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  1. Swiss Reception For 007

    By Guest writer on 2006-11-20

    The Swiss premiere for Casino Royale took place in Zurich on Thursday, 16 November. James Bond fan Christian Wiedmer reports on the grand event for CBn…

    Click here for pictures from the Casino Royale Swiss premiere.

    Swiss Reception For 007

    Daniel Craig at the Swiss Premiere of Casino Royale in Zurich, 16th November 2006

    Written by Christian Wiedmer

    The fan base of the new 007, Daniel Craig, isn’t big enough yet to cause a serious traffic jam in Zurich. It was there, at the Abaton Multiplex Cinema, that the glamorous Swiss Premiere of Casino Royale took place.

    After many years, it was the first time that the leading man of a Bond movie gave Switzerland the honour to be present at the premiere. It was not only Daniel Craig that the fans and press awaited, Bond girl Caterina Murino and director Martin Campbell, along with producer Barbara Broccoli, were set to attend the event as well.

    James Bond, half Swiss

    Since the beginning of the saga, Bond’s relationship with Switzerland is a special one. First of all Bond’s mother was Swiss. Very often, Bond movies have been shot on Swiss locations (Goldfinger, On Her Majesty’s Secret Service, The Spy Who Loved Me, A View To A Kill and GoldenEye), and since Ursula Andress’ Siren-like appearence in the first Bond movie Dr. No, Swiss actors continued to play various roles in the franchise. However, no one came close to Ursula’s part. In Casino Royale singer-actor Carlos Leal (member of the pop group Sens Unik) played a tournament director. This premiere looked as if 007 returned to his second home.

    Long before the guest’s appearence on the red carpet, one of the most precious assets from the movie received an honorary place in front of the Multiplex’ entrance–the Aston Martin V8 Vantage. Of course, nobody really expected 007 to get out of that car. It took another hour of waiting in the cold and the James Bond Theme playing, when Daniel Craig and his entourage finally arrived. An attack of hysteria among the fans broke loose. The actor was cheerful and relaxed, one could easily see a profound satisfaction on his face, giving countless titbits of interviews to the waiting press, and signing one autograph after another on whatever the shrieking fans gave him. Craig made several general remarks about the movie. Those who hoped to get a glimpse on Craigian wisdom would leave in disappointment. Yes, he was very satisfied with the result, he said. No, the torture scene didn’t affect Bond’s manhood, he even could have children, if he wanted to. And off he was to the next microphone, listening to the same questions over again.

    The Sacrificial Lamb

    Italian actress Caterina Murino almost got unnoticed when she arrived because of the extreme stir that Craig had left. Murino explained how proud she was to be part of the Bond universe: “It was for me a great experience as woman, and a great experience as an actress to work with Daniel Craig. I think it’s the best Bond movie ever made.” With her heavily Italian accented English, Murino continued to describe Solange, the character she played in the movie: “She’s more independent, it’s less cliche of a Bond girl. She is just a woman, and I tried to give to this role all the feel of a woman, the emotion of a women, because she is very upset. Her husband is very bad. I hope a lot of women can relate her to their real life.”

    Next came director Martin Campbell and his new wife Sol E. Romero. Another Swiss connection, more on the private side this time, as Romero is half Swiss too. The couple married in Lausanne on 6th October 2006. The tabloids reported on the event back then, making some candid remarks about the fact that the bride’s family didn’t want to show up on the ceremony.

    The Best James Bond Movie

    Most people, especially the press, didn’t notice the moment when producer Barbara Broccoli walked over, showing no sign to come close to a microphone or autograph book, just smiling when somebody announced her name. On the other hand, Martin Campbell seemed to enjoy every moment he spent on the red carpet, kissing his young wife as often as he could. He had every reason to be proud of the movie, and it showed in a brief interview he gave to me.:

    How was it for you to direct a second James Bond film?

    It’s really good. It’s a different James Bond, it’s a new one most of the time.

    Will you do another one?

    Oh, I don’t know. I have no idea. We’re going for a honeymoon, actually. That’s what we are gonna do. Yes, I may be, maybe I will.

    The next one?

