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  1. 'Blood Fever' Proof Spotted on eBay

    By johncox on 2005-08-23

    An Uncorrected Proof copy of Blood Fever, the second Young James Bond novel by Charlie Higson, has been spotted on eBay some five months before the book is due to be published.

    Blood Fever

    Blood Fever proof on eBay

    Uncorrected Proofs or Advance Reading Copies (ARC) are sent to libraries, bookstores, and media outlets in advance of publication to spur interest in a title. Proofs are not available to the general public, and sometimes contain differences from the final book. It is not legal to sell proofs, but that doesn’t seem to stop most booksellers.

    Because of their limited numbers and appeal to collectors, proofs typically sell for a much higher price than their retail counterparts.

    Uncorrected Proof copies of both the UK and U.S. editions of SilverFin also found their way onto eBay well in advance of publication. The U.S. SilverFin proof featured cover art radically different from what was ultimately used.

    Blood Fever is due to be published January 5, 2006 by Puffin Books in the UK.

    New plot details:

    A listing for the Blood Fever audiobook on the German Amazon website has revealed some new, choice plot details. According to their new synopsis the novel’s “essential components” are: “a Mediterranean mystery, one kidnapped girl – feisty, blond, superfit Amy Goodenough, sister of James’ best friend Mark, one villainous pirate – Zoltan Magyr, mysterious Latin-speaking men lurking near Eton, and one fast car.”

    Keep watching CBn for the latest news on Blood Fever.

    Pre-order Blood Fever now at Amazon.co.uk

    Related links

  2. U.S. 'SilverFin' Audiobook Coming Next Year

    By johncox on 2005-08-23

    A U.S. audiobook edition of SilverFin, the first Young Bond novel by Charlie Higson, will be released by Listening Library in March 2006. Listening Library is the audiobook division of publishing giant Random House. The list price is $30.00.

    SilverFin audio book

    UK SilverFin audiobook

    A SilverFin audiobook read by author Charlie Higson has already been released in the UK by Puffin Books. While it could be assumed the same recording will be used for the Listening Library edition, there are differences in the U.S. text which may necessitate a new recording or at least a new edit.

    Random House releasing the SilverFin audio book raises some interesting speculation about the future of Young Bond series in the U.S. Miramax/Hyperion bought the publishing rights to the first two Young James Bond novels last year, yet their promotion of SilverFin has been somewhat lackluster and they’ve yet to announce a SilverFin paperback nor a U.S. edition of Young Bond Book 2, Blood Fever.

    Could it be Random House will take over publication of the Young Bond series in the U.S.A?

    Pre-order the U.S. SilverFin audio book. (March 2006)

    Purchase the UK SilverFin audio book

    Pre-order Blood Fever at Amazon.co.uk

    Related links

  3. 'The Spy Who Loved Me' Reviewed

    By Guest writer on 2005-08-22

    CBn forum member Red Grant, webmaster of the terrific The Art of James Bond website, checks in today with the very first review of Titan Books latest release, The Spy Who Loved Me.

    THE SPY WHO LOVED ME is now available — received my copy today.


    Titan Books 'The Spy Who Loved Me'

    Titan Books The Spy Who Loved Me

    The major difference between this version and Titan’s original 1989 release is that the follow-up story THE HARPIES is included making the volume somewhat thicker than its first incarnation!

    The introduction is by Caroline Munro (not Barbara Bach as originally announced) and a couple of background articles on Jim Lawrence and the continuation of the series with non-Fleming material fills out the explanatory introduction nicely.

    Print quality is generally very good although some of the illustrations accompanying the articles are poor. Completists should note that THE SPY WHO LOVED ME now includes panel #721 (omitted from the 1989 version) which was supplied by Johnny Oreskov and restored to print quality by myself. However, the strip does not include the additional panel #796a which didn’t appear in the Daily Express version although was present in many syndicated printings. We had also supplied this panel for the collection but as it is essentially a recap of events and adds nothing to the story I assume it was omitted by Titan for editorial reasons.

    This latest addition to Titan’s every-expanding range of comic strips should be an essential purchase for any self-respecting Bond Fan and should wet the appetite for COLONEL SUN which will follow at the end of the year.

    – Red Grant.

    Purchase The Spy Who Lovd Me at Amazon.co.uk

  4. Purchase all the Titan 007 graphic novels from Amazon:

  • CBn Reviews 'The Man With The Golden Gun'

    By Devin Zydel on 2005-08-22

    Over the last several months, members of the CBn Forum have been reviewing all the James Bond 007 films in the “Countdown Threads“. If you wish to join in on the forum discussion all you have to do is register. Now here are some selected reviews, varying in opinion, of The Man With The Golden Gun

    ‘The Man With The Golden Gun’ by Turn

    'The Man With The Golden Gun' litho by Jeff Marshall

    ‘The Man With The Golden Gun’ litho by Jeff Marshall

    Along with Moonraker, The Man With The Golden Gun is often considered the least of the James Bond films. Ironically, both rank above such “classics” as For Your Eyes Only and The Spy Who Loved Me on my list. I’m not sure what it is about The Man With The Golden Gun that people dislike. I’m guessing the rather forced comedy and lack of huge action. But look past that and you have a James Bond movie that author John Brosnan said was “out of step with the other films of the ‘70s.” I find that a good thing. It doesn’t try so hard to slam you over the head all that and entertains in a different way.

    The Man With The Golden Gun was made during a period where the films were somewhat scaled back. I believe the film benefits from this. Instead of worrying what big stunt or special effects sequence would dominate the next scene, it allows the film to concentrate on other things. The world’s greatest secret agent against the world’s greatest assassin is a hell of a concept. The film reminds me a little of Dr. No in the sense that Scaramanga really doesn’t show up until the final third of the picture. But his presence hangs over the first two thirds. Christopher Lee is perfectly cast as Scaramanga, a major improvement over the character from the Fleming novel, who was basically just a hood who was a talented shot.

    One of the more maligned characters in The Man With The Golden Gun is Nick Nack. Some people dislike him because he is seen as non-threatening and no challenge to Bond. I like the character. He’s not some Odd Job or Red Grant clone. He’s not threatening in the conventional way, but he helps Scaramanga become the million-dollar success he is in less obvious ways, making him as dangerous as if he were 6-4 and 250 pounds. When he tells Bond “If you kill him, all this be mine,” you really have to wonder if he’s being sincere or not, which makes more sense than the big guy who will defend his master’s honor even when he knows all is lost. This way, it puts Scaramanga as the focus of the dangerous villain. Most villains in the series are big talkers who only fight to the finish when their henchmen are dead.

    Mary Goodnight is also very disliked. While she is sometimes awfully stupid, she isn’t Stacy Sutton, either. That character will always rank at the bottom for me. Unlike Goodnight, who is basically a secretary, Sutton is supposed to be a trained geologist and somebody who is supposedly level-headed but comes across as a bimbo. Since Goodnight isn’t presented to be someone with a high education, she may be bound to make mistakes.

