Bitter Brosnan: "Negotiations have now ceased."
Pierce Brosnan is being much less “opaque” these days about his standoff with producers Barbara Broccoli and Michael G. Wilson over his future as James Bond. Back in February, CBn and MKKBB reported that negotiations between producers and the star had ceased. When questioned, Brosnan has been evasive as to his status, choosing to use the word “opaque” and hinting that the series itself was in a state of “paralysis.”
But in an interview published today in the Boston Herald (Law’-breaker: Pierce Brosnan shakes up perfect image with new romantic comedy), the clearly bitter Brosnan confirmed that negotiations have indeed ceased, and while not offering much new in the way of specific details, he did speak more candidly about the situation than he has before.
The following excerpt is from the Boston Herald:
If “Laws of Attraction” does its work, Brosnan won’t have to worry about his status as 007. He had expected to be preparing for nine months of filming for his fifth turn as the world’s most famous secret agent. Instead, he’s heading to Mexico City to work with Greg Kinnear and Hope Davis (“American Splendor'”) on an edgy, low-budget comedy for DreamTime.
“All I know is before I went on the last promotion for the Bond: Die Another Day, I’d done my contract, my four movies,” he said. “They said they wanted to do a fifth, and we started negotiations, and those negotiations have now ceased. Where does that leave me? How do I answer this question?”
If this looks like some kind of a publicity ploy, Brosnan makes it clear that’s hardly the case. He is clearly upset.
“It would be nice to have the respect for the people you have worked hard for to give an honest answer,” he said. “It would be nice to have it on level ground. But nobody knows. I wish I could be more specific and say, ‘No, they’re going to look for somebody else. My time is up; they’ve found somebody else.’ I can’t say that, and at the same time I can’t say, ‘Well, we’re going ahead,’ because they said, ‘We don’t have the script. We don’t know what to do.'”
Rumors always have been part and parcel of the 007 franchise. As Brosnan notes, a spinoff film with Halle Berry’s Jinx was going to be made.
“That went pfft! To look for the truth, you have to go to MGM. Good luck! You have to go to the Broccolis. Even greater luck,” he said.
As to the present impasse, Brosnan said, “You try to answer as specifically and as honestly as possible because I don’t have anything to hide. But I don’t know what’s going on, except they don’t know how to deal with it.”
Last night Fox New Channel, in a report on Brosnan’s future as 007, also stated that negotiations have “ended.”
Thanks to [dark] for the Boston Hearld alert, and “johnboy007” for the Fox News alert..
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first African-American love interest in “Live and Let Die” more than 30 years ago. But there is more to Gloria Hendry than just a pretty face. She’s smart, funny, and warm to all that she mets. And she’s a damn good singer, too! She may have never achieved superstardom, but in the eyes of this fan she certainly is a superstar who shines very brightly indeed.
Tell us a little about yourself.
I am the eldest of two girls. We were born in Florida. My family members are from Georgia, Alabama and Florida. My people are Seminole Indian, African, Creek Indian, Irish, Chinese and something else and range in color from deep chocolate to café ‘ole. Since America symbolizes the melting pot of the world, my family members are true Americans.
From the age of 7 until 18, my sister and I lived with my mother and her companion in Newark, New Jersey until I graduated from high school. Throughout elementary school, I maintained excellent grades and played the violin in the All-City Orchestra and performed for radio, and various academic events.
You were the first African-American Bond girl (Unless you count Thumper from Diamonds Are Forever) and at the time it wasn’t socially acceptable for a white man to be with a black woman. Do you think that your role in the film helped make the interracial situation more acceptable to audiences?
I remember Harry Saltzman talking seriously to me about racism. He expressed that it was a shame that we still had racism. He said that everyone should marry another race so no one could say they were one race or the other and this would stamp out racism. He suggested to me that I should marry a Caucasian. Then, he introduced me to a very special gentleman whom he considered would be a good choice for me to marry. I went out with him a couple of times, and he told me how to dress and act. I became disinterested in an arranged marriage.
I remember not knowing how to act because people were shouting my name, asking for my autograph (remembering Roger giving me the pen to sign), cameras were flashing all around me and at that moment in my life, I felt I was somebody really, really special.
Choose between the ultra fast Chimera motorcycle (to the right) or the slower but studier Porsche Cayenne (to the left). Use your weapons to destroy enemy vehicles. [Bond moment — take out the helicopter before you reach the temple.]. [Bond moment — at the temple (Cayanne) jump the pillar on the left or (Chimera) power slide under the pillar on the right.]. [Bond moment — right before you catch the train look for the remains of a statue to the right and hit the jump near it.]. which also puts you on the tracks behind the train.