    I don’t know, if I will do the next one. But we’ll see.

    Was it frustrating to deal with the situation of having a new actor and a bad press?

    Not for me. Because I knew it was all rubbish. But for him it must have been tough. You know, we haven’t even showed any part of the movie and they were already killing him, you know. When you see him now, he’s absolutely terrific.

    It’s the best Bond film.

    Of course, it is. What else would it be? I directed it. (laughs)

    Why should everybody see this film?

    Why? Because it’s the best Bond film. You just said. It’s exactly why you should see it, yeah.

    Why did you choose this kind of Bond song by Chris Cornell?

    Well, because I love it, I think it’s almost hard rock; it’s really good.

    How do you collaborate with composer David Arnold?

    Well, I give him a fair amout of latitude. We go through every scene, we talk about the side of the tone [that] should be. He does demos, music demos. We listen, and then we alter it slightly and adjust it. That’s what becomes the score of the movie.

    ***

    Just never expect an in-depth analysis by an interviewee on such occasions.

    Among the local celebrities another renowned Bond personality arrived just on time: Tina Turner, performer of GoldenEye and resident near Zurich. Everybody seemed to be happy. After the film’s premiere the Bond people, along with the celebs, went over to Zurich’s party place No. 1, the Kaufleuten.

    ***

    My special thanks to Nora Brechbuhl from Buena Vista International (Switzerland).

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  2. Casino Royale International Box Office Details

    By Devin Zydel on 2006-11-20

    Variety reports with details on the international box office totals for Casino Royale, where it has broken a few records…

    Casino Royale made its way into the top three all time biggest UK weekend openings (as well as marking the biggest ever UK opening for a James Bond film) with $25.6 million (about £13.49 million).

    The newest James Bond film also set a record in India where it earned $3.2 million at 427 playdates, beating Spider-Man 2‘s opening by 87% for biggest debut of a non-Indian film.

    Other box office totals include: Russia with $3.8 million (eighth largest opening for a non-Russian film), Greece with $1.34 million, Thailand with $1.1 million, Taiwan with $1 million, Singapore with $900,000, Malaysia with $800,000, Poland with $735,000 and the United Arab Emirates with $635,000.

    Box Office Mojo reports that the worldwide total for Casino Royale is: $84,241,042 (as of 19 November).

    Casino Royale – Box Office Details

    • UK Opening Day: £1.7 million
    • UK Opening Weekend: £13.49 million
    • US Opening Day: $14.7 million
    • US Opening Weekend: $40.8 million
    • Greece Opening Weekend: $1.34 million
    • Poland Opening Weekend: $735,000
    • Russia Opening Weekend: $3.8 million
    • India Opening Weekend: $3.2 million
    • Malaysia Opening Weekend: $800,000
    • Singapore Opening Weekend: $900,000
    • Taiwan Opening Weekend: $1 million
    • Thailand Opening Weekend: $1.1 million
    • United Arab Emirates Opening Weekend: $635,000
    • Worldwide: $84.2 million (as of 19 Nov.)

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  3. Casino Royale Earns $40.8 Million In US Opening Weekend

    By Devin Zydel on 2006-11-20

    While speculation was non-stop over whether or not Casino Royale had bested Happy Feet for the #1 US box office spot over the weekend, the official numbers have been released today.

    According to Box Office Mojo, Casino Royale earned $40,833,156 in its opening US weekend, placing it second by only $700,000 to Happy Feet, which took in $41,533,432. A ‘photo finish’ indeed.

    According to Sony, Casino Royale‘s opening audience audience was 55% male and 57% over the age of 25.

    Impressive is the word many Bond fans are using to describe the box office details so far for the newest James Bond film. It was #1 in all 27 countries where it opened (with the US as the exception).

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  4. Chris Cornell Discusses 'You Know My Name'

    By Devin Zydel on 2006-11-20

    The BBc News features a new interview with Chris Cornell. Speaking about his title song for Casino Royale, ‘You Know My Name,’ Cornell explains how he got the job, why the song is not included on the official soundtrack, and much more…

    Cornell explains that from the beginning, producers Michael G. Wilson and Barbara Broccoli wanted something different from previous Bond songs. ‘They were pretty clear about what they didn’t want–which was a song that had already been sitting around that I would just cleverly adapt to the new film, which happens quite a lot apparently,’ he says. ‘They also didn’t want to echo any recent Bond theme songs.’