    Better is Maud Adams. I remember finding her incredibly attractive just by her pictures on the movie edition of the novel when I was a kid. She makes a nice damsel in distress. The scene of Scaramanga stroking her with the golden gun and her reaction is one of my favorites from the film. J.W. Pepper is a distraction, but doesn’t kill the film for me. What’s funnier is seeing James Bond driving an AMC Javelin instead of an Aston Martin or BMW. Now that’s an amazing feat.

    As for Roger, he’s in fine form with a nice combination of a bit more seriousness without being too far overboard on the wisecracks. There’s none of the forced toughness imposed in For Your Eyes Only.

    While The Man With The Golden Gun may not rival its follow-up in terms of interesting action scenes, it doesn’t underachieve there either, like The World Is Not Enough. And it’s not one continuous chase like in Live And Let Die. The whole Scaramanga thing is enough to distract from the lack of big action for me. And you actually have a feel for the location as opposed to many recent movies. For instance, does anything really feel like Die Another Day is taking place in Korea? Hi Fat’s garden is one of the more interesting locations used in the series.

    The Man With The Golden Gun is, admittedly, filled with flaws. It seems most stem from Guy Hamilton, who was revealing his limitations as a Bond director and coasting on his success with Goldfinger by this point. Probably the biggest offender, for me at least, is the scene where Hip drives off without Bond. What the hell were they thinking there? The karate battle itself could have been so much better. Some amusing scenes for sure, but Chula is one of those smirking villains who deserved much more than just a roundhouse punch to wipe that look off his face. Repeating the fun house thing at the climax probably wasn’t a good thing, either. And Hamilton reportedly told the actors to play things lightly when it could have had more edge in certain scenes.

    John Barry’s score also adds a lot to this one. I find it strange so many don’t like it much. Knowing he had only 2 weeks to compose it makes it that much more of an achievement. Especially in light of David Arnold having 2 years to work out his scores and yet still repeats things from previous scores.

    So, while it’s not one of the highest profile films, The Man With The Golden Gun is a nice, off-beat film that works in its own way. Taking a break from the please-at-all-costs attitude works for it and people should give it a second look and try to enjoy it in that way. I just hope nobody takes that it wasn’t a massive box office success as criteria it’s a bad film.

    ‘The Man With The Golden Gun’ by Moonraker

    It’s not that bad really, but it’s flaws outshine the highlights. The Bond girl gives Bond girls a bad name, and the plot doesn’t make complete sense, the music isn’t jawdropping, and Bond isn’t at the top of his game. But Christopher Lee is the perfect villian and is a treat to watch in this film. The car stunt was fantastic but utterly ruined by the wistle effect. An entertaining film, not the best but not the worst.

    ‘The Man With The Golden Gun’ by Hrabb04

    Another slap in the face to the estate of Ian Fleming and Ian Fleming’s James Bond. Not even bothering to adapt the damned novel, the creators instead come up with an ultra-stupid plot sending Roger Moore on to the Far East, where it’s not You Only Live Twice anymore. With lame direction from Guy Hamilton, the people behind this travesty show they just don’t get Bond. Hamilton definitely did not. Britt Ekland proves she was nothing more than just Peter Sellers’ girlfriend, while Maud Adams shows she should have been the Bond girl for the whole movie. There is no chemistry among the regular players.

    Best things: Chris Lee as the villain and the score by John Barry
    In an alternate realty, Sean Connery, a full partner with Broccoli and Saltzman, is 007 in this one, with Jack Palance as the villain. It’s just like the book with the shoot out in the Jamaican swamp. It would be a nice way to bring Connery back to Jamaica over 10 years after Dr. No, bringing him back on top after getting amnesia in Japan.

    ‘The Man With The Golden Gun’ by Skudor

    The scenery is probably the one thing that keeps The Man With The Golden Gun off the bottom of my list. The film is dragged down by Britt Ekland’s appalling acting, the annoying (although quite amusing) appearance of J.W. Pepper, the flying car… Scaramanga’s hall of mirrors (a case of taking Scaramanga’s circus background too far) and his silly private nuclear plant (oh dear). The last cut to the movie is Roger Moore as Bond – never my favourite and therefore unable to drag the film up in a way that Sean Connery could have.

    Christopher Lee is usually very good, and doesn’t disappoint here.

    ‘The Man With The Golden Gun’ by tdalton

    This is just simply a turkey of a movie. Poor acting, poor direction, and a poor storyline keep this movie from even getting off the ground.

    Roger Moore, who was decent in his first go around as Bond in Live And Let Die seems to have lost his way in The Man With The Golden Gun. He just seems to sleepwalk through the role, as if there is no purpose of him even being there. He is not helped, though, by the horrible script that tries to throw in some nonsense about a solar agitator to give the villian a huge scheme for Bond to destroy.

    Sometimes, low-key is what is needed in a Bond film, and if there were ever a film that this was true for, it’s The Man With The Golden Gun. Instead of Bond having to track down who has the solar agitator, why didn’t the writers just keep the plot to Scaramanga trying to assassinate Bond. It could have been much better this way, with Bond and Scaramanga playing a cat and mouse game throughout the film. Unfortunately, this is not the case and the film becomes a tangled mess.

    Christopher Lee is well cast in the role of Scaramanga, but he’s not given anything to do. Britt Ekland is one of the worst Bond girls ever, only in front of Halle Berry’s Jinx. Goodnight could have been such a good character, but Brit reduces her to a complete moron. The only reason that she beats out Jinx as a Bond girl is that she’s easier on the eyes. Both of their performances, though, were just dreadful.

    Maud Adams is terrible in her role as Andrea Anders. She is much better a few years later in Octopussy. Even M and Q are made to look like incompetent fools in this film. It’s just a downright awful film that the producers should consider withdrawing from the official 007 series and consider going back and remaking.

    The musical score is okay, but LuLu’s title track is flat out awful. If they wanted someone to sound like Shirley Bassey, as LuLu has claimed that she was forced to do when recording the track, then John Barry should have just gone out and gotten Shirley Bassey to do another Bond theme. Just let the performers perform it the way that they would normally, that’s why you picked them instead of Shirley Bassey!

    It’s good to see that they recovered from this one to make one of the finer entries, The Spy Who Loved Me, but The Man With The Golden Gun leaves an unnecessary black-eye on the Bond franchise. It could have been so much better, yet it self-destructs on practically every level.

    On the whole, a solid film.

    ‘The Man With The Golden Gun’ by trumanlodge89

    I must admit, for everything wrong with this film, its one of my guilty pleasures. Moore does his job in this one, and he has some of his best one liners in The Man With The Golden Gun. (“I shoooooore am, boooooy!”) Maud Adams is underused in this movie. Her chemistry with Moore is outstanding, and I’m sure that is why she returned for Octopussy. Britt Eckland as Goodnight is easy on the eyes, but completely pointless.

    Christopher Lee is really the only thing that makes this movie stand out. He is perfect for Scaramanga. The scene where he caresses Anders with the golden gun is particularly chilling, as is the murder of Hai Fat.

