Anatole Taubman Is Bond 22's Henchman

Swiss actor Anatole Taubman has been cast as henchman in the yet untitled 22nd James Bond film. Taubman announced this today in Swiss TV show glanz & gloria on SF1: ‘James Bond – that’s like playing the Champions League. For a European actor, this is like a gold ticket. There’s nothing better. I’m very happy.’ He’s also looking forward to working with Marc Forster. ‘We got along very well during the casting and we have a lot in common.’ Taubman is not allowed to tell any specific details on his role as he was sworn to secrecy, but he confirmed that he has a personal trainer as the role is physically demanding. Reports indicate that it’s an important role with lots of action and dialogue scenes. Shooting for Taubman is reported to go from January until June at various locations.

Taubman was born in Zürich in 1971 from an Austrian mother and an East German father. He grew up in England and Switzerland and moved to New York at the age of 21 to study at the Circle in the Square Theatre School. He then returned to Europe where he played a number of roles in Swiss and German TV series and movies. He also played in a number of international productions, such as the 2008 release Taken starring Liam Neeson and Famke Jansen, Æon Flux (2005) and the mini series P.O.W. and Band of Brothers (both 2001). Taubman currently lives in Berlin with his girlfriend, with whom he has two daughters.

With the recent confirmation of Mathieu Amalric as the the villain last week and now this announcement, it looks like the casting of Bond 22 baddies is coming together. Keep watching CommanderBond.net for all the latest coverage and details on Daniel Craig’s upcoming 007 film.

James Bond Back In The Driver's Seat Of An Aston Martin DBS

Aston Martin today announced that James Bond would be back behind the wheel of an Aston Martin DBS in next year’s Bond 22.

The DBS made its first appearance in last year’s Casino Royale, in which it broke the world record for the most cannon rolls in a car.

Aston Martin signed a three-film contract with Eon Productions, starting with 2002’s Die Another Day; Bond 22 will be the third picture of this deal.

The full press release follows.

Aston Martin DBS to star in new James Bond film

Gaydon, December 10th 2007: Aston Martin announced today that their new flagship model, the DBS, will once again be driven by James Bond (DANIEL CRAIG) in the next 007 film to be produced by Michael G Wilson and Barbara Broccoli for EON Productions, and directed by Marc Forster.

The Aston Martin DBS made its first public appearance in Casino Royale when it smashed its way into the Guinness World Record books for ‘The Most Cannon Rolls In A Car’. The record-breaking stunt saw stuntman Adam Kirley taking the helm of Bond’s famous Aston Martin. The stunt proved one of the most spectacular in movie history when he rolled the DBS an amazing seven times.

Aston Martin Chief Executive Officer, Dr Ulrich Bez, said: “Aston Martin is proud of our long association with James Bond. The DBS has its own unique character which equals that of James Bond. It is explosive power in a black tie. It is the perfect car for James Bond as it delivers the complete driving experience and bridges the gap between our road and track cars – the DB9 and DBR9. It is equally at home on a twisting mountain circuit as on the open road and we are all very excited at the prospect of seeing it on the big screen again.”

Bond 22 (working title) is scheduled for international theatrical release in November 2008.

According to reports (SPOILERS), the Aston Martin will be involved in a chase sequence in Tuscany.

Keep watching CommanderBond.net for the most up-to-date James Bond news on the web.

'Tomorrow Never Dies' Celebrates 10 Years

‘Good morning, my golden retrievers. What kind of havoc shall the Carver Media Group create in the world today?’

10 Years Of Tomorrow Never Dies

Today marks the 10th anniversary of the world premiere of Pierce Brosnan’s second James Bond film, Tomorrow Never Dies. This 007 film first reached audiences at it’s premiere on Tuesday, 9 December 1997 at the Odeon Leicester Square in London.

Going on general release three days later on the 12th in the UK and the following Friday (the 19th) in the US, the film proved to be yet another box office blockbuster in the series–amassing a worldwide gross of more than $335 million dollars.

