CommanderBond.net
  1. Charlie Higson U.S. Book Tour Schedule

    By johncox on 2005-04-12

    The first Young James Bond novel, SilverFin, will be released in the U.S. by Miramax Books on April 27, 2005. Starting that very day, author Charlie Higson will embark on a seven city book reading and signing tour. While some of the stops were announced last week on the official Young Bond website, CBn has uncovered additional tour stops as well as exact appearance times and locations.

    • Wed. April 27 – Chicago
      SKOKIE MIDDLE SCHOOL
      Reading & Signing
    • Wed. April 27 – Chicago
      BORDERS
      1660 S. Randall Road
      Geneva, IL 60134
      7PM – Reading & Signing
    • Thurs. April 28 – Denver
      TATTERED COVER BOOKSTORE
      2955 East First Ave
      Denver, CO 80206
      7PM – Reading & Signing
    • Fri. April 29 – San Francisco
      BOOKSELLER LUNCHEON
      Bookseller Luncheon
    • Sat. April 30 – San Francisco
      BORDERS
      588 Francisco Blvd., West
      San Rafael, CA 94901
      2PM – Reading & Signing
    • Mon. May 2 – Seattle
      THIRD PLACE BOOKS
      17171 Bothell Way, NE
      Lake Forest, WA 98155
      7PM – Reading & Signing
    • Tues. May 3 – Los Angeles
      BORDERS
      3700 Torrance Blvd.
      Torrance, CA 90503
      7PM – Reading & Signing
    • Thurs. May 5 – New York
      BARNES & NOBLE
      3981 US Hwy 9
      Freehold, NJ
      7PM – Reading & Signing
    • Fri. May 6 – Washington, D.C.
      OLSSON’S BOOKS
      2111 Wilson Blvd.
      Arlington, VA
      7PM – Reading & Signing
    • *Some of these times may be tentative — please call and confirm the exact time with the store in your area.

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  2. "You fancy yourself as a bit of a swimmer, do you, Bond?"

    By Guest writer on 2005-04-07

    Today CBn can offer an extended excerpt from SilverFin, the bestselling first Young Bond novel by Charlie Higson. SilverFin will be published in the U.S. by Miramax Books on April 27.

    Young Bond

    James was shivering. His body felt raw, as if he’d had the skin peeled off it, like Croaker’s eel. He rubbed his arms to try to get some feeling back into them, and the raised goose bumps made them feel as rough as sandpaper.

    If it was this cold out of the water, what was it going to be like in it?

    Well, there was only one way to find out.

    It was half an hour before afternoon lessons and he was standing on a low diving board at Ward’s Mead, peering at the water, which looked like some of Codrose’s less appetizing soup. Cold soup. Freezing-cold soup.

    “Come on, then,” he said out loud. “Just do it.”

    He pulled back his arms, took a deep breath and flung himself forward. When he entered the water it was like being hit by a cricket bat. He was stunned by the cold and for a moment he couldn’t move, but then he came alive, clawed his way to the surface and gasped. All his limbs were aching and his throbbing head felt numb. The only way to stay in the water and stop himself from jumping out was to swim. He thrashed across the Mead to the other side and fought the urge to get out and run back to his room. After a moment’s hesitation, he forced himself round and swam back to the other side.

    Weak sunlight was filtering through the low cloud; at least it was warmer than yesterday, but these were hardly ideal swimming conditions. Nevertheless, if he was going to stand any chance in the cup, which was only three weeks away, he knew that he would have to get used to it.

    After three widths he found that his body was adjusting to the temperature and, while it could never have been described as pleasant, at least he knew that he was not going to die after all.

    He swam a few more widths, and when he had had just about all that he could stand he swam over to where he’d left his clothes and prepared to pull himself out of the water. But, just as he was getting his knees up, somebody put a shoe in his face and shoved him back into the Mead.

    He looked up. It was George Hellebore.

    “Hey, if it ain’t my old pal, Jimmy Bond,” he said.

    “Hello, Hellebore.” James once more tried to scramble out on to the grassy bank.

    “Where do you think you’re going in such a hurry?” said Hellebore, pushing him back in again.

    “To get changed.”

    “Always in a hurry, aren’t you, Bond? Always got to go somewhere fast.”

    “I’m cold and I want to get out.”

    “Yeah, I bet you do. Well, I’m in charge of the river today.” Hellebore knelt down and gave James a big, sinister smile. “And if you want to get out, first of all you have to pass a little test.”

    James looked up into George’s face. His china-blue eyes were glinting with crazy amusement and there was an ugly smirk on his lips.

    “Look, Hellebore,” said James, holding on to the side. “You’re not in charge here.”

    “Hey, if I say I’m in charge, I’m in charge.”

    There was no point in arguing, Hellebore was backed up by his usual gang of cronies: Wallace, with his big, square head and gap-toothed grin, Sedgepole, who had an extremely small head and sticking-out ears, and Pruitt, who was rather good-looking and elegant. They leered at James, daring him to try his luck.

    “What do you want?” said James, trying not to let his teeth rattle together with the cold.

    “You fancy yourself as a bit of a swimmer, do you, Bond?” said the American, and Bond shrugged. “Well, I’ve not seen anybody in this country of yours that was half as good a swimmer as me. I practically grew up in the water.”

    “Yes,” said Bond, kicking his legs to try and keep warm. “You’re supposed to be quite good.”

    “Quite good?” Hellebore opened his eyes wide in mock amazement: “Quite good? I’m the best, Bond. Care to have a race?”

    “Not now, Hellebore.”

    “But that’s the test you have to pass, Bond, old boy. You have to win a swimming race.”

    “I’m not racing you, Hellebore . . .”