    The movie as a whole looks poorly put together. The editing is somewhat sloppy, and it seems may shortcuts were taken. Why is Roger Moore a cowboy in the funhouse scene. Couldn’t they make a wax replica of Bond for the funhouse as well? The “wax” Moore is clearly moving in the PTS. The flying car is pointless (and looks horrible), and what is with that SLIDE WHISTLE?

    Lulu’s theme song is particularly annoying. Someone recently suggested this movie be remade with Eric Clapton singing the theme. This version sounds so much better in my head.

    ‘The Man With The Golden Gun’ by Freemo

    Not flawless by any means, but not near as flawed as people suggest, colosally underrated, and perhaps the last “real” Bond film, before the series got diluted by actions scenes, gadgets, and the dreaded “formula”. Bask in the travelogue flavor, revel in the fact that we’re seeing the series’ best villain in Scaramanga, the real dark side of Bond, and probably Moore’s best performance as 007.

    What about Bond’s visit to Lazar’s shop, Bond smacking Andrea around, and Bond’s lunch with Scaramanga? Three wonderful scenes, the latter of which I’m putting in as a late entry for best scene in the series. These are where we really get to see “James Bond”.

    People point out many flaws in this movie and I won’t deny the slide whistle during the spiral jump, and JW Peppers return, but Mary Goodnight? A wonderful, light character. A bit of a bumbler, but so what? Wonderfully played, and the film is richer rather than poorer for her inclusion. The title song cops an undeserved hiding too. What’s wrong with it? I think it’s catchy and kinda cool.

    Not perfect, but very, very good.

    ‘The Man With The Golden Gun’ by ACE

    ROGER MOORE

    Firstly, Roger Moore’s performance is excellent. There are three scenes where he is better than Sean Connery.

    1) After the much vaunted slapping of Andrea (Moore flinches!), 007 tells her that he would inform Scaramanga of this meeting if she double-crosses him. The line about the bullets being very expensive is funny and cruel and the scene is played with a genteel sadism which Moore excels at.

    2) This quality is prevalent throughout Bond’s toying of Lazar (“…or forever hold your piece!” – again funny, yet cruel)

    3) Bond’s luncheon with Scaramanga at the end. This last scene is particularly well-written and acted evoking genuine dramatic tension. In all these scenes, Moore is cold and professional and conveys the capability of his licence to kill. Even throwing the canal-urchin off his boat is a consistent choice in performance – something that might not happen in these days of “protecting the star.”

    The release of the Solex at the end is also gripping, again through Moore’s performance – he’s actually acting; desparate and concerned.

    PRODUCTION DESIGN

    Peter Murton’s designs, obviously influenced by Ken Adam, have immense creativity (the capsized HQ, Scaramanga’s junk and island). The notion that the sets weren’t adequately used because there were not thousands of extras milling about misses some points. The entire island, because of its power source and labour-saving devices, is capable of being run by few staff.

    STORY AND CHARACTERS

    The story is Bondian and has new relevance in these eco-friendly times (see “Sahara”). It is fresh because there are no nuclear weapons or Russians or SPECTRE. Thankfully, it didn’t end up as “Shane” reworked! The Andrea sub-plot is clever (re-worked in Licence To Kill with Lupe) and the scene of her being caressed by the golden gun is potent. Hai Fat, Nick Nack and Scaramanga are well-played and written. Christopher Lee was a break from the starchy villain and there was a classy, other-worldliness about him that worked so well.

    LOCATIONS

    The locations are terrific, refreshing, visual stunning and relevant. I know this film has been criticized for being built around the locations but remember the days when Bonds were actually shot where they were set? The photography is crisp and a testimony to Ted Moore and Oswald Morris.

    MUSIC

    Barry’s main theme is a energetic experiment with Lulu singing her heart out (and the inspiration for Duran Duran) while the instrumental version has a menacing yet romantic gravitas.

    FLAWS AND WHAT IF?

    There are many problems with the film, granted. Certain characters could have been cut. Mary Goodnight as written and performed is not good. Had there only been one girl, a more romantic, sexy relationship could have been established (Barry’s theme is haunting and romantic). No bedroom farce, Bond could have “rescued” Andrea, freeing her from sexual slavery thereby besting Scaramanga yet again. Sheriff Pepper need not have returned – Bond just steals the Hornet car on his own. Finally, of course, Hip’s kung-fu nieces could have been dispensed with. Bond should have had a real tough dukeroo with Chula and then dived through the wall and runs straight to the klong.

    A NEW PRE-TITLE SEQUENCE?

    I have never been a fan of the the pre-title fun house sequence. Perhaps this, too, could have been reworked. Bond fails to protect Bill Fairbanks. Fairbanks was to meet with Prof. Gibson regarding the Solex Agitator and Bond was to accompany them. Failing to save Fairbanks from Scaramanga (scene ends with him finding remains of the bullet, thereby cutting the awful “Beirut” sequence), which together with the delivery of a golden bullet after the titles, gives 007 a greater impetus to find his man.

    BOND’S MOTIVATION

    Furthermore, Bond’s motivation is sharply refined. He feels guilt for Fairbanks’ death – was the bullet meant for him? Bond must find his man. However, the delivery of the golden bullet to Bond signifies Scaramanga’s determination. Introduce Scaramanga in the body of the film with a shorter Fun-House sequence culminating in the shooting of Bond’s dummy.

    HAI FAT’S GARDEN

    The Sumo-wrestler garden fight could have been tougher. I can imagine a garden full of “statues” coming to life menacingly to apprehend Bond when touched by moonlight.

    FLAT ON HIS COUP DE GRACE

    The end could be a cat-and-mouse chase throughout the entire island (and junk) with Andrea breaking free and helping Bond since she knows the place. Bond replacing his dummy could still be retained as it is a great touch (thus retaining the great Cockney rhyming slang quip, “Flat on his coup de grace”).

    AN EXPLANATION

    I know it is silly to “re-imagineer” a Bond film. Many people have placed the blame for the (relative financial) failure of The Man With The Golden Gun on a variety of things including its poster artwork! I think the reasons are a little more complex. The Man With The Golden Gun was released less than 18 months after Live And Let Die, a shorter time span than normal, which suggests a rushed pre-production schedule. The curiosity factor for Moore had gone as this was his second Bond film (a common cause for less-than-expected results). Eon Productions was in a state of flux (Cubby vs Harry/Mankiewicz vs Hamilton/Thailand vs them all!) and the budget for the film was, in real terms, lower than the recent entries. This was because UA, who were recovering from a major re-organization at the start of the 1970s (which would lead to mutiny in 1978), were reluctant to fully back any project. Marketing and competition factors in the Xmas of 1974 would also have reduced box office for the film. Despite all this, The Man With The Golden Gun was still one of only the small percentage of studio films that would make any profit whatsoever. The film’s success was such that the same people responsible for it were scheduled to make The Spy Who Loved Me. Artistically, its huge flaws accepted, The Man With The Golden Gun ranks way up there.

    ‘The Man With The Golden Gun’ by Genrewriter

    Easily the worst of the series, this takes a good premise-Bond and Scaramanga as opposite sides of the same coin, and needlessly tacks on a “relevant” subplot that just gets in the way. Christopher Lee and Roger Moore are good but the rest of the actors play characters that are either badly written (Goodnight), annoying (Nick Nack) or just plain out of place (J.W. Pepper). Humor is also used very badly with the slide whistle over the bridge jump being the worst offender. Worst of all, the film is simply quite dull. A very disappointing misstep.