    ‘Their attitude was that they wanted somebody who vocally would be unapologetically masculine. David Arnold’s quote was that they didn’t want the “bird with the broken wing” type of singing.’

    Casino Royale was also the first time Cornell saw the film before composing the song for a soundtrack. ‘This is the first time that I actually sat and watched an early edit of the film, as well as having a script and a book all to go by–that’s more than you almost ever get,’ he says. ‘A James Bond film and theme song are integral to each other in a way that doesn’t exist in any other film franchise.’

    ‘Daniel Craig’s Bond is where [the inspiration] comes from,’ said Cornell. ‘It’s the reason why I wanted to do it, it’s where the lyrics were inspired from. It is partially inspired by the story, as acted by him, and partially from personal feelings and experience.’

    As many Bond fans already know, ‘You Know My Name’ is the first song since 1983’s ‘All Time High’ for Octopussy that hasn’t used the title of the film. According to Cornell: ‘As soon as I heard Casino Royale was the title of the movie, I definitely knew I wasn’t going to have those two words in the song. And no-one told me that I should. I couldn’t imagine it fitting into a song lyric that would come out of my mouth.’

    The one question Bond fans have been asking is why ‘You Know My Name’ is not included on the official Casino Royale soundtrack. According to Cornell: ‘The song is going to be released as a single in the UK at some point. But it’s also going to be on my next album, which is out in February. It was a decision of mine not to have it on the film soundtrack. I wanted it to be mine.

    Order the Casino Royale soundtrack from Amazon.co.uk

    Order the Casino Royale soundtrack from Amazon.com

    Interview with David Arnold – Scoring Casino Royale

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  5. Connery Sweated, Moore Perspired, Brosnan Glowed, And Craig Bleeds

    By Devin Zydel on 2006-11-20

    The Sunday Mirror features a new article where members of the Casino Royale crew were interviewed and named Daniel Craig as the toughest James Bond yet…

    Stunt co-ordinator Gary Powell, said: ‘Daniel really took some hits on Casino Royale. I’d see him bruised and cut up, fight after fight. And he’d just say: “Oh s–t, that smarted a bit, let’s go again.”‘

    ‘Pierce was a lovely man. But he’d always emerge from a punchup or a huge explosion with an unruffled tie and immaculate hair. Someone told me recently: “Sean Connery sweated, Roger Moore perspired and Pierce Brosnan glowed.” I don’t agree but I’ll add one thing – Daniel Craig bleeds. He did everything we asked of him and more.’

    ‘”[Craig] said to me, ‘Whatever you think I can handle, let me do it’. There’s no ego there but he’s up for anything. The chase along the crane was especially tough–running about 140ft up is not for the faint-hearted,’ says Powell.

    ‘And the underwater sequence at the end of the movie was impossibly hard,’ adds Powell. ‘With thousands of tons of water being thrown about, you might as well be running a marathon every day. I had to draw the line when we had to roll the Aston Martin though. I’m sure Daniel would have been keen to have given it a crack. But that stunt was superdangerous. We wrecked three BMW 5-Series and two £150,000 Aston Martins in the process but our driver managed to beat Top Gear’s record for rolling a car–seven times to their five.’

    Casino Royale armourer Joss Skottowe said of Craig: ‘He came in hating guns but left rather keen. I’ve yet to meet a man who doesn’t relish holding a Walther PPK. And Daniel is more man than most. We use real guns in the movie, even though they’ve been adapted to fire blanks. But blanks can still hurt or even kill you.’

    Scuba specialist Dave Shaw, who also worked on The World Is Not Enough, called Craig ‘my favourite Bond to work with. Yes, he’ll do whatever it takes but he’s also very safety-conscious.’

    ‘Daniel really threw himself into training,’ he said. ‘Scuba is a dangerous sport. We were having to film six metres under water and even three metres can kill you. If you surface too quickly, you can burst a lung.’