    “Who said anything about racing me? You couldn’t beat me in a thousand years. No, you’re not racing me.” Hellebore whistled and a boy in swimming trunks shuffled reluctantly over from the bushes where he’d been sheltering. It was Leo Butcher, a robust, cheerful, round boy who played in the school brass band. Bond had seen him puffing away at a recent concert given by the Musical Society in School Hall.

    “Hello, Bond,” he said sheepishly. It was obvious that he had no more desire to be here than James.

    ‘Hello, Butcher,’ said James.

    “The deal is . . .” said Hellebore. “You get to race Butcher.”

    Bond frowned. Butcher didn’t look like much of a swimmer. What was the catch?

    “What do you say, Bond?” Hellebore slapped Butcher hard across the shoulders, and Bond saw him wince with the pain. “A race against fatty Butcher here. The loser gives me . . .” Hellebore paused for dramatic effect, “let’s say, their hat.”

    Bond glanced at Butcher, who was staring at the ground.

    “It should be a fun race,” said Hellebore. “But I’ll warn you, Bond, Butcher’s good. He’s the best.” The older boys laughed.

    “If it’s all the same to you,” said James, “I’d rather not . . .”

    Hellebore suddenly grabbed James by the hair and forced his head under the surface. Taken by surprise, James swallowed a mouthful of muddy water. He came up, coughing and retching.

    “You race Butcher, Bond. Or me and my good friends are going to play football with your head. Understand?” Hellebore grabbed him and pulled him on to the bank. “So, what’s it to be?”

    James stood up; George’s hands had left red marks on his arms.

    “All right,” he said quietly.

    Hellebore clapped his hands. “Good fellow,” he said. “May the best man win.”

    James and Butcher arranged themselves at the edge of the Mead. Butcher was shivering madly and his knees were knocking together. James wondered what threats Hellebore had used to get him to cooperate.

    “Are you all set?” Hellebore called out. “Two widths, loser pays out the forfeit.”

    Try as he might, James couldn’t understand what Hellebore was up to. He could beat Butcher easily — the blond American must be planning some kind of trick. But what?

    “On your marks, get set . . .” Hellebore stopped suddenly. Butcher was caught off guard and toppled into the water. Hellebore’s pals laughed.

    “Oh, I forgot, Bond,” said Hellebore as Butcher clambered back out again. “One more thing.”

    James looked over at him. Here it came.

    “You have to stay under the water.”

    “What?'”

    “You heard me. It’s an underwater race. As soon as you come up for air, you’re out of the running. If you don’t make it back, then whoever gets the furthest is the winner.”

    James looked over at Butcher, who looked away.

    He’d known.

    Oh, well. It wasn’t the end of the world. James still had a chance. Butcher couldn’t be that good, and James was pretty confident that he could hold his breath for quite a while.

    “Set! Go!” shouted Hellebore quickly, and they dived in.

    James was ready for the coldness this time, but it was worse having to swim underwater. He could only see about three inches in front of him; it was like trying to peer through a particularly vile, greenish-brown fog. Indefinable scraps and dross floated past in the gloom and he thought he glimpsed a pale shape far off that could have been Butcher, but it was gone before he could see it clearly. Slimy weeds brushed against his belly and the thought of the eels waiting below in the mud made him shudder.

    He had no idea how far he’d gone, but he knew that it was going to be a struggle reaching the far side, let alone turning round and swimming back again.

    He felt awful, as if a cold iron cage were clamped round his head; all he wanted to do was to get to the surface, stick his head out and be up in the fresh air, warmth and light. But he resisted the urge and swam harder, using a clean, strong breaststroke, deciding that the quicker he went, the less time he’d need to hold his breath. However, the quicker he went, the more oxygen he used up, and soon his lungs began to burn. He struggled on, the pounding in his head getting worse and worse. A few more strokes and he had to let some air out, then some more, until his lungs were completely empty and the pain was crippling him. Still he battled on, one more stroke, another, then — no, it was too much, his whole body was crying out for oxygen, he couldn’t fight it any longer. He bobbed to the surface and gulped in several great mouthfuls of air. Then he trod water, panting and choking. He’d drifted way off course and was nowhere near the other side, but where was Butcher? He must still be down there somewhere. Was he all right? Maybe he’d got tangled in weeds?

    No, he saw his feet splashing near the far bank. He’d reached the other side, but still he didn’t come up. James caught sight of him doggedly sculling back towards the start point. Bond forgot all about losing, forgot all about the cold, forgot all about the older boys jeering from the edge of the Mead. He marveled at Butcher’s capacity for holding his breath. It was only when he was within five or six feet of the edge that he finally floated up and took in more air, although he hardly seemed out of breath at all.

    “Well done, Butcher,” yelled Hellebore. “You’re a champion turtle.”

    James swam to them. He was looking forward to getting warm and dry but, as he reached the older boys, Hellebore suddenly grabbed him by the hair again and forced him back under the water. He had had no time to take a breath and was soon struggling, but, try as he might, he couldn’t break free of Hellebore’s grip and come up again. The last of his air came out in a huge bubble and he swallowed a gut-full of water. He mustn’t panic, that would only make things worse. The American wasn’t going to drown him . . . he wasn’t . . .

    Or was he? A few more moments and he’d be breathing in water . . . He couldn’t force himself upwards, the boy’s arm was too strong . . . But if he couldn’t go upwards . . . maybe he could go the other way.

    It was drastic, but it was the only solution.

    He suddenly grabbed hold of Hellebore’s wrist and pulled. Caught off guard, the boy tumbled over and landed in the water with an almighty splash, letting go of James in the process. James quickly squirmed on to the bank and vomited up a stream of mucus and river scum.