    ‘The Man With The Golden Gun’ by Bond111

    Completely underwhelming and tepid Bond “misadventure”. It doesn’t really contain any notable action scenes, the locations seem bland and uninteresting (aside from James Bond island), the Bond girl is stupid and doesn’t serve any purpose, and John Barry’s score isn’t quite up to par. The film’s only commendable point is Christopher Lee’s presence. It’s a pity he couldn’t have starred in a much better Bond production.

    It was released just one year after the previous film, and it shows.

    ‘The Man With The Golden Gun’ by Qwerty

    It’s not a horrible film really, it’s just not a good one. I suppose an exception to the theory that a Bond film is usually as good as it’s villain is this film. Francisco Scaramanga is an inspired villain, going for the dark side of James Bond or the mirrored image – completely opposite. His lines are well crafted and he’s probably the best character in the film.

    Mary Goodnight however, is not so good. She’s not really horrendous, but she’s just nothing special. Her sometimes blunderous actions: cutting Bond off, getting herself and the Solex locked in Scaramanga’s car, knocking Craw into the liquid helium, hitting the button to open the shutter, etc… detract from her character. Andrea Anders is a somewhat more interesting girl, but her lack of screentime prevents her from leaving a real big impact in the film.

    The plot would have worked better had they spent more time developing it and deciding where they really wanted to go with things.

    That said, the locations are pretty nice at times.

  • 'From Russia With Love' Level 3 Screenshots

    By Athena Stamos on 2005-08-19
    From Russia with Love Aston Martin Istanbul

    Visit CBn’s FRWL Gallery to view all of the Istanbul screneshots:

    EA has once again provided us with CBn-exclusive From Russia With Love screenshots. They have previously provided us with shots from Level 1: The London Level and Level 2: Hedgemaze.

    Today we’ll take a look at one of the blockbuster missions in the game, Level 3: Istanbul.

    Istanbul: This is From Russia With Love‘s first driving level which follows and expands upon the movie. Your mission is to transport Kerim Bay safely to Station T. So this level will start out with James Bond (you) meeting Kerim Bay at the airport . Then you’ll speed off through the countryside in your Aston Martin DB5 and eventually end up in the city. You’ll hop out of the Aston and finish the level on foot with guns and gadgets.

    Because From Russia With Love will be running off an all new game engine, this level has fully fully integrated driving. You will actually be able to get out of the Aston Martin and proceed on foot without encountering load screens in the game, yay!

    Natasha Bedingfield as Elizabeth Stark just rescued by James Bond

    Natasha Bedingfield as Elizabeth Stark just rescued by James Bond

    CBn learned at E3 that there would be two present day Bond Girls in the game. Now if you haven’t been paying attention both of those girls have been announced: Maria Menounos as Eva and Natasha Bedingfield as Elizabeth Stark.

    Elizabeth Stark is the daughter of the British Prime Minister in From Russia With Love. She shows up in Level 1 when 007 flies through a fiery falling helicopter in his jetpack to rescue her. I’ve been wanting to share this screen shot with you all ever since I played the London Level demo at E3 because as the action sequence leading up to this actual shot is fantastic! I finally got my hands on a clear version of the shot… enjoy.

    Stay tuned to CBn for the latest breaking news on From Russia With Love.

    Pre-order ‘From Russia With Love’

  • Greece: A Drive In The Country

    By Guest writer on 2005-08-18

    written by Martin Mulder of On The Tracks Of 007

    In the heart of the Mediterranean Sea lies one of Europe’s most interesting countries: Greece. Its mainland surrounded by thousands of islands, Greece played an important part in European history. It also provided dazzling filming locations for James Bond’s 12th adventure, For Your Eyes Only, which brought Roger Moore’s Bond back to reality. It is possible to talk for weeks about Greece’s rich history, but that would be too much to discuss here. We will limit ourselves to the remains of the filming locations, in both the mainland’s Meteora region, and on the island of Corfu.


    View of Corfu’s busy but beautiful east coast

    The island of Corfu: Corfu Town

    Corfu has a lot to offer, from beautiful beaches to magnificent landscapes. For the Bond Agios Spyridon tower in Corfu Townlocation hunter, it has even more to offer. In For Your Eyes Only it was used by the filmmakers not only as the island it is, but also as the area around Madrid (Spain) and Albania. Director John Glen wanted to return to the style of the earliest Connery films and present Bond as a more realistic hero who gets hurt every now and then. The storyline was roughly based on two short stories by Ian Fleming, “For your Eyes Only” and “Risico”. The script ultimately written by Michael Wilson and Richard Maibaum, For Your Eyes Only had a budget of 28 million Dollars and called for mainly European locations. Greece was soon decided upon, since it was a country Bond had not visited before. While scouting for possible locations, Michael Wilson and John Glen instantly fell in love with the island of Corfu, realizing its beauty had a lot of potential.

    The round temple in the park at Corfu Town
    Corfu Town is a busy place. In the heart of the city, a pedestrian area called ‘the Old Town’, is crowded with tourists all try to bring home some souvenirs from the many shops. Here you should take your time, sit down somewhere and relax a bit while enjoying a glass of Ouzo, the national drink. In this area you will also find the Agios Spyridon Tower, which could be briefly seen in the film, when Bond and Melina ‘shopping’. A big park on the eastern side of the city is called the Spianada. Here the Greeks play… cricket (!), a sport introduced by the British around 1850. In the park, you can also briefly visible in the film.

    The Old Fortress at Corfu Town

    The harbour at the Old Fortress, not in Albania...One of the most exciting Bond locations in Corfu Town is undoubtedly The Old Fortress, built by the Venetians. This fortress served in fact as a background for more than one action sequence. It is already visible in the beginning of the film, when Gonzales flies Melina towards her parent’s boat. Later in the film, it is supposed to be close to Kristatos’ Albanian warehouse. This ‘warehouse’ is located on the northern side of the fortress, and is in reality a small harbour house. When Bond and Colombo’s men arrive at the warehouse at night, they come from the north.

    Here, Locque drove his Mercedes through the tunnelTime to enter the fortress. The admission fee is only 5 Euro. When you walk into the recently restored area, you will not immediately be reminded of the exciting scenes in which Bond follows Locque on foot. But if you know where to look for, you can find all locations! To avoid unnecessary and time consuming searching, the best thing to do is to go to the left when you are in front of the ‘British barracks’. Following this path will lead you through the tunnels in which Bond was almost ran over by Locque’s Mercedes. There are in fact only two of these tunnels inside the fortress, and again this shows how clever filmmakers can be. It is amazing to see, that they ingeniously used every remarkable spot inside the fortress, and made it look like one big car-foot chase.