Taking into account the 10th anniversary of the film (and following up similar articles featured on CommanderBond.net for The Spy Who Loved Me and The Living Daylights earlier this year), CBn asked forum members to recall their first (or most memorable) time seeing Tomorrow Never Dies…

Tomorrow Never Dies – PrinceKamalKhan

I saw it on opening night. I picked Bond over Titanic, easily. I generally enjoyed it and knew it would be an enjoyable film from the wonderful pre-title sequence with its terrific music. It was for me the experience I was hoping for when I first saw GoldenEye which somewhat disappointed me. I saw it with 2 friends, including one who years later would actually pay twice for the first time to see a Bond film after he saw Casino Royale. My initial reaction to Tomorrow Never Dies was ***1/2 out of **** although I’ve since tempered that to a solid ***. My only disappointment was Teri Hatcher’s Paris dying so early in the film since I’d hope she be a Bond girl for at least 2 years prior to it. I was a big Lois & Clark fan at the time which is probably why I never became a big Wai Lin fan.

It’s been a few years since I’ve seen it. I need to rewatch and see how I feel about it post-Casino Royale.

Tomorrow Never Dies – J.C.D’Arc

Well, it has been ten years, but I recall being left a bit flat by Tomorrow Never Dies.

I thought the title silly, I didn’t like the pre-title sequence (they lost my willing suspension of disbelief with the aerial combat, and it wasn’t done all that well. Aerial combat can be far more exciting than that on film). I didn’t like the song, either.

I liked Michelle Yeoh. She managed to finally be the “equal-to-Bond” female that the producers had been trying to give us all these years, and she managed it by not running around with her nose in the air spouting Women’s Lib slogans but just by being her own genuinely badass self. I also liked the hacker henchman. I think he would have made a better overall villain. He was more believably dangerous than Carver. He had actual ability. He wasn’t the type to begin his campaign to achieve world domination by taking a meeting.

Carver and Stamper seemed like even I could have whupped their heinies. (A few rounds from a Browning Hi-Power and Stamper’s had it and then just pistol-whip Carver back into line. Or maybe just apply an aluminum baseball bat to the problems…) It seemed like sending James Bond after them was a waste of his time and talent, he was out of their league. Stamper could have been dealt with by an armed 7-11 clerk and Carver would have gone down to two muggers in Central Park.

I had problems with the ship-sinking scene’s mechanics and also the motorcycle/helicopter chase. A lot of was it-doesn’t-work-like-that stuff, like the helicopter tilting forward to chop things up and still hovering or moving forward at only a few feet per second, not accelerating. It just doesn’t work like that.

Another thing that bothered me was Band seducing Carver’s wife. It didn’t ring true, somehow. Not that Bond doesn’t chase married women, but the villain’s own wife? He’s rather too obviously putting her at grave risk. Especially since he’s known her before. It’s not a huge problem for me, but still, I’m not so sure about it.

Concerning Brosnan, I’ve always felt he did a really good job of playing James Bond. He’s just an actor and has to abide by the script and what the director tells him to do, but he always impressed me as someone who understood the character and did his best to portray the man that Ian Fleming wrote about all those years ago. I enjoyed the scene where he has a shot of vodka in his room. In other words, the problems I have with the movie aren’t Brosnan’s fault.

Overall, although I was a bit underwhelmed by Tomorrow Never Dies, I didn’t feel like I wanted my 7 bucks back or that I’d just wasted 2 hours of my life. It was mildly entertaining, but it didn’t set my world on fire.

Ever the years, my opinion hasn’t changed. I never bothered to purchase the video or the DVD.

Tomorrow Never Dies – Turn

Seeing Tomorrow Never Dies on Saturday, December 20, 1997 was one of my most memorable Bond premieres. I always go on the second day of the release as my tradition.

It was the first day of my vacation as my work shut down for two weeks. And I had a new Bond film. What more could you want? I couldn’t get my wife to commit to seeing the film, so I ended up going with my brother and my best friend at the time at an evening showing.