    Hellebore was furious; he yelled something, and Sedgepole and Pruitt grabbed James. He knew he was in big trouble now, but anything was better than drowning.

    Hellebore clumsily scrambled out in his soaking clothes. His eyes were red, his blue lips pulled back from his teeth in a snarl, his hair flattened to his head. All traces of the handsome young boy had gone, to be replaced by the features of a crazed animal.

    “You shouldn’t have done that, Bond,” he rasped.

    SilverFin copyright © 2005 by Ian Fleming Publications Ltd. Reprinted with permission.

    For more information, visit www.youngbond.com

    Pre-order the U.S. hardcover edition of SilverFin (April 27, 2005)

    Pre-order the U.S. paperback edition of SilverFin (April 27, 2005)

    Purchase the UK paperback edition of SilverFin

    Purchase the SilverFin audio book

  3. Higson at Oxford Literary Festival

    By johncox on 2005-03-25

    Charlie Higson, author of the new Young Bond series of books, is going to appear at the Sunday Times Oxford Literary Festival on Sat. 16th April at 6:30pm. This is from the official website:

    Charlie Higson
    SilverFin
    6.30 pm £5.00 Oxford Union – 9 years and upwards

    The name is Higson, Charlie Higson.
    With SilverFin, his first children’s book, Charlie Higson, co-creator of The Fast Show, has taken everybody’s favourite secret agent back to his teenage years. Before the name became a legend. Before the boy became the man. Meet James Bond. Be entertained by espionage and intrigue as Charlie Higson talks about how he created young James Bond and the adventures that await him.

    Sunday Times Oxford Literary Festival

    Be sure to check out CBn’s exclusive interview with Charlie Higson, and keep watching CBn for all the latest news on the Young Bond series.

    Purchase the UK paperback edition of SilverFin

    Purchase the SilverFin audio book

    Pre-order the U.S. hardcover edition of SilverFin (April 27, 2005)

    Pre-order the U.S. paperback edition of SilverFin (April 27, 2005)

  4. 'SilverFin' To Be Turned Into A Film?

    By Tim Roth on 2005-03-20

    Now that the first Young Bond adventure, Silverfin, has become a bestseller in the United Kingdom, Hollywood has reportedly come knocking.

    Several articles published in British newspapers this Sunday (Guardian Unlimited, Sunday Herald) suggest that sooner or later Higson’s Young James Bond will make it to the big screen. Publisher Puffin Books for example argues the phenomenon will grow into a serious challenger to the biggest names in the children’s crossover market, but the Ian Fleming estate, which is in charge of administering the original Bond author’s works and commissioned Higson’s book, is determined to withstand Hollywood pressure to make a film until the new works are established in their own right.

    SilverFin

    SilverFin in stores

    "We are not doing a film deal yet because we are confident that the books can stand alone for a while. Book buyers everywhere keep telling us they would buy the title even if it was nothing to do with a strong brand like Bond, simply because it is so well written," said Corinne Turner of the Fleming estate. "We know Miramax, who are publishing the book in the United States, are very interested in the film rights too, and so are some of other big names, but we are holding off. The next Higson book will come out in January and we have the manuscript already. The estate has done other continuations of the Bond story in the past – Kingsley Amis wrote one, for example – but we wanted to see if we could take the story back in time. We wanted to go back to Ian’s original style."

    Zoe Watkins of Ian Fleming Publications adds in The Sunday Herald that, “There has been a great deal of interest in the film rights across the board.” Watkins says she expects if the books sold well they would be turned into films, but there is no timescale at present. “We are concentrating on getting the books out there and established in their own right,” she said.

    But according to the Guardian, this hardline strategy has not stopped film companies like Miramax and DreamWorks from making heavy pitches. The studios have spotted the commercial potential of a "Harry Potter" film series. The estate has also been approached by British film companies, including Heyday Films, the English company that makes the Harry Potter movies for Warner Bros. “We have looked at it, but no decision has been made yet,” said a spokesman.

    Charlie Higson himself thinks that a Young James Bond movie has to be shot in Scotland. "I thought I should take James Bond to Scotland, because Ian Fleming said in the obituary that his father was Scottish and the family was from Glencoe." He added: "I just thought it made sense to send him up there and show a bit of that world, particularly as I think it’s a fantastic bit of the world. It is such dramatic, bleak, empty countryside, it lends itself perfectly to the kind of action adventure that James Bond goes on. Scotland is so photogenic and fantastic."

    However, it seems that Eon Productions, makers of the adult James Bond films (who are current prepping Casino Royale for 2006), automatically control ALL film rights to Bond, young and old, and it is highly unlikely to see them making a movie of SilverFin anymore than they would make a movie of the 007 continuation novels by John Gardner and Raymond Benson. So – is this news only part of the SilverFin marketing campaign? Or has Ian Fleming Publications and Hollywood discovered a loophole in Eon’s tightly held films rights?

    Stay tuned.

    Be sure to check out CBn’s exclusive interview with Charlie Higson, and keep watching CBn for all the latest news on the Young Bond series.

    Purchase the UK paperback edition of SilverFin

    Purchase the SilverFin audio book

    Pre-order the U.S. hardcover edition of SilverFin (April 27, 2005)

    Pre-order the U.S. paperback edition of SilverFin (April 27, 2005)

  5. 'SilverFin' is Bond Bestseller

    By johncox on 2005-03-16
    SilverFin bus advert

    Young Bondmania in the UK

    SilverFin, the first in a series of five Young Bond novels by Charlie Higson, is swiftly climbing the UK bestsellers charts. With favorable reviews and a £50,000 promotional campaign by Puffin Books, it looks like Young Bond Book 1 is living up to expectations.