    ‘Daniel was having to hold his breath for up to a minute–he must have swallowed pints of water but he never whinged. And acting underwater is tough–you can’t see, you can’t hear,’ said Shaw.

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  6. Casino Royale. A New Classic.

    By Evan Willnow on 2006-11-19

    Goldfinger.

    I never saw Goldfinger on the big screen. Evan WillnowPerhaps if I had I would have something to reference my experience watching Casino Royale last night. As a James Bond fan seeing Goldfinger on opening night in 1964 is probably the only experience that might have come close. Only if I had been there could I say for sure what I now believe; Casino Royale is by far the best James Bond film ever made.

    Let me give you a little bit of information about myself to qualify this opinion. Since The Living Daylights I have walked out the theatre after every new James Bond film with the feeling that I had just seen the best James Bond film, then after a few months and a few more viewings I have come down to earth and the movie slides down into its position in my list of favourite Bond films. Graphic: CardsThis effect, I believe, is because of the excitement of seeing a new James Bond film gigantic, for the first time up on the big screen, just outweighs seeing the other films for the umpteenth time on the television. Hence, the virgin viewing of Tomorrow Never Dies trumps the seventy-fourth viewing of Goldfinger.

    Casino Royale, however, is different. I’ve never left the theatre with this great of a feeling about a new Bond film. Never.

    You see, Casino Royale is a complete experience. It not just a great Bond film. But also a great film. Casino Royale has achieved something the no other Bond film has achieved; it has three dimensions.

    The Creature From The Black Lagoon.

    I never saw The Creature From The Black Lagoon on the big screen in 3-D. But I did see a trailer for it when I went to see another lousy 3-D film. The Creature’s trailer in 3-D blew me away with the depth of the three dimensional effect. This was the same way that Casino Royale affected me, only Casino’s depth was of character and plot, and not of special cameras and glasses.

    I’ll start with Daniel Craig’s portrayal of James Bond. Craig made James Bond a real person rather than a character. Craig let me feel Bond’s emotions, amazingly even when he was suppressing them. Craig showed me how James Bond could truly fall in love. Craig made me feel the danger and the fear, and made me see how this man Bond could stand up to them.

    Now I love Sean Connery’s James Bond, but the depth just isn’t there. Nor is it there for Lazenby or Moore. The depth Dalton added was a mere embossing. And Brosnan’s attempts to add depth to the character were less The Creature From The Black Lagoon and more Sharkboy and Lavagirl, a movie that would flash on the screen in big text, ‘Put your 3-D glasses on we’re going to add depth now’.

    Graphic: CardsEva Green’s Vesper Lynd was more than three dimensional. I don’t know how many of you have had higher maths, but I recall in some calculus class or another being taught about four dimensional objects moving through three dimensional spaces, and while the object would be of one solid shape in four dimensions, in three it would appear to be a fluid, changing object that could be only truly understood if viewed in four dimensions. Such was the character of Vesper, only at the end of the film, when we knew all of Vesper’s dimensions, did her character’s actions through the film truly take shape. Enigmatic is the word that has been used to describe Vesper, and Miss Green’s complex yet simple approach to Vesper plays perfectly to the word. You see Vesper is a character of… shall we say ‘burdens’ to keep this review spoiler free. Her burdens dictate how she interacts with Bond. And only when seen with that extra dimension is her character’s form fully understood. Until then its concept and its beauty is just a wonder to behold. Miss Green’s own beauty on the other hand is obvious through the whole film.

    Mads Mikkelson turned one of Ian Fleming’s most ordinary villains into the James Bond series’s most fascinating. It has been pointed out that that Le Chiffre is not the megalomanic, ‘let’s start World War III’ type Bond villains, but Le Chiifre unlike all Bond main villains is not even the most evil person in the film. While he is not the greatest evil, he is the centre of evil. Mikkelson plays this near perfection. The fear, the fearlessness, the confidence, the desperation, the sadism, the creepiness (with some points going to the makeup department) each flow steadily from the villain.