    The tunnels at the Old Fortress     

    Here Locque almost ran over 007

    The road and tunnels eventually lead to the most eastern side of the fortress, The stone gate from where 007 killed Locque an area where not many tourists show up, fortunately. Here you will find the still very recognisable stone gate from where Bond finally shoots Locque. In the film, Bond appears from the right side of the gate. In reality there is only a very small space here, mostly filled with rubble. Again this space was very cleverly used. After Locque is shot by Bond, the former’s car spins and crashes into a low brick wall. We all remember Locque’s car standing on the edge of a high cliff. This cliff is in fact not in front of the stone gate, but behind it. The high cliff, just behind the stone gate A security rope prevents us from falling down, but not from stepping over it to take some great photos of this very recognisable cliff… Although in this scene Roger Moore finally brought back something of Bond’s original harshness, he reportedly had big difficulty playing this. In the scene, Bond avenges his murdered Italian contact Ferrara, by showing killer Locque no mercy and finally kicking the latters car off the cliff. This kind of ruthlessness had in fact not been seen since the earlier Bond films. Recently, access to this area has been restricted, but there’s always the possibilty to climb some fences on the south side, or climb some walls and hills on the north side to get to your destination. Be careful though, the area hasn’t been taken care of for a while and is not in a very good state.

    The island of Corfu: Kanoni

    Vlacherna, or Mouse Island at KanoniOnly a stone’s throw away from Corfu Town lies the crowded Kanoni peninsula. Once the most beautiful corner of the island, it attracted too many tourists, and now it is almost completely filled with hotels. A small one-way street leaves from the most southern part of Corfu Town’s boulevard and takes you up the hill to some marvellous views. Just follow the road and the signs to Vlacherna and Pondikonissi, better known as ‘Mouse Island’. You will end up at the monastery of Vlacherna. This little church is on almost every postcard and is the most famous site in Corfu.

    Melina came here ashore to go shopping with Bond.Here, on the concrete road towards the monastery, Melina arrived by boat, after the action in Cortina d’Ampezzo. Driving back, up the hill, this time taking a sharp turn to the right, you will head towards a great viewing point. Here you have a marvellous view of the monastery and ‘Mouse Island’ in the background. To your right you can see the lagoon of Corfu Town, with the runway of Corfu Airport. It’s hard to imagine why so many hotels offer a room-with-a-view of this dirty lagoon.

    Villa Sylva, Gonzales’ Spanish countryside villa and poolFollowing the road up the hill, you will pass the entrance of the Corfu Palace Hotel, where you can find the casino nowadays. Time to slow down. Immediately past the Corfu Palace entrance, also on your right, you will find a metal fence. Next to it is a name plate: Villa Sylva, one of the most hard to find Bond locations. If you’re lucky, the gate is wide open and it is totally up to you whether you want to ignore the sign “Beware of the dogs” or drive on. I can tell you, it is worth to take a look inside. Driving through the gate, you will find yourself on a bad road, but don’t let this scare you off. Follow the road past a small house on your left, until you enter a small roundabout. In the middle of this roundabout there’s a statue of a dog. Is this the dog you were supposed to beware of?

    From here, Cuban hitman Hector Gonzales took his final divePark your car somewhere and walk towards the house. Does it already look familiar? When you see the pool, you must finally realize that you have found the ‘Spanish’ villa of hired hitman Gonzales. Here the memorable scenes were filmed wherein ‘Bond had Gonzales perforated by Miss Havelock’. Things have changed a bit around here, but people with a good memory can still recognise the pool area, the diving board, the outside bar and the garden area around the house. If the place is still as abandoned as it was when we got there, take your time for a small walk through the garden and discover some beautiful views. Not a bad place for a villa, right?

    Villa Sylva was also used in the film The Executioner, starring George Peppard and Joan Collins, in 1970. Situated next to "Mon Repos", the summer home of the King of Greece and the birthplace of Prince Philip of Great Britain, the villa can be rented if you’re interested through Villagetaways.com. During the high season, the villa rents for just 26,000 Dollars a week. This might give you a clue of the luxury and magnificent views you can expect inside.

    The island of Corfu: The north

    Danilia Village gate served as Gonzales’ entrance gateWhen you leave Kanoni and Corfu Town and head towards the north, you will pass some very touristic towns, like Gouvia and Dassia. At Gouvia, a few kilometres more inland, lies Danilia Village, a specially prepared village that served as some sort of open air museum. Mainly due to financial problems, the village was closed, and is not accessible for us anymore. This keeps us from visiting the church where Bond met Q, who informs him about the amount of ‘St.Cyrils’ he had discovered in Greece. This scene, as well as the Greek wedding scene, was filmed in Danilia Village. A very funny sign at the entrance gate tells us it will re-open in 200.. The last number has been removed and visitors have taken this opportunity to fill in the gap and leave comments like "September 2004, still not open!"

    Bond drove his Lotus past this entrance.The stone entrance gate to the village was also used as the gate around Gonzales’ Spanish countryside villa. On the road in front of it, we saw Bond drive his Lotus while passing Locque in his Mercedes. The latter can then be seen turning into the gate and driving on to the premises. Although the area in front of the gate has clearly been altered by mother nature in the past years (trees now almost hide the complete entrance), it is still not hard to recognize the location.

    At Kalami Bay, Gonzales murdered the HavelocksIf you keep following the coastal road, driving through Ipsos and Pyrgi, you will also get to Kalami Bay, where marine archeologist Sir Timothy Havelock and his wife were stationed by the British to try to recover the ATAC computer. Here, Melina was dropped off by Hector Gonzales, after which he takes off, flies away and turns his plane around to assasinate the Havelocks. Below, on the right side of the bay, you might be able to see the square white house where writer and poet Lawrence Durrell lived in the ’30’s. Now known as the ‘white house’, Durrell called it Prospero, and it was in this house he wrote his most famous work ‘Prospero’s Cell’. For those interested in staying at historical places, the owner rents the house for a thousand Euros per week.


    Kalami Bay

    This crossing is an amazing find on an island with so many small roads.When you return from Kalami, following the road back to the busy tourist towns, try to find the exit on the right towards Spartilas. On this small corner, you can probably recognise the place where Bond stopped his Lotus to look at his road map, while searching for Gonzales’ villa. Following the road up the hill brings you to an awesome view of Corfu’s east coast. And eventhough you might think the sharp curved road was used in the 2CV chase, this is not the case. These roads will be our next stop.

    Close your eyes and pretend you drive a yellow Citroen 2CVYou will find yourself on a maze of roads, and sometimes there aren’t even any road signs. Best fun you will have at the crossings, where you can always find a couple of people desperately trying to figure out which way to go. As it turns out, most of the time the necessary direction signs are behind some bushes or even a few meters behind the actual crossing! At Kastellani, start following the signs towards Agios Georgios Beach. This is the road used in the 2CV car chase scenes. During their location scouting on Corfu, the film makers noticed the local farmers collecting the olives from the trees, which inspired them to incorporate the winding roads and cascading olives in the car chase. Often, ideas like these are written into the script at the last minute and sometimes whole scenes are changed by coincidental encounters with local habits.