    SilverFin is currently #11 on the fluid Amazon.co.uk list of bestsellers. On Play.com it’s #10. On a list of children’s bestsellers over at retailer WH Smith, SilverFin holds the 007th spot.

    But the most exciting news is that the UK publishing trade magazine, The Bookseller, is expected to list SilverFin at #5 in the paperback children’s fiction chart this Friday!

    Okay, now that the Young Bond series can be called a success, what news of Book 2?

    Author Charlie Higson tells CBn Book 2 currently has the working title “Double M” and will be set largely in Sardinia (a locale seen in the 1977 James Bond film The Spy Who Loved Me). It will involve art theft, bandits, and smuggling. Higson says it will be an even longer book than the 372 Page SilverFin.

    Unfortunately, Book 2 is not coming out in Autumn as originally planned. Ian Fleming Publications confirmed the release is now January 2006 “at the earliest.” SilverFin first editions that show the release date of Book 2 as October 2005 are now hot sellers on eBay after CBn first reported the error earlier this month (the date has been corrected in a second printing).

    SilverFin will be released in the U.S. on April 27 and in Australia in May. As yet, SilverFin is only available in English. SilverFin is currently the “Book of the Month” on the official Puffin website.

    Read CBn’s exclusive interview with Charlie Higson, and keep watching CBn for all the latest news on the Young Bond series.

    UPDATE: Friday, March 18, 2005. SilverFin did not reach the #5 spot on The Booksellers list of children’s paperback bestsellers as expected. It charted at #8. However, the book has moved up on the WH Smith bestseller list to #4.

  6. James Bond's First Aston Martin

    By johncox on 2005-03-07

    Pop quiz hot-shot! What was James Bond’s very first Aston Martin?

    Until last week, the answer to that question was the Aston Martin DB Mk III from the Ian Fleming novel, Goldfinger.

    But not anymore.

    That’s because in SilverFin, the first Young Bond novel by Charlie Higson, we discover that 13-year-old James Bond learned to drive his uncle’s 1.5 Liter Bamford & Martin Sidevalue Short Chassis Tourer. Fans will be interested to learn that Bamford & Martin went on to become Aston Martin, the car company most associated with the cinematic James Bond. Says Higson:

    I put an early Aston Martin in the book… for film fans.

    But how did Bamford & Martin become Aston Martin?

    According to an Aston Martin website, in 1913 Lionel Martin joined forces with Robert Bamford to sell Singer cars — adapting them for the tough up-hill challenges that formed an important part of early motorsport. The partners wanted to manufacture cars of their own and a name was needed. Martin regularly competed in climbs at Aston Hill — and with the simple combination of a hill and a driver, the Aston Martin legend was born.

    Okay, so what did this early Aston look like?

    Thanks to Ecurie Bertelli, a dealer in vintage Aston Martins (who is offering one of these rare cars for sale), we have some terrific photos of James Bond’s very first Aston Martin (cloaking device and ejector seat optional).

    Bamford & Martin  Bamford & Martin  Bamford & Martin
    Bamford & Martin Sidevalue Short Chassis Tourer from SilverFin

    The adult James Bond went on to drive an Aston Martin DB Mk III (Goldfinger), an Aston Martin DB5 (Goldfinger, Thunderball, GoldenEye, Tomorrow Never Dies, Permission To Die, Light of My Death, High Time To Kill, Live At Five, The World Is Not Enough, Never Dream of Dying, The Man With The Red Tattoo, 007 Racing, Agent Under Fire), an Aston Martin DBS (On Her Majesty’s Secret Service), an Aston Martin Volante (The Living Daylights, A Silent Armageddon), an Aston Martin Vantage (The Living Daylights), and most recently an Aston Martin V12 Vanquish (Die Another Day, NightFire, Everything or Nothing).

    The Aston Martin V8 Vantage is reported to be 007’s new car in next year’s Casino Royale.

  7. Touchy. Feely. Eely.

    By Jim on 2005-03-05

    Contains mild spoilers.

    Jacques StewartOh, what’s the point?

    I don’t appear to be the target audience so this review is subject to the obvious criticism that I might as well be reviewing the merits of kolkhoz subsistence or line dancing or rohypnol.

    There are two things to review/abuse here. One is the book qua book. The other is the concept of Young Bond, which for many, self included, strikes one as equally welcome as unsolicited emails promising one something at the Paris Hilton and similar in wisdom to any sort of spin-off and, further, in appearing to deny that the James Bond character has always been adult and that, accordingly, “James Bond” is literary synonym for adult fantasy (and that’s pretty much all it is), about as appealing a spin-off as “Schindler’s List II: Goebbels finds the Tipp-Ex” or “Dial J for Jurder” or “Star Wars Episode 0: The Foetus Yoda”.

    On that last forced analogy, worth forcing it further until it squeaks. Wildly popular concept is reinvigorated years down the line by those in charge of the rights going “back in time” and attempting to display the genesis of (cough) revered characters. However, this may be where the analogy ends (and should end, lest I bore you); there always appeared to be a demand for the Star Wars prequels (albeit one instigated by its creator) and it’s their execution that appears to have engendered a collective chin-stroking; anticipated idea, indifferently done. However, isn’t this the converse?: indifferent idea, done … well, that’d be telling, but was there ever a demand for Young Bond? Not apparently one instigated by his creator, nor by any following him to this point. The laws of supply and demand seem to be out of kilter here–the supply is coming where the demand has yet to be readily identified.

