavolo in a secret underground military base. Bond’s search is hampered by laser sentries, and that pesky indestructible Jaws! Bond defeats Jaws for what is now hopefully the last time. Bond finds himself going against invisible machine gun toting adversaries still in search of Nadanova and Diavolo.

    At last they are found, standing at a control panel ready to fire nuclear missiles with additional nanobot warheads. Bond destroys the controls, stopping the missiles from firing. Nadanova and Diavolo have begun their escape through the escape shaft in a Harrier Hover Jet. The Hover Jet is destroyed but Diavolo still manages to get away.

    Bond and Diavolo begin a one on one intense battle through a warehouse. Diavolo has begun to launch one last rocket. Bond fires several rockets in to the missile, destroying Diavolo and the rocket, once and for all.


    James Bond 007: Everything Or Nothing – Reviewed

    There are so many reviews out there. Which site do you trust? [collected by Devin Zydel – aka: Qwerty]

    Soon after its release, Everything or Nothing became “Game of the Month” in many paper publications and on-line game sites. And the game continues to go strong… perhaps to earn the title of “Game of the Year?”

  • The Blades Library Book Club: Moonraker

    By Luke Freeman on 2004-04-30

    This month sees the long awaited return of the The Blades Library Book Club – the place for quality discussions of the books of James Bond!

    Every month a book is chosen by the club members to read. A thread is posted in the club forums listing locations on where you can find the novel. Discussions about the book will go on as the book is read and when it is finished. Another thread will be created so that club members can post their review and give a rating on the current book.

    All fans of the Literary Bond are eligible for membership. All you need to do to sign up is register for the CBn Forums and then post your name in the sign up thread.

    The Book Club’s Third Book:

    Moonraker

    After Casino Royale and Live and Let Die, the club members have voted to continue reading the novels in cronological order. Therefore, Moonraker is to be the book in hands of readers for the month of May 2004. Moonraker, written in 1955, is Fleming’s third Bond novel.

    Obtaining The Book:

    Ordering online should be quite easy. Moonraker can be ordered online from the following sources:

    Online sources for other older versions of Moonraker:

    Discuss other places to buy Moonraker or where you got your copy in this thread.

    Discuss The Book While Reading:

    Want to talk about the book while reading it. Post a new thread in The Blades Library. Be sure to title the thread with “Moonraker” and the chapter number you have read through.

    Review And Rate The Book:

    After you have finished reading Moonraker, you can dicuss it with other club members in the Blades Library, and give the book your personal rating out of five in this thread.

     
    If you have any questions or suggestions just post them in a new thread. Happy reading.

    Previous Books Read

  • James Bond: The Authorized Biography of 007

    By johncox on 2004-04-28

    “But James, you never told me. You mean your real biography? Isn’t that just what I always said that they should do? I mean those books of Ian’s were ridiculous. I never will be able to forgive him for the way he described me in that dreadful book of his.”

    – Honeychild Rider

    (This review contains minor spoilers)
    Ian Fleming, Kingsley Amis, John Gardner, Raymond Benson…John Pearson? Most Bond fans are familiar with the James Bond novels by Fleming, Amis, Gardner, and Benson, but few are familiar with the one-shot continuation novel, James Bond: The Authorized Biography of 007, written by Ian Fleming biographer John Pearson in 1973.

    An “authorized biography” you ask? Authorized by whom? James Bond?

    Incredibly…yes!

    Maybe it was the success of such 1970s “nonfiction fiction” bestsellers like The Seven Per Cent Solution (which professed to reveal the “truth” about Sherlock Holmes’ cocaine addiction) and Clifford Irving’s bogus Howard Hughes biography (there are some amusing similarities) that inspired Glidrose to approach a continuation novel in this most unusual way. Or if you’d rather believe the premise of the book, it is the true story of the real James Bond, secret agent and colleague of Ian Fleming, who gave a one-time interview to John Pearson while on leave in Bermuda in 1973. Pearson’s straight-faced presentation of how he came to meet the real 007 is the first highlight of many in this excellent and very worthy James Bond novel. I mean biography. I mean…well, just read on.