I remember getting a chill with Arnold’s gunbarrel theme after Eric Serra’s poor theme in GoldenEye. In fact, I liked the whole score and still feel this is Arnold’s best. The teaser was fun. I didn’t care much for the theme at the time, but I’ve grown to like it more over the years. I just remember having a great time as Tomorrow Never Dies did for me what GoldenEye didn’t, despite liking the parts after Hamburg a little less.

I was stoked with Bond mania for the next several days, as I always am during the time of a film. I went out a few days later and bought the soundtrack and played it for years after. I would go see Tomorrow Never Dies twice more before it disappeared from theaters and it remains my favorite Brosnan film.

Tomorrow Never Dies – tristanjblythe

Tomorrow Never Dies was the second Bond film I saw at the cinema (first being GoldenEye). I’d seen the teaser trailer at another film a long time before and my friend who was with me had remarked “it looks even better than GoldenEye!”.

When I saw the film I enjoyed it. The pre-title sequence had me on the edge of my seat—I still think its one of the best action bits in a Brosnan movie. The plot was good and I even liked Carver as a villain. I did think it went off a little towards the end—never to keen on the slow-mo moments and the all out action assault on the stealth boat. Oh and the song is bit dull—not bad but not good and not a 007 theme.

Now when I re-watch? Not much changed. I still think its a good plot and with good characters. Some of Brosnan’s best performances are in scenes about his relationship with Mrs Carver (can’t remember her first name which is frustrating me!). I still think it goes over the top at the end and the car chase relies too completely on the gadgets for Bond to get away—but I guess for some this is an essential element of 007.

Tomorrow Never Dies – manfromjapan

I was (and still am) a huge fan of GoldenEye. After being a rabid Bond fan from the age of eight to eighteen, the absence of 007 from our cinema screens and my oncoming adulthood, convinced to me partly ‘put away childish things’. The release of GoldenEye reinvigorated my enthusiasm (or mania) tenfold. it was the best directed, scripted, acted Bond film in many, many years. And I loved Dalton.

I saw Tomorrow Never Dies at a preview at The Odeon, Chester—alone, after college.(I couldn’t wait!)

And man, was I disappointed.

After the careful reintroduction and restatement of James Bond into the Nineties, Tomorrow Never Dies was just one noisy, frenetically edited action set piece after another. The women and the villains were one-dimensional and unimaginative. The story tedious. The drama was non-existent. In short, Eon had played it safe.

After a few marathons of watching each Bond over a month or so in order, the charms of the film are now apparent to me, and I rate the film as one of the better ones. I appreciate the very things I didn’t before—the action is excellent, the editing breakneck and exciting. The women good and interesting, the villains interesting. There were great dramatic moments. It’s one of the purest, most fun, action-packed films in the series. And Brosnan is absolutely superb in it. He exudes the character.

Tomorrow Never Dies – TheSaint

I was able to see a private showing of it in NJ before its premiere, then saw it on the day it opened in NYC. Loved the pre-title sequence, the parking lot sequence, and the music. Disliked the slow motion close ups.

Tomorrow Never Dies – Zorin Industries

I emerged from the film thinking the same today as I did then—that it was Brosnan’s best Bond film by a long mark. It is the only film that all the elements came together with panache and a swagger never seen again in a Brosnan Bond film. The score is the only time—until Casino Royale—that David Arnold sounded like himself and not apeing John Barry. Brosnan was the right age for the part and never looked better (no Melvyn Bragg style coiffured efforts here). The film had a lead female role that wasn’t bashing people over the head with crass notions of sexual equality. And the film tapped into rare territory for 007 : a story line, villain and scheme that was uber-contemporary and not some cold-war hangover shoe-horned into the plot.

Even Teri Hatcher works, Q’s scenes are not bogged down with 1980’s John Glen wit and it was one of the best edited Bond films (but then it should have been if Sam Peckinpah’s editor Roger Spottiswoode was at the helm). It was also well-received in the usually sniffy UK press.