    At least within the concept of “James Bond” itself. For whilst it’s now a moot question, query whether this really would have happened without Harry Potter. It’s inescapable, granted, that teenage boys will go to school and, if Eton rather than one of these superannuated day-care centre hotbeds of pilfering some poor sods have to cope with (Harrow), spend most of their time there so, equally granted, if one is going to tell a tale about such a teenage boy, it will be based in part at Eton. Comes back to the question, though–why tell the tale about the teenage Bond? Nobody else wanted to. Nobody appeared to have demanded it (and hence the shock and awe around these parts and others when the concept was first hurled at us a while ago). Where has this demand come from for tales of chaste derring-do with elements of the fantastical based at (cough) antiquated schools? It’s not hard to recognise that description and I’m not sure it’s in James Bond, a corrupted adult killer and killer of adults, permanently on the stage of burn-out, keeping himself going through meaningless sex, a job he claims to despise (and thereby exposes himself as an unlovely hypocrite) and particularly superficial materialism (I appreciate the tautology). Where in his inventor’s frustration at not being able to eat what he wanted, smoke as much as he wanted, drive as fast as he wanted and knob as many pretty but wounded birds in weird SM fantasy…um…as he wanted, and thereby creating a turbocharged version of himself, is a teenage kid? Whilst it’s been said (and by the man himself) that there’s adolescence in James Bond, it’s the futile attempt of an ageing and disappointed man to live as an adolescent, not actual adolescence, that’s the key to it.

    As Ken Follet observed in The Independent on 3 March 2005 “I read Casino Royale when I was 12. It changed my life. Bond knew about all that intruiged me: cars, cocktails, guns and most of all girls”. Note the age. Note the things the reader was looking for. Can Young Bond satisfy the needs of the twelve-year old when James Bond already does? Can Young Bond satisfy the twelve-year old who would want to read something shocking and illicit and something just ever-so out of reach?

    Also, why tell the tale of the early-teenage Bond without showing the development into the adult Bond (or “James Bond”). It appears–on the basis of Chiggy’s interview here – that this series will end before the more adult fantasy elements take charge, so it doesn’t look like book four will be entitled “Two Balls of Tepid Spunk up a Slack Crimson Flue”, which given that the character seemed to be a byword for thrilling the suburban adult male when it first appeared, appears something of a lost opportunity.

    And, having read SilverFin, there’s now another reason for frustration at the existence of Young Bond, because it means firstly that Mr Higson isn’t writing the real thing and secondly that what is a jolly fun read (after a spluttering start) is actively spoiled by its association to “James Bond”. Replace the name “James Bond” with absolutely anything else (and given that the initial idea was that it was a “nothing” name, it should be capable of such necessary vandalism) and the book is a stormer. Perhaps we all have too much baggage to enjoy it properly. I know I do, and feel frustrated as a result. It’s an entertaining read about a lad at a school who gets himself into a bit of a scrape but the lead character could have gone by any other name and little would really have been lost, and probably more credibility gained. Should entertaining storytelling like this have to ride on the coat-tails of a concept that it doesn’t really fit? The result is damage done to a perfectly fine, fun tale, and another sort of damage done to a concept–the written James Bond–that really doesn’t need any more damaging at the moment.

    As it stands, the book is the equivalent of Chiggy winning at crocodile wrestling; I admire him for the result, but I remain to be persuaded that it’s a terribly sensible idea in the first place.

    Chiggy will say that the concept is not Potter. Generally, it does avoid Potter as much as it can, although the red headed pal and feisty female chum seem…reminiscent. Potter has the wizard thing, and (save for a few bits in Muggle world) a totally invented environment which of itself creates interest–the first book and large parts of the second book involve still getting used to the concept and effectively, the school itself is the story. Here, Eton is treated as the kicking-off point and although there’s a fair amount of true-to-life place-names and customs referred to, there seem to be some gaps (I can’t recall if it’s ever identified which house Bond belongs too, although this is probably deliberate to avoid the Gryffindor connections–although if this is as confidently “not Potter” as is asserted, why not identify the house?). Given that there are limited ways in which one may bend and shape a real-life place, it’s a good decision not to keep Bond in the environment for too long and get him away from it (even if that does rely here on a staggeringly unlikely coincidence) so something more capable of bending to Chiggy’s fecund imagination can be used. This rather suggests that in due course Eton may have to take a back seat, and accordingly, it won’t matter where Bond was at school–frankly I don’t care whether it was Eton or Fettes and if the remaining books take the same attitude, it won’t really matter because very little of real import will happen there.

    SilverFin bears a plot that is no more adult and no more childish than “James Bond saves the Cannes Film Festival” or one involving an invisible car, a talking parrot or a supercriminal gutting an Alpine sports club and hypnotising British dolly birds to love marzipan or whatever it was. Those that die, die nastily; MacSawney meets Hannibal (not the bit you’re thinking – it isn’t that graphic) and the finding of Meatpacker Moran’s body on (about) page 226 (and what it has been subjected to) is very, very (and gratifyingly) nasty (although this does rather put to bed the concept that this is a children’s book, and therefore the entire concept of Young Bond and therefore why wasn’t Chiggles engaged to write James Bond rantrantrant). The villain’s scheme in the development of eugenics is an “amusing” and genuinely creepy nod not to “Bond-lore” (ugh) but to what would come with Aryan “culture” (the physical description of George Hellebore is a less subtle reference), although the relationship between the villain and his brother reminded me of Serpent’s Tooth and a similar-ish scheme. And Frankenstein. See? We are capable of thinking outside “Bond”. Just.