    U.S. first edition hardcoverAccording to Pearson, after he finished his biography of Fleming, he received a strange letter from an elderly woman — an acquaintance of Fleming’s from Switzerland — telling him that James Bond is, in fact, a real person. As evidence she includes a photograph of Fleming with an intense-looking, athletic young man who she claims is 007 himself. Unfortunately, the woman dies before Pearson can interview her. Intrigued, Pearson does some research and discovers the name of James Bond on the Eton registry and in the ranks of the Royal Navy. Could the letter be right? Confirmation of sorts then comes from a shadowy government official, who warns Pearson to stop his investigation immediately. When the author doesn’t, another branch of the British government requests an audience — the British Secret Service!

    Behind the closed doors of “Universal Exports,” all is revealed to the nervous author. James Bond 007 is, indeed, a real person who is currently in Bermuda on permanent sick leave. Instead of continuing the cover-up (which is becoming increasing difficult with 007’s growing “fame”), SIS figures it will reveal the whole truth in an “authorized biography.” Just as Bond is handed his passport to exotic adventure in the “grey building overlooking Regents Park,” so is author Pearson dispatched on this most delicate mission — interview James Bond and write his life story.

    Pearson’s first meeting with 007 in a Bermuda hotel room is riveting:

    “So this was Bond, this figure in the shadows. Until this moment I had taken it for granted that I knew him, as one does with any familiar character in what one thought was fiction. I had been picturing him as some sort of superman. The reality was different. There was something guarded and withdrawn about him. I felt that I was seeing an intriguing, unfamiliar face half-hidden by an image I could not forget.
    It was a strong face, certainly – the eyes pale-grey and very cold, the mouth wide and hard; he didn’t smile. In some was I was reminded of Fleming’s own description of the man. The famous scar ran down the left cheek like a fault in the terrain between the jaw-line and the corner of the eye. The dark hair, grey streaked now, still fell in the authentic comma over the forehead. But there was something the descriptions of James Bond had not prepared me for – the air of tension which surrounded him. He had the look of someone who had suffered and who was wary of the pain’s return. Even Sir William seemed to be treating him with care as he introduced us. We shook hands.”

    UK first edition hardcoverWhat follows is a terrific narrative that cuts back and forth between Pearson’s adventures interviewing the sometimes uncooperative James Bond in Bermuda (in which Bond’s mysterious female companion is revealed to be none other than Honeychild Rider) and Pearson’s own retelling of Bond’s life story. Many of the events Pearson chronicles in this 317-page book (one page away from tieing Goldfinger, as the longest Bond novel) read like James Bond short stories — and good ones at that! For Bond fans who have longed to hear tales of Bond’s school days, early missions and his wartime adventures, you have it all here. Some of the stories have a bite that rivals Fleming. Bond’s mission to Stockholm to kill a former colleague is quite shocking, both in the events and the clean, clipped economy of the writing. Having mined movie ideas from many of the continuation novels by other authors, Eon Productions might be well advised to get their hands on Pearson. A villain who keeps his lair in an abandon zoo in Budapest? Not bad.

    We also get looks at Bond’s failings and the periods between missions: James Bond forced to consider taking a job as a Harrods department store detective during a period of desperate unemployment; James Bond the social dropout living off his looks and wealthy women in island resort communities (Pearson reveals the events of “The Hildebrand Rarity” took place during one of Bond’s beachcomber periods). One of the strongest moments in the book is when Bond, during a period of suspension because of scandal, takes a seat at a Blades gambling table, not to best a villain or win over a woman, but in a last desperate attempt to make a living. All of Bond’s nerve and skills fail him. It’s as if the universe itself rejects a James Bond who is not 007.

    U.S. first edition paperbackCharacter-wise, Pearson presents a James Bond shaped by tragedy, starting with the death of his parents in the oft-mentioned climbing accident (the surprising details revealed here) and continuing on with several chapter-ending shockers. Pearson gets to the roots of Bond’s darkness, revealing a man who is subtly turned into a hired killer by a series of dubious mentors, ending with M. He even explains how Bond got his famous scar (I won’t spoil it, but suffice it to say, James Bond’s face scar is a visible representation of a permanent scar within).