    The little bridge at Vatonies, still very recognisable.Before we get to one of the most interesting locations on the island, we approach a tiny town called Vatonies. The last curve before town, recognisable from a stone bridge, was used in the first scene after we see Bond leave Moneypenny’s office. Bond drives his Lotus through the (Spanish) countryside and we see him excellerate in to the hills. Two Cypress trees, visible in the film as tiny trees, are still recognisable here in front of the bridge, now 25 years later.


    Pagi village
    Directly after passing Vatonies, you will enter the town of Pagi. Pagi can easily be called the smallest and least interesting town on the island. Except for us! Pagi overwhelms you when you look at the town more carefully. In this town, Bond and Melina’s yellow Citroen 2CV had its finest hour and raced some mean looking baddies in Peugeots. The roads surrounding Pagi, whirl themselves through the immense fields of olive trees and were also used in that same car chase, brilliantly staged by French stunt co-ordinator Remi Julienne. He would later also work on scenes like the May Day chase around the Eiffel Tower in ‘A View To A Kill’. Filming started on Wednesday September 24th 1980 and took nearly 12 days, using a total of 5 Citroens or the various scenes


    Whatever you do here, do NOT try to take the low road


    Nothing has changed here.
    The main road through Pagi leads you past some recognisable landmarks, like the town’s church tower. In the heart of the village, you will immediately recognise the famous place where Bond advised Melina to ‘take the low road’, after which the 2CV ended up on it’s  roof. Nothing has changed a bit since those Pagi village days, and it seems as if time has stood still in Pagi. Best thing to do, is to park your car somewhere and stroll around this lovely and quiet place. I can assure you that images of a yellow 2CV will keep on bothering your retina… From Pagi it is only a few kilometres to Agios Georgios, where you can spend some time on the beach. The town itself is filled with hotels, so this could be a good opportunity to relax and perhaps even spend the night.

    The Island of Corfu: The Achilleion


    The Achilleion entrance
    Our next goal is to visit the palace of Empress Elisabeth of Austria, better known to the world as ‘Sissi’. Impressed by the beautiful view, she bought the land in 1890 and ordered the construction of her palace ‘Achilleion’, where she was to spend many springs and autumns. In the early 60’s, the Greek government rented the palace to a German consortium, who totally refurbished and remodelled the top floors, and turned them into the island’s first and only casino. It was here where the casino scene in For Your Eyes Only was filmed.

    From Corfu Town, you should drive to the south, towards Gastouri and Benitses. The Here Bond and Kristatos enjoyed their diner at the Casino palace is mentioned on the road signs immediately after you pass Corfu Town’s outer areas. Just follow the signs, and you will be taken up a hill, straight to the Achilleion. The admission fee for the palace is about 3 Euro. When you walk through the entrance gate, you will see what many believe is one of the ugliest mixtures of architectural styles. Whether you like it or not, of course, is purely a matter taste, but it sure brings back some memories. The entrance of the building was briefly visible in the casino scene. On the eastern Melina and Bond had a serious conversation here side of the building, you will find a beautiful square, paved with black and white stones. Here Bond had a delicious diner with Kristatos, while observing Colombo and Countess Lisl. Walking northwards you will get one of the best views on the island. A serene balcony terrace offers an absolutely marvellous view of Corfu Town and of Albania and the Greek mainland on the other side of the sea strip. Here, later in the film, Bond and Melina share a romantic moment together, Melina relating how much ‘her father loved this view’. In fact, this view and the gardens surrounding the palace make it very worth while to visit the palace. Take your time.

    The island of Corfu: The south

    The southern part of Corfu differs from the rest, mainly because it is much flatter. Only in the most southern corner a small mountain rim is present, but most of the south is reasonably flat. A major touristic area you will find around Kavos. If you like going out to bars and discotheques, you should not forget to visit this town. Another interesting place is Lake Korission. This huge lake provides home to many interesting bird species. A small gap in the dunes leads directly to the Ionian Sea, and it is this gap that divides the area into two parts. The southern part of this area has only recently been discovered by the tourists, the main town there being Agios Georgios. Although we have mentioned this name before, it is a totally different place.

    The beach where Lisl was killed

    In this southern Agios Georgios you will find excellent space for water sports and the beaches are hard to resist. When you walk on the beach, you should walk northwards, towards Lake Korission. Once you will notice the sandy dunes, you should take some time to look around. Doesn’t this area ring a bell somewhere? 

    The dunes of southern Agios Georgios. Watch out for them damned buggies.Since this is the only place on the island where you will find dunes, it will not take very long for you to realise that here on these dunes Countess Lisl von Schlaf was murdered by Locque. In the film, Bond and the Countess spend the night together and early in the morning decide to go for a walk on the beach. When Locque appears in his dune-buggy, Lisl runs away and gets hit by the buggy. The actual bungalow where Bond and Lisl spent the night was just a fake facade, put there for the filming.You will understand there’s is not a trace left of it.


    Kastraki, the tiny town at the foot of the Meteora

    The Greek mainland: Meteora

    When you’re looking for an interesting excursion, you should consider taking the ferry to the mainland. From Corfu Town, the ferry leaves every hour. You can either walk onboard (6 Euros) or take your rental car (27 Euros). The boat trip takes about 1,5 hours and will bring you to Igoumenitsa. From there, it’s a 200km ride to Meteora, mostly on small curved roads over some of the highest mountains of Greece. The ride takes about 3,5 hours, but if the newly constructed Ignatia Road is ready, your ride will be both much more comfortable and faster. At this point of writing, some parts have been opened, others are still on the drawing table. From Igoumenitsa, follow the road to Ioaninna and Metsovo and finally to Kalambaka. There, the real adventure begins the moment it is virtually impossible to miss the mysterious, huge cliffs at the horizon.

    Agias Triada, or St.Cyrills, Kristatos’ hideout at Meteora

    Still following the road signs ‘Meteora’, you will be taken through the small town of Kastraki and then immediately up to the mountains. After a lot of curves, you will discover a road sign bearing the names of all the monasteries in the Meteora region. Since EON used Agia Triada (or Agios Trias, the holy trinity) Monastery for the long shots of Kristatos’ hideout, called St.Cyrils in the film, best thing to do is follow the sign that leads to this beautiful site. The moment you see this monastery (or any other monastery you will come across) you will not believe your eyes! From the mountain rim you have a clear view on the valley, and in the middle of this unimaginable landscape stand these huge rocks, like pillars, each carrying a monastery on its top.

    Roussanou Monastery, visible when General Gogol arrives by chopperIn 1334 the monk Athanasios came to this region destined to build a monastery. Together with fourteen other monks he climbed Platys Lithos, one of the rock formations. There he started building the first monastery, Megala Meteora and others were soon to follow. The reason for building these holy monasteries on top of rocks, was to be closer to god. When the region was attacked by intruders from other countries, the monasteries seemed untakeable fortresses. Their location only became a disadvantage in more recent years, when Nazi bombers found the monasteries very easy targets, and did destroy some of them.

    The base of the Ayia Trias MonasteryFrom the road to Agia Triada Monastery you have a beautiful view of the rock. This is definitely the right place to take some photographs! Remember to go there either early in the morning or late in the afternoon, because only then you will have the advantage of not being overran by busloads of tourists, who come in every day around 11.00h to get a quick view and leave around 16.00h to be back on time for their dinner.