    For those determined to cling to the wreckage, what of it is identifiable “Bond”? Calling a horse “Martini” seems a bit forced, the introduction of May the housekeeper, well…umm… although plusses are that the villain gets a suitably OTT description, this “young boy who gets himself into a scrape, call him John Brown or Jehosephat Beelzebub” goes through Hell, there’s bits about the Bentley and badinage over a meal between Jacob Brownowski (the Ascent of Bond? Oh, never mind) and the villain (although most unlikely coming from the mouth/mind of a thirteen year old kid, frankly). And, although chaste, there’s a bit of romping between Jesus Bellend and “Wilder Lawless”, which is a stupid name and just crammed in there for “Bond” referencing when she could just as easily have worked with the name Madge or Jenny or Turbo. There’s probably loads more but what was particularly enjoyable was that if there were, they were not shouting out loud about “Bond knowledge” (this means you, Mr Benson) and therefore not getting in the way of what is a fun thing. Let it not be recognisably “Bond”–it really should have nothing to do with “James Bond” anyway–and you’ll enjoy it more. Greatly.

    The one point at which it works, and cleverly, is in the preface; an unnamed boy, thinking of his recently deceased father, goes fishing at Loch Silverfin; there are teases to make the reader with redundant knowledge of “James Bond” believe it is Bond; the comeuppance for the character is ours, too. Neat. I have to say I fell into that trap. Nice to have a “Bond” book surprise one now and again.

    Weaknesses? There’s waaay too much in the (terrible) opening chapter, which really isn’t representative of the whole (and is the opening chapter that was leaked); the cribbing of the opening line of Casino Royale is naff (what next? “There are moments of great luxury in the life of a thirteen-year-old snotbag”?) and although it does suggest that Chigs can recognise potential when he steals it, it’s the only moment when he does the practically impossible and out-Bensons Benson, and in that same opening chapter a teacher “reminding Bond of King George” one of the few (and this one, clumsy) references to time and place. Indeed, there are few elements to date the book as being set in the 1930s–not wise to alienate the apparent target audience–but some of the dialogue seems most unlikely coming from modern Etonians, never mind those of seventy years ago. One also can’t help escaping the feeling that the villain did shoot his son in the initial draft; somehow that would have been a more immediately satisfying end to that father-son relationship.

    Ultimately, the major weakness is in the attempts to tie it into the “Bond universe”. Why bother? It’s better without it.

    If the aim is to introduce a new readership to James Bond, it’s a pointless exercise because this character is not James Bond and given that there are moments of ickiness equal to “James Bond”, why the target audience should start on this and not Casino Royale is a bit of a mystery. The enterprise comes across as a needless cash-in on two success–James Bond and Harry Potter–and that’s a bit of a shame because divest it of its proclaimed connection to the Fleming adult and it’s a mighty good read.

    In short, despite the hilarious (and slightly demeaning) juxtaposition of the blurb: “Ian Fleming first wrote about James Bond over fifty years ago. He was uniquely placed to chronicle Bond’s secret-service career–he was himself involved at a high level in intelligence-gathering operations in World War II” against “Charlie Higson is a well-know writer of screenplays and adult thriller novels, as well as a performer and co-creator of The Fast Show”, what SilverFin–against considerable odds–turns out to be is the best spin-off Bond we’ve had for some time, but it would be better and more welcome were it not one. In even shorter, “no, but yeah”.

    And if Chigs is a writer of adult thriller novels, hasn’t someone at IFP missed a trick here? Time to rethink that contract…

    Jacques Stewart read the UK Edition of SilverFin.

    Return to CBn Reviews Young Bond #1: SilverFin

  8. But Is It A Good Bond Book?

    By johncox on 2005-03-05

    Contains mild spoilers.

    John CoxSilverFin, the debut Young Bond novel by Charlie Higson, is a well-written “boy’s adventure”-type book that will please its pre-teen target audience. It should get glowing reviews, and Ian Fleming Publications should be very happy with author Higson’s hard work. While there is some gruesome violence in SilverFin, mothers can rest assured that there is not a whiff of sexuality within its 372 pages (the longest James Bond novel yet written). In these regards, Young Bond #1 is a resounding success.

    However, CBn is a James Bond site run by fans for fans. We know our Bond and we know our Fleming. The juggernaut of SilverFin publicity has promised the book will “appeal to new readers and James Bond fans alike.

    Well…

    While Bond fans can certainly enjoy SilverFin as a well-written adventure book, they may have a slightly harder time embracing it as “A James Bond Adventure.” But make sure you read this review to the end because there is a twist.

    Critics complained that John Gardner and Raymond Benson could never step free of the shadow of Ian Fleming in their 007 “continuation novels.” The good news is Charlie Higson has finally stepped clear of that shadow…the bad news is he’s landed squarely in the shadow of J.K. Rowling. Far too much of SilverFin reads like a Harry Potter clone, and this will initially be the most difficult aspect for Bond fans to get past.

    After a thrilling opening prologue that would not be out of place in a legitimate…err, I mean, adult James Bond novel, we meet young James (Higson’s elects to call him “James” instead of the traditional “Bond”) as he arrives at Eton in the 1930s. James is polite and self-effacing, gets lost “at least twice a day” on his way to class, and feels fear when confronted by bullies. Even though he’s described as tall for his age and athletic, he lacks competitive drive (not to mention killer instinct). James loses almost every Eton sporting competition he enters — which doesn’t seem to trouble him in the least. In fact, he is quite pleased to place 7th (get it?) in a shooting competition. While James is supposed to be 13 in this book, he reads much younger. Are “monsters in the dark” still a concern of 13-year-olds? In short, the James Bond of the first two thirds of SilverFin is a bit of a wimp. This is clearly NOT Fleming’s Bond. It’s not even Roger Moore’s Bond. But keep reading…

    SilverFin is divided into three parts. Part I chronicles Bond’s life at Eton and involves a series of confrontations and competitions with brutish blonde American George Hellebore. At Eton the agreeable James quickly gathers a collection of colorful and diverse friends: an Indian boy, a German-Jewish boy, a boy from Hong Kong, a lovable chubby tuba player… Maybe it’s a foretelling of James’s amazing gambling luck that he would draw the only living quarters that didn’t contain a single Englishman. On the one hand, this works as a motivator of Bond’s future worldliness; on the other, it feels like pandering to a “politically correct” mentality and, again, to the Harry Potter crowd. While clearly very well researched, and despite the highlight of an exciting chapter-long footrace, this first section of SilverFin is a bit tedious and one hopes Higson will get young Bond bounced out of Eton sooner than later.