    Casino’s lesser players each are displayed in Glorious 3-D Characterisations too. Judi Dench’s M is surprising. Let’s get this straight right now, this is not the same M that gave orders to Pierce Brosnan’s James Bond. This time M is the relic of the Cold War and this time she really does ‘have the balls’.

    Giancarlo Giannini as Mathis makes the best Bond ally ever. His character comes straight from the novel, yet his story improves on the novel.

    Felix Leiter as played by Jeffery Wright manages to do as much with Felix as any of those who had taken the role before him, but with barely the screen time of John Terry.

    Die Hard, Raiders of the Lost Ark, The French Connection, anything Jackie Chan.

    Okay, now these films I saw on the big screen and action-wise, Casino Royale is in these films’ league. More French Connection in Casino’s grit and ability to weave the action into the artistry. More Die Hard and Lost Ark in adrenaline. And Jackie Chan because… well, I’m a big Jackie Chan fan precisely because with every stunt and every action set piece you truly believe that Jackie could get seriously hurt or maybe killed. Casino takes that a step further, while you may know that Jackie Chan might get hurt, you believe his character will survive just fine. (That makes the action greater, but downgrades the film). In Casino you believe that James Bond may not survive. Craig’s Bond may sustain more injuries in this film than a Jackie Chan blooper reel, and definitely more than the previous Bonds had combined.

    Ian Fleming.

    Never has Fleming’s writing been given this much respect. The movie actually felt like the novel. Graphic: CardsNow Msrs. Purvis, Wade, and Haggis may have updated every inch of the story contained in Ian Fleming’s first novel yet still managed to make the only Bond film that felt like the novel it was adapted from. Sure, From Russia With Love and On Her Majesty’s Secret Service are very true content of the novels. Casino Royale is true to much more. It is true to its novel’s spirit. It is true to its novel’s soul.

    A few Bond fans and so-called Bond fans predicted this new film would have Ian Fleming making one of his famous turns in his grave that they seem to think he performs regularly; if true, this roll will be only because Fleming realised the changes that could have been made to improve his first novel. One twist added to a Fleming-sacred character was such an improvement to the story that if the late Mr Fleming’s casket were ever to stir, it surely would have been when that missed opportunity was penned on to the script.

    Casablanca

    I wasn’t born yet. But Casino Royale’s love story set against mystery, intrigue, and danger is near or on this level. Craig’s James Bond and Bogart’s Rick Blaine each in love with Green’s Vesper Lynd and Bergman’s Ilsa Lund respectfully. The parallels are there, only Casino is absent its Victor Laszlo, which surprisingly only makes its love triangle more compelling. And Bond’s final line about Vesper bites harder than ‘We’ll always have Paris’.

    A Classic? I’m really comparing Casino Royale to a Classic? Yes, I am, and I am going to state right here and now that Producers Barbara Broccoli and Michael G Wilson have finally stepped out of the shadow of the James Bond series’ great patriarch, one Albert R ‘Cubby’ Broccoli, and in doing so have finally surpassed him. In doing so they have given us a new Classic.

    Now, I must tell myself that after a few months and a few more viewings I may very well come down to earth and Casino Royale will slide down below Casablanca into its position in my list entitled Best Films Ever Made. It will, however, undoubtedly forever remain atop my list of Best James Bond Films.

    At least, until Bond 22 arrives.

    Casino Royale Rating:Five Stars out of Five

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    2. Member Reviews: Casino Royale (2006)
      CBn forum members review Casino Royale

  7. Casino Royale Opens #1 In 27 Countries

    By Devin Zydel on 2006-11-19

    The box office success for Casino Royale continues according to Deadline Hollywood Daily, where the newest James Bond film was #1 in all 27 countries where it opened, with the possible exception of the US (details later in this article).

    Taking in an overall $82.8 million worldwide over the weekend, Casino Royale was the 9th biggest all time UK opening as well as the biggest ever opening in the UK for a James Bond film. It beat the previous record holder, 2002’s Die Another Day, by 46%.

    The real debate, however, lies around the US box office. CBn had previously revealed that Casino Royale would be going head to head with Warner Bros’ Happy Feet over the weekend. According to the weekend estimates, Happy Feet won the battle with $42.3 million while Casino Royale took in $40.6. million. Take note that these are both weekend estimates and many experts are calling it a ‘photo finish.’ Tomorrow will most likely provide the exact numbers for both films in the US.