If only Sheryl Crow’s pick-up truck had broken down on the way to the recording studio, we might not have had that dire lament that sounds like a cowgirl stuck in a broken down pick-up truck.

Tomorrow Never Dies – Judo Chop

I caught it on DVD, and that was the last time I missed a Bond in the theaters.

I wasn’t a collector of the films 10 years ago, but it was right at that time that my overzealous fanhood for the series was starting to develop. I was systematically making trips to Blockbuster and renting the Bonds, much to the frustration of my brothers. Tomorrow Never Dies was put off for a while because, for some reason, I thought I had already seen it. But it turned out that I was always getting it confused with GoldenEye, which I had seen. That may sound like it doesn’t make any sense, because it hardly does.

Anyway, at that time I was all gung-ho about Pierce Brosnan as Bond, thinking he comprised the best of every Bond before him. I already loved GoldenEye, and I remember thinking, “WOW! This one is just as good! Remarkable! He’s the best Bond yet!”

As time went on, I evolved from renter to owner, so that I could give all the films full attention. A few years later, after having watched all of the films multiple times, and just before the release of Die Another Day, I began to realize that I was only partially right in my mind’s assessment of Pierce and his films. Tomorrow Never Dies is just about as good as GoldenEye. I was right about that. Wasn’t right about much else though.

Tomorrow Never Dies – Mister Asterix

My lovely wife and I went together to Tomorrow Never Dies opening weekend despite her being 8 months pregnant and experiencing early labour pains. We worked out a plan that she would touch my leg whenever she had a contraction I would check my watch and hold out the number of fingers to signal her how many minutes apart the contractions were. They started about nine minutes apart and by the time Bond reached Vietnam they were 5 minutes apart.

I was preparing to leave and get her to the hospital right then, but the taps on the leg just stopped.

While leaving the theatre, I told I was glad the contractions stopped. She told me, ‘Oh, they didn’t stop until we stood up to leave, but I wanted to finish watching the film.’

I still contend had we seen Titanic rather than Tomorrow Never Dies that our daughter would have been born that day instead of a month and a half later.

Tomorrow Never Dies – Mr. Somerset

I saw it opening night with a large group of friends. I immediately was disappointed with the gunbarrel re-rrangement feeling it lacked a dynamic punch to open the film. I remember leaving feeling disapointed and that A View To A Kill was quickly gaining competition for my least favourite Bond film.

I saw it again, the next night with another larg group, this time for a James Bond themed party. Far more fun as we all, (well some of us) dressed in tuxes. I enjoyed the film more the second time, but felt it paled in comparison to GoldenEye.

Tomorrow Never Dies – zencat

The night was freezing, the theater screwed me (told on the phone it was on the big screen—it wasn’t), and I was somewhat disappointed in the film. I didn’t have my usual first viewing high that blinds me to all flaws for several months. Of all my opening night experiences, this was one of the weaker ones. But there were moments in the film that I loved and that’s what I focused on in the traditional post viewing dinner conversation. And I have come to like the movie more.

Tomorrow Never Dies – ACE

Tomorrow Never Dies reaches new, but Bondian ground. Gives us what we want but differently. From the lovely way of reintroducing the ‘new’ Bond (Brosnan doesn’t appear until half way through the PTS), the Zeitgeistian plot, the Daimler briefing, Q sequence and media baron villain were terrific. I love Bond films that dare to go to new but Bondian and Flemingesque ground! I LOVED the pre-title and cheered when the afterburners blew away the screen leading to the stunninng Kleinman titles. While Mitchell Froom’s Can-Can production does take something away from Sheryl Crow’s cleverly written title song, I still think it is Bondian.

OK, I first saw this movie at 10.00am the day before or the day of the London premiere in the Royal circle of the Odeon, Leicester Square with a bunch of other fans and press. A friend had given me his press show ticket.