    M himself gets a revisionist treatment in this book which may rub some Bond fans the wrong way. The chapter “The Truth About M” gets a bit bizarre and should maybe have been excised, but perhaps it worked in the 1970s as political commentary on the vices and corruptibility of aging authority figures. Ian Fleming is also a character in the story, a strange mirror image Bond both admires and despises. It is Fleming who sends Commander Bond out on his first wartime mission (revealed to be a quite ill-advised mission at that), and it is Fleming who suggests the idea of the James Bond novels.

    The premise of the book is strained a bit in the last third (abruptly sectioned off with its own heading titled “The Man and the Myth”) in which Bond recalls how the famous novels were a plot concocted by Fleming — and endorsed by M — to convince Bond’s enemies in SMERSH that 007 was a work of fiction. But wouldn’t the recounting of real events — such as the encounter at the Royale-les-Eaux — negate this? Also, the sudden appearance of the more fantastical characters of the Fleming novels don’t seem to belong in the same universe as the more realistic Pearson adventures.

    UK first edition paperbackStill, the “conspiracy” approach to the novels origins puts an interesting spin on things, and it’s amusing how Pearson explains that Moonraker was a pure work of fiction, concocted by Fleming and Bond, to further confuse and frustrate the Russians. Also clever is how Pearson reveals that the reason James Bond is specifically targeted in From Russia With Love is to “out” the fictional character to the world. Ultimately, the Russians give up. Outing James Bond would only confirm their own many failings, so on this one point, the Russians and the British reach a détente. The real James Bond must remain top secret.

    It’s a delightful game Pearson gets to play in this book — using fiction, posing as nonfiction, to explain how famous works of fiction where, in fact, nonfiction. (Did you get all that?) The entire book is an exercise in misinformation, a twisting-and-turning spy experience for the reader. But maybe that’s why this book has been lost to time. Exactly WHAT this book is is a bit confusing for the casual reader. Again, it reminds one of The Seven Per Cent Solution, but that novel had the benefit of the tagline “The story is true. Only the facts have been made up.”

    The book ends before Bond can recall the events of Colonel Sun (although the book is mentioned) as 007 is suddenly called back into active service. In the final chapter, Bill Tanner lays out the details of an Australian assignment involving Bond’s old nemesis Irma Bunt, setting up what would have been a terrific second Pearson novel. Unfortunately, this second novel, if there ever was one planned, never materialized; and Bond fans are left to wonder how James Bond handled “The Giant Rats of Crumper’s Dick.”

    Publication history

    Publisher's 'Note' on back of UK paperback editionPerhaps to help the masquerade as a nonfiction novel, Glidrose choose to publish James Bond: The Authorized Biography of 007 not under the traditional Jonathan Cape banner but through Sidgwick & Jackson. The U.K. dust jacket is notable in that it is the only original novel to succeed in using Eon’s 007 logo on its first edition (Eon would object to the use of the 007 logo on the U.K. paperback edition of John Gardner’s License Renewed, forcing a redesign).

    William Morrow & Co, New York, published the first U.S. edition. The dust jacket features a James Bond silhouette that looks remarkably like Pierce Brosnan (and this in 1973?). It’s notable that the copyright on this book reads “Glidrose and John Pearson.” How Pearson gets shared copyright credit is a mystery. Even Fleming didn’t get this privilege. But again, perhaps it’s all in the service of the nonfiction charade. There were apparently two 1985 hardcover reprints, one by Granada in the UK and the other by HarperCollins in the U.S., but I’ve yet to see these editions.

    When it came time for a paperback, James Bond: The Authorized Biography of 007 was published in the UK as a part of Pan Books still life series. In the U.S., the paperback publisher was Pyramid Books. In 1986 Grafton reprinted the book in the UK, and Grove Press reprinted it in the U.S. Both covers were less than inspired and not in sync with the current Bond series, only adding to this book’s oddball outsider statutes.

    UK paperback reprint, 1986U.S. paperback reprint, 1986

    James Bond: The Authorized Biography of 007 is now out of print, and Ian Fleming Publications tells CBn, “There are no current plans to reprint John Pearson’s book.” Bond fans interested in reading this curious, yet very good, continuation novel will need to seek it out in their local public library, used bookstores, eBay, or via one of the many online used books services like ABE. Just as author Pearson had to seek out the truth of his subject in 1973, so too must a Bond fan seek out Pearson’s discoveries in 2004.