    Whether or not Casino Royale won the US box office over the weekend, it has performed very impressive on the whole:

    Casino Royale – Box Office Details

    • UK Opening Day (16 Nov): £1.7 million
    • US Opening Day (17 Nov): $14.7 million
    • US Opening Weekend: $40.6 million (estimate)
    • Worldwide: $82.8 million (as of 19 Nov; contains portion of US estimate)

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  8. Chris Cornell's 'You Know My Name' Now On iTunes

    By Devin Zydel on 2006-11-19

    Bond fans are reporting on the CBn Forums that Chris Cornell’s ‘You Know My Name,’ the title song for Casino Royale is now available as a single on iTunes.

    Additionally, fans who have heard the single from iTunes are claiming it is not the same version as heard in the film, but instead the radio version.

    Order the Casino Royale soundtrack from Amazon.co.uk

    Order the Casino Royale soundtrack from Amazon.com

    Interview with David Arnold – Scoring Casino Royale

    Stay tuned to CBn for all the latest Casino Royale coverage.

    Related Casino Royale Articles

  9. You Never Really Know Vesper, Says Eva Green

    By Devin Zydel on 2006-11-19

    An interview with Casino Royale‘s Eva Green has appeared online at the Sydney Morning Herald, where she speaks about her role in the film…

    Bringing ‘an exciting combination of enigmatic and seductive beauty’ to the role of Vesper Lynd, according to producers Michael G. Wilson and Barbara Broccoli, Green said of her character: ‘She has an air of mystery about her, which is essential for the role. There’s something about Eva that’s quite, I don’t know, gothic. You never really know her.’

    ‘The women in the early Bond films were very provocative, sexually forward, almost revolutionary–they were pilots and scientists and doctors at a time when a lot of the sexual politics meant [women were at home],’ said Green. ‘In the ’70s and ’80s, unfortunately, the women were less important characters, except for a few exceptions, like Diana Rigg’ of On Her Majesty’s Secret Service.’

    On Casino Royale co-star Daniel Craig, Green had nothing but compliments. ‘I knew him from Munich, and he was magnetic, beautiful.’ When complimented on the chemistry between the Vesper and Bond characters in the film, she says: ‘Oh, thank you. We didn’t have much time to rehearse because I was coming in at the last minute.’

    Casino Royale opens in Australia on 7 December and premieres three days earlier on the 4th.

    Stay tuned to CBn for all the latest Casino Royale coverage.

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  10. Eva Green Reveals Possible Bond 22 'Baddie' Details

    By Devin Zydel on 2006-11-18

    ***WARNING: Plot spoilers***

    In an Entertainment Weekly interview, Bond girl Eva Green spoke about her role as Vesper Lynd in Casino Royale and also revealed some details regarding a possible villain in Bond 22, due out in November 2008…

    ‘You do a lot of photo shoots, and it’s based on the beauty thing, and it’s like, ”Oh, the sexy Bond girl! Whoa!” It’s really annoying, but I can’t really complain. I just hope people enjoy my performances,’ replied Green when asked about her stunning looks.

    When asked about how she handled her powerful scene near the end of Casino Royale, Green explained: ‘It’s like a choreography. [Vesper] loves him, but she has to express it without saying anything. It was quite emotional.’

    ‘I think it’s too confusing,’ says Green in regards to the mysteries of Vesper’s motivations in the film. ‘But they’re going to do a second [movie] where you’ll understand what’s going on in her mind. It was really hard, and Barbara Broccoli helped me understand. You would think, wait a minute, she had an Algerian boyfriend, and she’s been sent on this mission, and then she begins to feel guilty. She’s in love with Bond. It’s a deep love. The Algerian boyfriend was something light, an affair. So there’s an internal conflict. The plan is, the Algerian boyfriend is going to be the baddie in the second Bond, and we’ll understand [better]. But you don’t have to think about it too much.’

    Only two more years of waiting to find out…

    Stay tuned to CBn for all the latest news on Bond 22.

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