World Charity Premiere (no royals attended this time) was 9th December 1997: 10 years ago to the day! My pals and I were front and centre, outside, by the crash barriers, in front of the Odeon on that cold, wet, windy December night.

Now, remember, Sony had just announced their McClory Bond film plans. So, as Barbara Broccoli and Michael G Wilson decant from their limo, my friend Joe—the Zelig of Bond fans—shouts at the top of his voice “DOWN WITH MCLORY!”. BB and MGW burst into laughter and come right up to us and talk to us. As I shook BB’s hand and told her Cubby would have loved this film, her voice cracked and the hand went soft in mine and she thanked us all. This was their first Bond premiere after Cubby’s death.

We got a policeman to take a photo of a bunch of us (10-11 Bondnuts from all over the world enjoying the Bond craic). Looking at our drenched, bedraggled faces now, I see they are lit with Bond junkie joy. The photo is a treasured possession as are the memories!

Tomorrow Never Dies – Robinson

I actually caught a sneak preview of the film in NYC a couple of weeks before it opened. Not the greatest screens to watch it on but entertaining nonetheless.

I liked the pre-title sequence and Kleinmann’s titles. Loved the production design and Brosnan’s clothes. Michelle Yeoh was the bomb then and still is. The car park sequence and the HALO jump were the high points from an action standpoint. The plot was decent and it moved along at a good clip but by the end it became a generic action flick. Bond with a machine gun and a handgun in both hands? Pryce was a bit over the top but the film was and still is entertaining. Not a top Bond film but an enjoyable one nonetheless.

Oh, and my namesake makes his debut in this film!

Keep watching CBn for all the latest James Bond news.

"The most interesting place for a James Bond movie to go is inward – deeper into Bond himself."

After remaining relatively tight-lipped over his upcoming job of helming Daniel Craig’s second James Bond film, Swiss director Marc Forster has given an interview to The New York Times that focuses almost exclusively on 007.

“I was surprised, and I had to think hard about whether I wanted to do [Bond 22],” the award-winning director of Monster’s Ball and Finding Neverland said. “I’m not sure I could have found a way into Bond before Daniel Craig reinvented him.”

Forster said Craig offered “a completely new interpretation of the character … very isolated, a man who’s damaged in some way. This James Bond is darker, more tormented. He’s humanised, in a sense.”

Which is precisely the direction Forster wants to take the character. “In the ’60s and ’70s, when Sean Connery and Roger Moore were playing the role, a large part of the appeal of the James Bond movies was the travel to exotic locations, but that’s not such an attraction anymore,” Forster said. “People travel a lot more now, and with the Internet they’re more aware of what the rest of the world is like. In a way the most interesting place for a James Bond movie to go is inward – deeper into Bond himself.”

That won’t stop Bond 22 from being a globe-trotting adventure, though; Forster revealed a recent location scout to Panama also included a stopover in Chile and a flyover of Brazil.

“I’m not sure I could have found a way into Bond before Daniel Craig reinvented him.” – Marc Forster

Despite openly admitting to being “not really an action director”, Forster said he was “very pleased” with Oscar-winning writer Paul Haggis’ script, delivered just two hours before the Writers Guild of America strike began. “It’s a script I can shoot.”

Forster’s introduction to James Bond appears blurry. “I can’t really remember what the first James Bond movie I saw was. It must have been in the mid-’80s, because there was no television in my house, and I didn’t see many movies until then. Roger Moore was in it, I think.”

However, the director admits to having a good feeling about Bond 22. “You know, James Bond’s mother is Swiss. That will make it all worthwhile.”

For the full interview, check out The New York Times website.

Keep watching CommanderBond.net for the most up-to-date James Bond news on the web.

'I really thought I was going to ruin it'

Paul Haggis, who has recently been big news in the world of 007 because of his work on the Bond 22 screenplay, sat down for an interview with The Guardian‘s Mark Lawson to talk about his new film, In the Valley of Elah and, among other Bond-related details, his fear of forever ruining the 007 series.