    It’s well worth the search.

  • Brosnan Confirms The Producers Are Talking to Jackman & Owen

    By Guest writer on 2004-04-27

    Written by: Matt Weston (aka: [dark])
    To discuss this news visit this thread on the CBn Forums.


    In an interview with Cinema Confidential, Pierce Brosnan has not only confirmed that the 007 producers are talking to other actors for the role of James Bond in the yet-to-be-named Bond 21, but has also named names!

    When asked if there was another actor he thought the producers would go with, Brosnan revealed that the producers had been speaking to both Hugh Jackman and Clive Owen about overtaking the role. The actors received Brosnan’s blessing, after he claimed they are both “fantastic” actors.

    Aside from this admission, Brosnan’s talk of Bond was not unlike the usual mumbo-jumbo we’ve been hearing from him lately, as he spoke of the producers’ paralysis, and that they do not know which direction to take.

    Q: Where does the new Bond film stand right now?

    PIERCE: It doesn’t stand anywhere. I don’t know what’s happening. There’s a paralysis that has come upon the producers. They don’t know whether to go forwards, backwards, sideways – I don’t know. As far as I’m concerned, I’ve honored my contract of doing four [Bond] movies. They know where to find me if they want me for the fifth.

    Q: Is there someone else do you think that could be the next Bond?

    PIERCE: Oh, there will always be someone else. If I was the fifth [Bond], there can always be a sixth.

    Q: Is there another actor you think they will go with?

    PIERCE: Yeah, I mean they’ve talked to Hugh Jackman and to Clive Owen – both actors are really fantastic and have the chops for it. I have no idea. I really don’t concern myself. I don’t lose sleep over it. I don’t wake up thinking, you know, ‘Am I going to be the next Bond?’ or ‘Is someone else going to be the next Bond.’ I have to let that one go, I really wouldn’t do myself any justice if I would lose sleep over it. If it’s the end of the ride, then so be it. I can move on and make films like “Evelyn,” “Thomas Crown,” or this movie… The movie has put me on a landscape on an international level, and for an actor, that’s a magnificent gift to have.

    For the full interview, in which Brosnan discusses Laws of Attraction, After the Sunset and life with his family, click here.

  • Saying It All: 'For Your Eyes Only'

    By Devin Zydel on 2004-04-26

    American Penguin paperback editionHow much do the short stories by Ian Fleming actually let you in on? Are they on par, or even better than some of the James Bond novels? Is is the smaller adventures that make the difference?

    While obviously not going as in depth into missions or plots, Fleming’s short stories contain a wealth of literary 007 information that is not to be found anywhere else.

    How old was James Bond when he lost his virginity? And where was he? What type of woman does he think he’d marry, if the day ever came?

    It’s all here…


    • From a View to a Kill
      “How SMERSH got into SHAPE”

    A brisk, fast paced short story that pits 007 against Soviet spies that are setting up ‘roadblocks’–if you will–to catch dispatch riders.

    “In PARIS, James Bond sets out to find and destroy the secret hideout of a spy ring that has eluded the top security brains of fourteen countries.”

    From A View To A Kill is one of the stories from this collection that usually ends up somewhere around the middle if asking a fan to rank their favourites. British Travelman pamphlet edition of A View to a KillThe somewhat simple plot works effectively enough, allowing the reader to see Bond in action while ‘in the field.’

    Supporting characters in this story are minimal with the exception of the Bond girl, Mary Anne Russell. While not given the same level of attention and detail that Fleming provides for several of his other leading ladies, she does have a solid introduction and the scenes that follow her first meeting with Bond (such as the claim that Bond is playing a silly game of Red Indians) give her some added depth.

    As an incidental note, we are told that Bond lost his virginity at the age of 16 on his first trip to Paris.

    Comparison To The Film: Little is taken from this story and put into the film of the same name (even the ‘From’ is dropped from the title). The locations are somewhat similar, but there is little else.