    Bond breaks free of the Eton section and heads to Scotland in Part II, where the real SilverFin adventure begins. But just when you thought you were free of the Potter formula, Bond is instantly teamed with a talkative red-haired Irish companion (inventively named “Red”) and the spunky “girl” of the story, Wilder Lawless. In what is certainly a low point of young Bond’s masculine development, upon meeting James, Wilder wrestles him to the ground and shoves leaves into his mouth. (There’s talk of this bizarrely humiliating moment being cut from the U.S. version.)

    On a more positive note, the villain of the story, Lord Randolph Hellebore, is well drawn and his caper is teased out very effectively. (It’s a curious feature of SilverFin that, when Higson is free of young James, the book improves dramatically. One of the best chapters in the novel is told entirely from the point of view of Hellebore’s abused son, George.) Hellebore is American, “like a great Roman,” who makes bizarre speeches and could give Hugo Drax a run for his money in a debate on master race theory. Lord Hellebore shares a worldview consistent with the recently empowered Nazis. One wonders why Higson didn’t make the character a German; certainly, Fleming would have. But maybe this would have been too cliché and, again, not “politically correct.” The enemy nation in SilverFin appears to be America. Americans are brutes, simpletons, or worse in SilverFin. Maybe this reflects a 2005 zeitgeist more than that of the 1930s, but know that the spirit of Felix Leiter (not to mention the camaraderie of World War II) is nowhere to be found in Young Bond #1.

    Many of Higson’s Bondian biographical touches, found mainly in this second section, may come off as a bit too cute for hardcore James Bond fans. Bond’s uncle Max teaches young James to drive in an early model Aston Martin (a Bamford & Martin Sidevalve Short Chassis Tourer). Bond’s love of Bentley motorcars, we discover, is rooted in the fact that his Aunt Charmian drives a 4.5 litre (the same car Bond drives in Casino Royale). Bond’s attraction to martinis (shaken, not stirred) has, apparently, nothing to do with the need to dull the guilt and fear that comes with being a paid assassin. Now, when we see 007 order his signature drink, we can assume his mind is drifting back to the memory of Wilder Lawless and her horse named, yep, “Martini.” *Sigh*

    Ah…but now it’s time for our twist.

    While the first two thirds of SilverFin may shake and stir old guard Bond fans, know that it is also by design. It’s no spoiler to say Young Bond #1 is a story of transformation and that, by the end of the novel, the timid boy has via his experience found his 007 steel and menace. If nothing else, this book HAD to be that. And when Bond finally shakes off his yammering Potteresque companions, the action of the final third of the book is downright thrilling! Higson knows how to write, and he weaves horror and sci-fi elements into the story very effectively. You’ll never look at an eel the same way again after reading SilverFin.

    It’s in this final section that Higson shows us the true potential of a Young Bond series. Age becomes far less of a factor when Bond is facing off with a madman, or on his own battling for his life in the waters beneath a Scottish Castle. It’s here Higson begins to channel Fleming at his best, and it’s here that SilverFin becomes, yep, A JAMES BOND ADVENTURE! (There is also an interesting twist to Bond’s transformation that could have Bond chat boards buzzing for some time to come.) For this reviewer, the final third was a last minute save; a rousing return to Bondian basics with a dash of sci-fi horror thrown in. And when the bullies back at Eton see something “cold and frightening” in young Bond’s eyes, I suddenly found myself looking forward to Book 2 in a major way. Like young Bond himself, I was transformed in the end by SilverFin.

    Bond fans gave the concept of Young Bond series a pretty rough reception when it was announced last summer. Asking 007 fans to embrace a kid-safe revisionist history of our “sexist misogynist dinosaur” may be asking too much. So for those fans predisposed to not liking the Young Bond series, know that SilverFin will probably not change your mind and maybe it’s best to skip it. For fans curious about 007’s past, but wary of getting it from a children’s book, I recommend seeking out a secondhand copy of John Pearson’s superb James Bond: The Authorized Biography of 007, which offers up a more interesting — or, at least more adult — version of young Bond’s upbringing.

    But for those more pliable fans, like myself, who have enjoyed the various “continuation novels” and are willing to gamble on this Young Bond series, SilverFin will satisfy. It’s a good start. One just hopes Higson will shake off the Harry Potter contrivances and edge back toward that shadow of Ian Fleming in Book #2.

    Then again, maybe we could all just pick up a copy of Casino Royale and embrace the unexplained mystery of how James Bond came to be the man in the silhouette: a civil servant with a license to kill, a man with few friends and no family, a man without a past who forever exists “one minute in the future”…

    Because wasn’t that Ian Fleming’s intention all along?

    John Cox read the UK Uncorrected Proof of SilverFin.

    Return to CBn Reviews Young Bond #1: SilverFin

  9. SilverFin Will Hook You.

    By righty007 on 2005-03-05

    Contains mild spoilers.