As earlier reported, Haggis said that despite the current WGA strike, production on Bond 22 is still moving ahead. ‘[The script] was just about finished,’ he said. ‘I was just doing the last few polishes and it starts shooting in a few weeks.’

When asked if he was surprised at being initially approached to assist with Daniel Craig’s debut Bond film, Haggis replied: ‘Well, yes, when they came to me with Casino Royale I thought they were out of their minds. I asked my agents, “have they seen my movies?” I said, “they know I am going to ruin Bond forever. They know that right?” But they said they’d like to take a chance and it was a collaboration with Michael [G. Wilson] and Marc [Forster] and they asked me to work on this one, which I was more than happy to.’

Lawson then brought up the point that Bond 22 would be different since Casino Royale had additional screenwriters (Neal Purvis and Robert Wade), to which Haggis added: ‘There had been on this one as well but they decided to take the plot in another direction, which often happens.’

‘I really thought I was going to ruin it, but I thought it would be a heck of a lot of fun trying. And so when they encouraged me to take that darker side of Bond I ran with it. I think it’s the job of the writer to make the producers nervous and the job of the producers to talk sense into the writer. But they’ve been very supportive and they are very supportive on this one. We send things back and forth and I like that. I don’t always like people who agree with me. I like people who challenge me, because there are too many people in Hollywood who just tell you what you want to hear.

– Paul Haggis on Casino Royale and Bond 22

After the interview, Haggis then answered several questions from the audience in which details were revealed on how Casino Royale‘s finale in Venice was originally envisioned somewhat differently:

‘I loved the script and I loved Daniel Craig and [the producers] were really supportive,’ said Haggis. ‘They came to me and I said: “I think the biggest problem with the script is that you don’t have an act three. Would you like one?” And they said yes…

Lawson: So that’s Venice?

‘Yeah, and the draft that was there was very faithful to the book. And there was a confession. So in the original draft the character confessed and killed herself. And then she sent Bond to chase after the villains. And Bond chased the villains into the house. And I don’t know why but I thought that Vesper had to be in the sinking house and Bond has to want to kill her and then try and save her and she has to kill herself.’

There’s much more… Check out the entire two-page interview with Paul Haggis at The Guardian website.

Keep watching CommanderBond.net for all the latest news and details on Bond 22, which hits theatres in November 2008.

'Bond 22's' Marc Forster Is Sworn To Secrecy

Marc Forster, who’ll guide James Bond back to cinema screens next November, is still remaining tight-lipped about what 007 fans can expect from Daniel Craig’s second film in the series.

Speaking at the premiere of his new film, The Kite Runner, Forster said he was sworn to secrecy regarding Bond 22 details: ‘You are bound by confidentiality agreements, you can’t say anything.’

‘We’re shooting some of it in Latin America, some in Italy and England,’ he said, but still offered no new information on the casting, stating: ‘There’s no new casting news at this point–except Daniel Craig and Judi Dench.’ In related news, however, Bond fans will want to note that Mathieu Amalric was confirmed as Bond 22‘s villain yesterday.

Summing up the discussion, Forster said that he wasn’t planning on any more radical Bond makeovers, but will be keeping with the style started in last year’s Casino Royale.

‘I think it was already recreated with casting Daniel Craig in the last one and I think I would just like to take that a step further and create another facet to it.’

Remember that Forster appears late tonight/early Friday morning on the PBS show Tavis Smiley. We’ll just have to watch and see if any further Bond 22 news is revealed.

Keep watching CommanderBond.net for all the latest Bond 22 coverage.

'Casino Royale' To Premiere On Sky Movies HD On Christmas Day

Daniel Craig’s debut 007 film, Casino Royale, will be making it’s premiere on Sky Movies 2 HD in the UK on Christmas day.

Tech Digest reports that the James Bond film will be presented in all it’s high definition glory–and uninterrupted–as it follows the Queen’s speech (which will be marking the 50th anniversary on television) at 3:10 PM on Christmas day afternoon.