    This rock next to Agias Triada was used to built a fake monasteryFrom the entrance of the monastery it’s a small walk downhill, until you reach the path they cut out of the rock. Climbing up the stairs, you will have a great view of the base of the rock, the place where the Bond/Colombo party arrived and had a first look on ‘St.Cyrils’. Truth is, John Glen didn’t use much of the actual monastery, but had a more usable monastery-set built on the rock next to Agia Triada. This rock was also used for other close-ups, and is now not accessible for us. To enter a holy monastery requires proper clothing. Women are supposed to cover their legs and shoulders, and the monks have therefore all sorts of skirts and scarfs available. It sure makes great pictures!

    During the filming at Meteora, the producers had a very hard time dealing with the Greek monks, as the latter were not too impressed by  the violent image of the series main character. Despite the brilliant comment by Roger Moore, who told them politely that he ‘once was a saint himself’, the monks tried to sabotage the filming by hanging out their white laundry as a protest. After some negotiation, the film crew rapidly started working on the dangerous climbing scene, performed by Bond-veteran-stuntman Rick Sylvester, who earlier jumped the Asgard mountain in the pre-credit scene of The Spy Who Loved Me. The smart directing of the stunning climb, made sure that this scene is still being regarded as one of the series’ highlights.

    The view hasn't changed since the early 80's.After a small tour of the monastery, you can walk outside to the ‘garden’. You will then also pass the pull-up basket, the monks use to pull up all the items that are too heavy to walk up. Although situated in a similar wooden cabin, this is not the same cabin used in the film. EON reproduced a cabin at the studio for the filming of the sequence where Bond pulls in Colombo and Melina. Outside the monastery is a great look-out. A dazzling cliff without any fence offers a magnificent view of the villages below. It’s this same area where Bond throws away the ATAC, and calls it ‘detente, comrade’.

    All in all, Greece is tremendously exciting. Whether you come for the Greek temples, history and culture, the sun, the night life or the beaches, you will not be disappointed by the splendour of this cradle of European civilisation. Greece has a lot to offer. The people are friendly and helpful, and are always willing to tell what they remember of the Bond filming. The filming locations are somewhat scattered across the mainland and Corfu, but touring them like we just described here, will definitely leave an indelible impression on you, and will make sure that you will return to Greece one day.

    For those of you interested in touring these Greek locations, onthetracksof007.com is currently setting up individual trips to Corfu and Meteora, together with local travel agency Karoukas. 8-Day tours will start from 300 Euros p.p, and include appartment, rental car and a detailed information package. Also in pre-production are special Corfu audio tours on CD. If you’re interested, please keep checking their website ( www.onthetracksof007.com ) or drop them an e-mail here.

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  • The Michael Di Leo CBn Interview

    By Devin Zydel on 2005-08-17

    Devin Zydel

    There are an abundance of James Bond books in the world today. They cover many aspects of the series ranging from the popular films to the literary 007. However, Michael Di Leo’s book, The Spy Who Thrilled Us: A Guide To The Best Of Cinematic James Bond is different. This isn’t a book that gives an overview of the series and proceeds to give information about a variety of topics such as the films, Bond girls and more, but it’s essentially a book that reviews and ranks many aspects of the cinematic James Bond in lists. Some of these include Bond Girl Names, Villain Deaths and many more.

    While this is not the typical Bond book to collect, what makes it all the more an interesting read is the very reason that it is different from many others. It sparks discussion among fans when they compare their own choices with those the author has written in this book. CBn had a chance to speak with Michael Di Leo about his book, The Spy Who Thrilled Us: A Guide To The Best Of Cinematic James Bond.

    The Michael Di Leo CBn Interview

    Q:Thank you for agreeing to the interview. First, tell us a little bit about yourself. How did you become a Bond fan?

    MDL:007 was the obvious subject for me to take on.My parents were big movie buffs and Bond fans, so we were always going to the movies on the weekends when I was a kid. I saw Diamonds Are Forever upon its original release in 1971 (I was only 4 years old) and have been hooked on Bond ever since.

    Q:What inspired you to create the book?

    MDL:Well I had always dabbled in writing and finally decided that it was time that I try my hand at writing a book. Naturally, since I’ve been obsessed with Bond since the age of four, 007 was the obvious subject for me to take on.

    Q:Why did you decide to go with ranking certain elements of the James Bond films as opposed to the approach of giving information about the films?

    MDL:I just felt that books like Benson’s Bedside Companion and Rubin’s The James Bond Films had already done that (superbly), so I didn’t feel I could bring anything to the table that they hadn’t already done so well in their books. However, with 19 films in the can (at the time of writing), no one had ever done a book that ranked all of the elements of a Bond film and I though it would be alot of fun to do so.

    The Spy Who Thrilled Us coverQ:What did the research for this book consist of? How long did it take you
    to write it?

    MDL:Not much research was needed at all. Just watching the films. And since I have seen each one over and over again since I was a child, I did not have to watch the films again to create my rankings. Once I chose a scene for ranking on one of the lists in the book, I would then watch that scene before writng about it. The book took me two and a half years to write—not that it should have, but in the course of writing it I got engaged, married, switched jobs, etc. There were so many things going on in my personal life at the time that kept getting in the way, but I kept plugging away until it was finished.

    Q:Did you watch the James Bond films multiple times while writing? Were there any specific Bond films you focused on more than others?

    MDL:I didn’t have to watch the films multiple times, just the particular scenes I was writing about. I can run the films in my head (as I am sure many Bond fans can) like videotape, just from having seen them so many times.

    Q:Did you devise a certain system for picking the Top 5 of the elements
    listed? Were there any specific “rules” you had?

    MDL:Once I chose a topic, I would literally just start in my head with Dr. No and run straight through to The World Is Not Enough and jot down all of the instances that a particular “subject” (i.e. “villain deaths&edquo;) ocurred. Then I would look at that list and wittle it down, crossing out the ones that I wasn’t particularly fond of until I got the list down to the five best. Of course sometimes I might get it down to seven that I really liked, and then I would just mull it over and force myself to get it down to five. That’s why on some of my lists I have an “honorable mention“ list. Those are the ones that finished 6th or 7th on my list.

    Q:What decided which list categories would make it into the book? Were there any lists you originally had in mind, but dropped?

    MDL:I think in doing a book like this, some of the categories are obvious (best villains, best henchmen, best girls, etc.). The fun for me was coming with categories that were not so obvious. So I really enjoyed categories like “Helicopter Explosions” and “Why Don’t They Just Shoot Him?” Plus I wanted the book to be somewhat lighthearted in tone, so categories like those helped me achieve that goal. Where else but the Bond series can you come with a category entitled “Helicopter Explosions”? There were not categories that were dropped. In fact when I signed my deal with my publisher, he asked me to put more categories in the book than were in my manuscript. So I actually had to rack my brain to come up with a few new ones before publication.

    Q:Were there any goals you set while writing the book?

    MDL:Nothing more that finishing it and getting it published. Any sale numbers or money made was just going to be gravy for me.