    • For Your Eyes Only
      “How the Cuban was rubbed out in Vermont.”

    The story sharing the same name of the collection itself. This time, 007 makes his way to Vermont to track down a killer named von Hammerstein, who along with a man named Gonzales, were responsible for murdering the parents of Judy Havelock on orders from an unusually upset ‘M’. While the mission is ultimately a success, things are not quite as they seem once Bond prepares to take out his target…

    “In VERMONT, James Bond joins forces with a beautiful blonde who is determined to assassinate a professional killer.”

    Arguably one of the better short stories of the collection (while many fans call it the very best). The scene with ‘M’ asking for Bond’s personal assistance in the matter is brilliantly written and sets the tone for the story to follow. It isn’t the normal case ‘M’ assigns for his secret agent, but he still tries to treat it as such.

    Whereas Bond was the main show in From A View To A Kill, that’s not the case for this story. British Pan paperback edition (1st-4th printings)Judy Havelock is an intriguing heroine because her very purpose in the story–to get revenge. Her relationship with Bond, which is on a professional backdrop because of the reason they are both together is an interesting one. They both know the killing of Von Hammerstein will eventually occur, but Bond immediately gives her the line: ‘Don’t be a silly bitch. Put that damned thing down. This is man’s work.’ How the story finally concludes makes it all the more interesting for the reader.

    For Your Eyes Only is a strong short story on both counts of adventure and the overall plot. It really doesn’t disappoint in either. Moving from the death of Judy’s parents, M’s request, and then to the eventual pulling of the trigger, it’s a fast story that barely let’s up, making it very successful and enjoyable to the reader.

    Comparison To The Film: The killing of the Havelocks is also present in the film of the same name as is the character of Gonzales. Judy is changed to Melina Havelock and the relationship between Bond and Judy/Melina has some similarities from the story to the screen.


    • Quantum of Solace
      “Love and Hate in Bermuda.”

    This story may be the most interesting all of that Fleming ever wrote. In a way, it is the breath from action that the reader experiences previously in For Your Eyes Only and to follow in Risico. The action that remains is a battle of ‘love and hate’ in a story about two interesting people witnessed by Bond.

    “In BERMUDA, James Bond learns a strange secret of love and hate at an ambassadorial dinner party.”

    The real importance in this story lies in the tale that is told to Bond by a rather bored Governor of Bermuda at a dinner party. British Panther paperback editionThe Governor tells of how two people he once knew got married and the nightmare that followed, involving affairs, a husband made into the laughing stock of a community, his financial revenge on his wife and their ultimate divorce.

    The extent at which these two people do certain things to each other is the basis on which the Governor tells both Bond–and the reader–about how at least a minimal amount of humanity must be present for two such people to survive one another. He tells about the problems of blindness, disease, disaster, but how the complete removal of humanity can be far worse. Something to which the Governor coins his title of such thoughts as the ‘Law of the Quantum of Solace’. Things are fully put into perspective when the Governor reveals to Bond–SPOILER–that one of the guests at the party is the woman from the story.

    This surprises Bond, and quickly turns the boring dinner party into a more interesting event. It leads Bond to thank the Governor for the story, and also a statement that he has learned to notice people a bit more–as they are not always as they appear.

    With this short story, Fleming has appeared to prove that he can create a truly intriguing Bond ‘adventure’ without the usual dose of beautiful girls, villains, and violence. Humanity is the key point of interest here and Fleming spins a captivting story around it.

    As another incidental note, Bond says that if he was ever to marry, he imagines it would be to an air hostess.

    Comparison To The Film: Currently no such film of the same title and nothing of a huge importance put in any other Bond film either.


    • Risico
      “Drugs in Venice.”

    In this sweepingly fast story, Bond is caught between the lies and truth of Kristatos and Columbo. The objective is for Bond to stop a major drugs smuggler, but finding out which one of the two men it is makes it all the more interesting. Upon finding out the true enemy, Bond then goes onward to stop the man in a warehouse raid.

    “In ROME, James Bond finds himself the target of a dope runner who deals in death.”