Wait for Jaws to attack (he’ll either pull out of the of pillars and throw it at you or bull-rush you). After he’s pulled our at least one pillar, he’ll expose a stream of electricity. When his attack is finished, push Jaws toward the electricity. After three hits he’ll stagger backward, if you got him close enough to the electrical current he’ll take damage. Also id you stand so that the path of his bull-rush attack aims towards the electricity, he’ll run right into it. Two jolts of electricity will subdue Jaws.
At the beginning [Bond moment — use the sleeper dart to take out the two guards.]. [Bond moment — use stealth moves to take down the guards outside the starting room.]. When you enter the temple ground head to the right to find a ledge and use the grappling hook [Bond moment — reach the top.]. There’s a hidden room with an armor vest and sniper rifle. Take out the guards with the rifle (note the guard with the rocket launcher hidden in the alcove). Head to the back of the grounds. There’s a mine cart lift on the wall, rappel up to the top. Follow the path through the ruins to the mine construction with a crate suspended above it. Use the sniper rifle (note the guard with the rocket launcher) and deal with the guards. Press the button on the mine shaft to drop the crate and break open the barrier leading into the tunnel. Drop into the mine shaft. Hit the button on the wall to start the mine cat rolling along the tracks. Follow the cart. Watch out for enemies! When the cart tips over at the end of the line, shoot the dynamite it was carrying to blast an opening in the wall. Run through the opening.
Follow the tunnel into the interrogation room with 003. [Bond moment — send a Q-spider into the small opening in the wall near the start of the level and drop it onto the three guards, taking them out.].
After the cut scene, run off the cliff to chase after the falling Serena. Avoid ledges, walkways and other obstacles as you fall. Hitting some will kill you; others will just slow your descent but will likely end you mission as you’ll have lost too much time to speed up to successfully catch Serena. [Bond moment — shoot the gas tanks to take out the guards.]. [Bond moment — looks for the shortcut between a ledge and wooden walkway and fall through it.]. Catching up to Serena completes the level.
The front door is locked and Bond isn’t on the guest list. Look for the open second story window and rappel up into the club. [Bond moment — take a moment to give the lady in the room a massage.]. Use sleeper darts to take out the guards on the second floor without sounding the alarm. In the control room press the button on the panel to open a door on the first floor.
Before engaging La Rouge run to the conveyor controls in the middle of the room and stop Mya’s advance towards the furnace. La Rouge’s crossbow fires explosive arrows; whenever he pops out to fire at you dive to one side to avoid the damages. [Bond moment — target the gas tanks behind La Rouge to damage him.]. La Rouge may run to the controls to restart the conveyor, whenever he does this you’ll need to stop it again quickly before continuing to fight him.
In the room to the right of the entrance hall [Bond moment — deploy a Q-spider into the vent shaft to find an armored vest.]. Detonate the spider near the sniper guarding the entrance hall. Use the rappel to reach the attic (look up at the ceiling). [Bond Moment — avoid detention and take out all of the enemies on the ground floor without stealth.]. Find the hold in the attic floor to drop down into another area of the mansion. You’ll enter the ballroom, a large room with a chandelier. [Bond moment — use Bond sense to target the chandelier. Shoot it to drop down onto the guards below.]. At the base of the grand staircase, you’ll find two rooms, each with a switch. Activate both switched to open a security door on the second floor. On the first landing of the staircase you can rappel back into the attic. Drop into the next area though the hole in the floor and follow it to enter Yayakov’s lair.
This stage is a straightforward race to catch Jaws in his tanker truck before he reaches the city. While in the bayou area before reaching the highway [Bond moment — jump the gate, as opposed to blasting though it.]. [Bond moment — blow up the shanty house.]. Once on the highway, keep and eye out for the construction vehicle [Bond moment — use its flatbed as a jump.]. There will be a short clip of a gas truck crashing and then [Bond moment — use the motorcycle’s power slide maneuver to go under the truck instead of around it.]. When you catch up to Jaws’ tanker, get along side it and use the flame thrower on all four tires to blow them out, the tanker will crash.
No Bond adventure is complete without 007 being captured and place into some sort of nefarious, slow acting deathtrap. So here, Bond is held in place while a drilling machine slowly advances on him. To escape, activate the EMP grenade and use it to disable the drill and free Bond from the cuffs. Bond’s equipment in on a nearby table.
Before rappelling down the lift shaft find the rocket launcher near the stack of crates. On the way down the shaft destroy the automated sentry guns in the walls. At the bottom, when the lift platform stops, find the two lift controls in the adjacent room and use them to reactivate the lift. [Bond moment — detonate a Q-Spider near a group of guards.].
The last exhaust vent is blocked. In the room with the control panel find the vent shaft in the wall and send a Q-Spider into it. At the end of the shaft you’ll see a wrench lodged against the mechanism. Return through the main room and exit through the doors near where Mission 28 started. You’ll run into more cloaked enemies (use thermo vision).
Author Raymond Benson’s sixth original James Bond adventure 
On April 5, 2004, Ian Fleming Publications announced a new series of ‘