    Q:What was your favorite part in writing this book, and do you have a favorite section?

    MDL:Definitely chapter 1, where I rank and review each film. I know that any serious Bond fan has their favorites and their not so favorites and has probably at one point or another ranked the films from best to worst, but to do it in writing, for the world to see, well that was a challenge but it was great fun at the same time.

    Q:Which listing has proved to be the most controversial among Bond fans?

    MDL:Chapter 1 again. I mean think of it, if you are a Bond fan and your favorite film is near the bottom of my list, not only are you going to be unhappy with that, but you’re probably not going to even want to read the rest of the book! So I really enjoyed categories like Helicopter ExplosionsI had one fan who was considerably younger than me and whose first Bond film was GoldenEye. GoldenEye is to him what Goldfinger is to older fans like me. He was quite miffed that GoldenEye was not that high on my list and that Tomorrow Never Dies (which he didn’t like) was. And for him, he couldn’t get past that and even read the rest of the book. But other Bond fans, especially ones my age (I’m 37) and older, who were around back in the Connery days, very much agreed with my rankings of the films. So I found that age certainly plays a factor in how Bond fans perceive certain films.

    Q:How did you decide which photos to use?

    MDL:I had in my head the photos that I wanted for each section and category. So I made a list of what I wanted to find and then went to a store in Greenwich Village in New York (I’m a native New Yorker) called “Jerry Ohlinger’s Movie Material Store” (a place I have gone to since I was a kid to buy Bond posters and memorabilia), which has one of the largest collections of movie stills in the world, and basically spent the day there, sifting through large binders of photos (the store has a large binder of stills from each film) until I found the ones that I wanted. I tried to find pictures that we Bond fans hadn’t seen before, but that was a tough chore. It was more important that the photo matched what I was writing about.

    Q:You mention that your book covers the official 19 Bond films; but would any of the aspects of 1967’s Casino Royale or 1983’s Never Say Never Again have made it into your lists? Any idea where you would place them in your Rank the Bond Films list?

    MDL:Well, being that Casino Royale was a spoof, I never considered including it, but if I did, it would rank near the bottom. I was never a big fan of Never Say Never Again. I remember being very disappointed by it when it came out in 1983, especially since I, like all Bond fans, were so ecstatic over Connery’s return. But I always felt the film was too light and comical and lacked the panache and style of an Eon film. I would probably rank it in my bottom third.

    Q:With that, what about Die Another Day? Where would you place that film in your ranking? Are there any lists in the book that it would have definitely made?

    MDL:My top five films are rock solid...I haven’t thought about it too much. I think the Vanquish would make the “Best Car” list. Miranda Frost might make the “Femmes Fatales” list. I think the fencing match between Bond and Graves would definetely make the best “One-on-One Fights” category. I love that scene. As for the film, I liked it. I thought the weakest parts were the PTS and the finale, but I thought everything in between (minus the CGI stunt) was very good. I’m not sure what number I would rank it—it wouldn’t be near my top 5—but it would probably be in the top half of the list.

    Q:What was the most difficult part in writing the book?

    MDL:Ranking the films and trying to explain in a short review why the film ranked where it did.

    Q:Has your view on the book changed over time? Have any passionate
    arguments lately caused you to change your rankings?

    MDL:Well, my top five films are rock solid and no amount of arguing would sway my position on those. Same with my bottom four. It’s the middle ten films (now 11) that you could sway me on, because I consider those middle 11 films to be pretty close in quality. So if I reviewed the list today I might flip-flop some of those middle films. Looking back now, I think I like Tomorrow Never Dies better than The World Is Not Enough, but in the book, The World Is Not Enough is higher. I’m sure over time, I might start to appreciate one of the films more than I did at the time of writing, but again I’m talking about the middle films. Nothing is going to dissuade me that Goldfinger isn’t the best or that A View To A Kill isn’t the worst.

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  • Pre-Order Titan's 'Colonel Sun'

    By johncox on 2005-08-17

    Titan Books Colonel Sun by Jim Lawrence and Yaroslav Horak is now available for pre-order at Amazon.co.uk. The release date shows as December 23, 2005. Amazon has also revealed prototype cover art for this volume (Titan has confirmed that this cover art is not final).


    Titan Books 'Colonel Sun'

    Prototype cover art for Colonel Sun

    CBn first broke the news that Titan would be publishing Colonel Sun as the next book in their series of collected James Bond Daily Express comic strips.

    Colonel Sun was the very first James Bond “continuation novel” written by Kingsley Amis under the pseudonym Robert Markham. The story sees 007 traveling to Greece in pursuit of a Chinese sadist bent on sabotaging a USSR summit conference and pinning blame on the British. The book includes one of the more grisly 007 torture scenes. One interesting different between the novel and the Daily Express strip is that in the strip Colonel Sun works for SPECTRE.

    This volume will also include the original story River of Death which sees James Bond traveling to the Amazon in pursuit of Dr. Cat who uses deadly venom injected into animals to commit murders around the globe. River of Death was published in the Daily Express from June 24, 1969. Colonel Sun followed on December 1, 1969.

    Titan’s most recent release is The Spy Who Love Me (due August 26), which also includes the non-Fleming story The Harpies.

  • 'The Man Who Saved Britain'

    By johncox on 2005-08-16

    If the The Moneypenny Diaries wasn’t enough to keep Ian Fleming Publications on alert, now we have news of another mysterious “James Bond” book.

    The Man Who Saved Britain by Simon Winder purports to be “a funny, serious history of post-Colonial Britain as seen through the eyes of James Bond, part memoir, part history.” The book was purchased last year by Penguin Press, but does not yet have a publication date.

    The description of the book as “part memoir” almost makes it sound like a continuation novel. But this is unlikely.

    In 2000 author Winder edited a collection of Fleming Bond material titled My Name’s Bond…: From The Fiction Of Ian Fleming, so it’s possible this book could be another collection of Fleming’s work with the emphasis on Bond’s observations of Britain.

    However, seeing as this book was purchased last year and has yet to appear on Amazon (or even get a reported release date), it’s hard to say when (or if?) The Man Who Saved Britain will appear on bookstore shelves.

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  • 'SilverFin' Large Print Edition

    By johncox on 2005-08-16

    A large print edition of SilverFin, the first Young Bond novel by Charlie Higson, will be published by Thorndike Press, the world’s leading publisher of large print books. The book is scheduled for release on 14 November and can be pre-ordered at Amazon.com and Amazon.co.uk.

    Click to open gallery

    Click to open CBn’s Young Bond character portrait gallery

    Large print editions can be highly collectible as they are typically published in small quantities with most going to libraries. Pre-ordering is a must. Not only are large print editions only available for an eye-blink, but they frequently use alternate dust jacket cover art making them even more desirable to collectors.

    The most recent publication of a James Bond novel in the large print format was Ulverscroft’s The World Is Not Enough by Raymond Benson (see CBn’s coverage here). The last large print Bond novel published by Thorndike was Benson’s Die Another Day.

    For all the latest on the Young Bond franchise – including the next novel in the series, Blood Fever – keep watching CBn.

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