    This story is sometimes criticized for throwing too many characters and too many locations in too short a story. artwork from OO7 MagazineGranted the location jumping from Italy and Albania is noticeable but it doesn’t detract much from the overall ‘Fleming sweep.’

    Risico is basically a battle between Kristatos and Columbo in which Bond gets caught up in. There are other characters, including Lisl Baum (who thinks that all men are pigs, but some are gentlemen pigs and lesser pigs than others). She knows of Columbo and agrees to meet Bond on a beach rendezvous to divulge information to him. This meeting then sets the scene for the almost non-stop action scenes to follow and finish of the rest of the story.

    Risico works well on the merits of fast action and a swift pace. For readers looking for strongly descriptive characterization and thorough plot, it may not completely satisfy.

    Comparison To The Film: Much of this story is used in the film For Your Eyes Only. The locations (including the warehouse battle) are partially present. The animosity between Kristatos and Columbo and their lies and truth is almost copied right into the film.


    • The Hildebrand Rarity
      “Death in the Seychelles.”

    Bond is on holiday and eventually meets up with a man named Milton Krest who is out to find a rare fish. Bond comes aboard and agrees to help out, meeting the millionaire’s wife, Liz, and travels alongside his friend, Fidele Barbey. The events that follow lead to a wild hunt for the ever evasive and elusive fish and the mystery of a murder for which one thing is certain–Bond didn’t commit it.

    “In the SEYCHELLES ISLANDS, James Bond becomes party to sudden and ghastly murder on a luxury yacht.”

    Often labeled as a fine mix of action, mystery, and character development, The Hildebrand Rarity ranks as one of the most enjoyable Fleming short stories of the collection. Much like the previous story, Risico, Bond is once again partially caught between the action and forced to go at it the way he chooses.

    Milton Krest is immediately recognized by Bond as an eventual problem when they first meet. Bond is given a tour of the magnificent ship, The Wavekrest, where it is evident that Krest has no problem saying what is on his mind and couldn’t care at all at how it affects other people. As an example, he dislikes the common practice of labeling ships as ‘she’ and arrogantly gets irritated when Bond does so. He also introduces the final important character in the story, his wife, Liz. Lovingly nicknamed ‘treasure’ by Krest and disturbingly the target of the ‘Corrector’, she lives a suppressed life, dominated by the cruel rituals and the harsh words of her husband.

    Eventually, Krest manages to catch the prized specimen, much to the dismay of Bond.

    Later on, Krest manages to get extremely drunk and proceeds to start flinging insults at anyone nearby, including Barbey and then Liz (the latter because Krest sees her getting friendly with Bond). artwork from the March 1960 issue of Playboy A fight almost breaks out between the exasperrated 007 and the drunken Krest, but the latter wisely chooses to go to sleep and everyone else eventually does the same.

    Bond is then woken up to find–SPOILER–that the prized fish has been shoved down the throat of Krest, killing him. Bond realizes that is was murder and throws the body over the ship and waits to see what happens in the morning. When morning does arrive, Bond notices neither Liz nor Fidele–the two prime suspects–acting out of the ordinary. Fleming ultimately leaves the culprit of the murder a mystery, while at the same time, leaving it up to the reader to decide who killed Krest.

    Comparison To The Film: The title has never been used, but the character of Milton Krest and his ocean liner are present in the film Licence to Kill.

  • 'OO7' Magazine #43 delayed

    By johncox on 2004-04-26

    According to the official James Bond International Fan Club website, ‘OO7’ Magazine #43, originally scheduled for March 2004, has been delayed until the end of May. No reason for the delay was given, but perhaps it’s so this lastest club magazine can include news or opinion on the Young James Bond books and the Brosnan/Bond 21 situation.

    JBIFC chairman David Black assures club members that the delay will not effect their subscriptions, and that membership packages will be extended to take the delay into account to ensure that members receive their full entitlement.

    ‘OO7’ Magazine is published quarterly and sent free to members of the JBIFC. For details on how to become a member of the JBIFC, visit their website.

    For a complete bibliography of ‘OO7’ Magazine see: 25 Years of ‘OO7’


    Related articles:

  • ‘OO7’ Magazine Selling For Big Buck$ on eBay

    You can discuss this news here in the CBn forums.