    Chris WrightSilverFin by Charlie Higson puts the pleasure in pleasure reading. It is one of the most enjoyable books I have ever read. I stayed up very late on many school nights reading it because I couldn’t put it down. It is a very addictive book. I’ve read six James Bond novels by Ian Fleming in my time and I enjoyed reading SilverFin more than some of them. Mr. Higson is a fantastic author because he writes with great detail, his writing style makes the story very easy to comprehend, and it is evident that he did much research. SilverFin started off the Young Bond™ series very nicely with a perfect introduction to James Bond’s formative years.

    I liked how Higson made James weak in the beginning and made him grow tougher as the story progressed. James was vulnerable and scared of bullies in the beginning but that all changed at the end of the story. I am eager to see more evolution in young James as the series continues. I am a little disappointed that James wiped off the kiss he received from Wilder Lawless because at thirteen years old a boy should not believe in “cooties” anymore. When I was thirteen years old I was kissing girls but maybe it was different in the 1930s but I doubt that. I would have expected James Bond to enjoy that kiss even at thirteen. Isn’t this the same James Bond that lost his virginity at sixteen, only three years later, to a prostitute in Paris? I was also a little disappointed by James’ group of friends at Eton. To me they came off as the school “rejects” but I guess that Higson wanted to show us that James is an outsider, which makes sense. James’ friend, Red Kelly, is a good character. He is important to the plot and also a source of comic relief, which got annoying at some parts.

    I enjoyed learning about James Bond’s family. The part about his parents is very touching. Higson keeps the reader hooked by hinting about his parents throughout the beginning. Later on the story of their death is revealed in an appropriate way. Aunt Charmian and Uncle Max are great characters and they obviously had influences on James that carried on into adulthood, which is evident in the Fleming novels. For example, James learned about spying and fast cars from his Uncle Max. I like how May was Uncle Max’s housekeeper. If you’ve read the Fleming novels you would know that she becomes James’ housekeeper. I am disappointed that Uncle Max passed away because he was such a lovable character but it was obvious that he would die at some point since his health was pretty bad.

    The villain in SilverFin is a very good villain. He is a very sick and cruel man, which is surprising since this book is aimed at pre-teens. His plan of creating a genetically altered race of men and beasts is very interesting especially because this story takes place in the era of Adolf Hitler and the Nazi Party. His son, George Hellebore, was a good enemy until his predictable change of heart. He turned on his father therefore becoming a good ally for Bond later on when together they destroyed Lord Hellebore’s castle in Scotland where he conducted his evil experiments.

    SilverFin is as perfect as can be but I am concerned about how it will be accepted by the parents of its target audience. The book has a lot of violence, death, and a little gore and I certainly understand why it was toned down in the United States. That stuff doesn’t really bother me but it may bother some strict parents. The only violent part I didn’t really like was the abuse and murder of some piglets by Cleek MacSawney, Lord Hellebore’s right hand man.

    I recommend SilverFin to readers of all ages and it is a must read for fans of James Bond. This book makes reading fun and I should know because reading has never been my favorite thing to do. If you decide to read SilverFin, don’t read it too fast because Book 2 is coming out in January 2006. Waiting for it will be as painful as being mauled by Lord Hellebore’s killer, genetically altered eels from Loch Silverfin. Well, maybe not that painful but still pretty painful!

    Mini Review

    SilverFin (2005) 5star.gif

    Places: Eton College; Keithly; Pett Bottom
    Girl(s): Wilder Lawless
    Villain(s): Lord Randolph Hellebore
    Villain’s Employer: Self-employed
    Villain’s Project: Creating a genetically altered race of men and beasts.
    Minor Villain(s): George Hellebore; Cleek MacSawney; Dr. Perseus Friend
    Bond’s Friends: Pritpal Nandra; Tommy Chong; Leo Butcher; Red Kelly; Mike “Meatpacker” Moran
    Highlights: Cross-country race; train fight; Silverfin serum injection; death of Lord Hellebore
    Remarks: A very good introduction to James Bond’s formative years.

    Chris Wright read the US Uncorrected Proof of SilverFin.

    Return to CBn Reviews Young Bond #1: SilverFin

  10. CBn Reviews Young Bond Book 1: 'SilverFin'

    By The CBn Team on 2005-03-05

    Today CBn offers readers not one but three reviews of Young Bond Book 1: SilverFin by Charlie Higson. One review is by a 16-year-old Bond fan, another by a 40-year-old Bond fan and yet another from a 31-year-old Bond fan who is an old Etonian. Equal in their passions for 007, but clearly of three distinct perspectives. Does SilverFin reach all brand of James Bond fans? Read & find out:

    Chris Wright

    SilverFin Will Hook You.
    A POSITIVE Review by Chris Wright

    SilverFin by Charlie Higson puts the pleasure in pleasure reading. It is one of the most enjoyable books I have ever read. I stayed up very late on many school nights reading it because I couldn’t put it down. [read more…]

    John Cox

    But Is It A Good Bond Book?
    A MIXED Review by John Cox

    While Bond fans can certainly enjoy SilverFin as a well-written adventure book, they may have a slightly harder time embracing it as “A James Bond Adventure.” But… read this review to the end… there is a twist. [read more…]

    Jacques Stewart

    Touchy. Feely. Eely.
    A PUZZLED review by Jacques Stewart

    Oh, what’s the point? I don’t appear to be the target audience so this review is subject to the obvious criticism that I might as well be reviewing the merits of kolkhoz subsistence or line dancing or rohypnol. [read more…]

    Purchase the UK paperback edition of SilverFin

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    Pre-order the U.S. hardcover edition of SilverFin (April 27, 2005)

    Pre-order the U.S. paperback edition of SilverFin (April 27, 2005)