We are excited to be able to broadcast two of the most popular Christmas Day TV highlights in a way the British public has never seen before,’ said Sky Movies chief Ian Lewis.

‘Over the years, the Queen’s speech has become a Christmas institution that not only looks back on the previous 12 months but also forward to the future. As Britain is shaping the future of television with millions of HD-ready television sets already in British homes, we felt that it would be appropriate to celebrate Her Majesty’s 50th Christmas Message by broadcasting it in high definition.’

Stay tuned to CommanderBond.net for all the latest coverage of Casino Royale and all James Bond films.

Mathieu Amalric Confirmed As 'Bond 22' Villain

According to a report from Empire Online, Mathieu Amalric is now confirmed as the villain in Bond 22.

While he wouldn’t reveal a whole lot on his character, Amalric did reveal a few details, stating: ‘I will, it’s true. I play the villain, yes. James Bond. It has to do with childhood, you know? To be a villain in James Bond is just so funny. I never dreamt about that. It’s not what I want to do with my career. It’s just that I have kids and it’s so funny to do that. But it doesn’t mean that I’m not going to do a very small French film for free with my friends.’

Amalric’s name was first brought to the attention of James Bond fans in mid-November when a Fox News’ FOX411 column claimed the French actor had landed the role in next year’s 007 film. That report stated that despite no confirmation from Amalric at the time, ‘that was the word’ at a lunch that week for Le Scaphandre Et Le Papillon (The Diving Bell And The Butterfly), in which the actor stars.

A hot topic among Bond fans is whether or not Amalric will be playing the role of Vesper Lynd’s French-Algerian boyfriend (as originally revealed by Casino Royale‘s Eva Green as the plan and and something that screenwriter Paul Haggis coyly refused to deny).

What do you think? Discuss it here on the CBn Forums.

Keep your eyes on the CommanderBond.net main page. We’ll keep you updated with all the latest news and details on Bond 22.

'Casino Royale' Lands Another Blu-ray Award

It’s been over a year since Daniel Craig debuted as James Bond, but the honours just keep coming.

The latest accolade came last night, according to The Hollywood Reporter, when Casino Royale landed the live-action Blu-ray gong at the inaugural High-Def Disc Awards.

The ceremony took place as part of the High-Def 2.0 conference at the Hyatt Regency Century Plaza Hotel in Century City. High-Def 2.0 was presented by Home Media Magazine with the cooperation of The Hollywood Reporter and the Entertainment Merchants Association.

A panel of critics and bloggers selected the winners, with all high-definition discs ever released eligible for the awards.

The Casino Royale Blu-ray disc previously scooped Blu-ray Title Of The Year at the Entertainment Merchants Association’s Home Entertainment Awards in July. The release was an enormous commercial success earlier this year.

Stay tuned to CommanderBond.net for all the latest James Bond news.

Panamanian Extras Casting Takes Place

According to a report from Panamanian website PA-DIGITAL.com.pa, extras casting for the twenty-second James Bond film took place in the country today.

The report claims the casting session occurred between 9:00am and 7:00pm at Teatro la Quadra. The article also reports El Casco Antiguo (the Old Quarters), la Bahía (the Bay) and Colón (Panama’s second-largest city) are among the shooting locations to be used.

Candidates were reportedly required to dress comfortably and without accessories such as necklaces.

The article also suggests Bond 22 is still without its Bond girl.

Panama was first revealed as a Bond 22 location in September. Dame Judi Dench recently claimed her character would be headed there in Bond 22.

In other Bond 22 news, the film’s director, Marc Forster, told the Huffington Post that he is looking forward to helming the next 007 adventure, particularly coming off the controversial movie, The Kite Runner. “It’s definitely a relief,” said the award-winning director. “It’s more about pop culture. It’s about entertaining. You’re not making an issue movie.”

Keep watching CommanderBond.net for the most up-to-date James Bond news on the Internet.