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  1. BCW8: 007 in New York

    By Athena Stamos on 2005-10-19

    DEAR DAD–TERRIBLY URGENT
    THAT YOU COME TO NEW YORK!
    I NEED YOUR HELP! FAIL NOT!
    WITH LOVE–JAMES

    – ‘Blast From The Past’, Raymond Benson

    This year’s 8th Annual Bond Collectors Weekend (BCW8) took place from August 25 through 28th. James Bond fans of all ages and from all over the United Stated gathered in New York City for a full on James Bond experience.

    IMPORTANT: To view all of the BCW8 Photos from the CBn Gallery click on the various links scattered throughout the article.

    THURSDAY AUGUST 25

    For those who arrived in New York early, Thursday evening was spent Celebrating Sean Connery’s 75th Birthday. Some BCW attendees chose to celebrate by enjoying dinner at the swank Tavern on The Green while others met at an undisclosed corner in Manhattan. And what, pray tell were these people doing on this undisclosed corner? Well, they all had a champagne toast (ok ok, it was just sparkling wine) in honor of Sir Sean Connery while each signed an extremely oversized card (approximately 1’5” x 2’5”) addressed to the Birthday boy.

    Bond 45

    After everybody had finished signing the card and most were emboldened by ‘liquid courage’, the small tribe embarked on their mini-march to Sean Connery’s house for more drinks and discussion with the first screen incarnation of 007. Admittedly, part of that is an outright lie, but they did actually go to Sir Sean’s house to deliver the card… and some birthday booze. The gate was open! Taking full advantage of this, Mr. Sherman promptly rang the doorbell and spoke to Sean’s wife, Micheline Connery, via the intercom… unfortunately, it was only the maid who came down but she graciously accepted the card, the bottle and the bundle with Matt’s thanks and birthday greetings for Mr. Connery. She said she’ll make sure he gets them and that was that!

    After taking pictures of Connery’s mailbox and register (the “man, these folks are weirdoes” feeling is starting to creep in now, innit?), some of the group set off to Broadway for a late supper at the restaurant Bond 45, to celebrate and talk.

    […] Bond liked the Time Square jungle – the hideous souvenir shops, the sharp clothiers, the giant feedomates, the hypnotic neon signs, one of which said BOND in letters a mile high. Here was the guts of New York, the living entrails.

    – ‘007 in New York’, Ian Fleming

    FRIDAY AUGUST 26

    At 10am there was some BONDing going on at our hotel around the rooftop pool, that’s right… rooftop pool. As lunch time rolled around we all had a bite at this wonderful and convenient little deli that was right next door. After lunch, BCW8 officially started with this year’s BCW Death March! It was the first of three Death Marches that were in store for us with Matt Sherman, who would soon earn the endearing nickname “The Tour Nazi“, leading the pack.

    Roosevelt Island Bridge

    Our energy level was on high as we began the march down 42nd Street from our hotel to the nearest Subway station. On the way we passed the Hilton Theater where Ian Fleming’s Chitty Chitty Bang Bang – the musical – was playing. After snapping a few pictures of the block long Chitty marquee, we jumped on the subway and headed over to Roosevelt Island.

    We enjoyed views of the New York City skyline from the island and took the suspended Roosevelt Island Tram, which runs parallel to the Roosevelt Island Bridge, back to Manhattan. The suspended Tram was used in Spider-Man (2002) and had a very Moonraker feel about it. Upon retuning to the city, we passed the spot where James Bond ditches his car in the novel Live & Let Die.

    He was on Park Avenue and 116th Street. He slowed again at the next street. It was 115th. He was heading downtown, away from Harlem, back into the City. He kept going. He turned off at 60th Street. It was deserted. He switched off the engine and left the car opposite a fire hydrant.

    – ‘Live & Let Die’ (chapter 8), Ian Fleming

    We then took a stroll through Central Park (007 in New York and Live & Let Die)…

    So Bond had been instructed to make contact and he had arraigned to do so, that afternoon at three o’clock, outside the Reptile House at the Central Park Zoo.

    – ‘007 in New York’, Ian Fleming

    Athena Stamos and the Oh Cult Voodoo Shop

    …not only did we enjoy the atmosphere but we also saw the bench lined curved road where James Bond’s cab begins following Mr Big and Solitaire after they leave the Voodoo shop in Live & Let Die. We exited Central Park and made our way passed the building which served as the fictional San Monique Consulate (containing Kananga’s Office), also in Live & Let Die. From there we made our way to the Oh Cult Voodoo Shop which is now a jewelry shop. We had fun running back into the “elevator garage” where Roger Moore (James Bond) once stood.

    “James, that car is registered to a shop at 33 East 65th Street. That’s only a block away from here.”

    – Felix Leiter, ‘Live & Let Die’ Film

    We then visited three special houses. One being Thomas Crown’s brownstone used in Pierce Brosnan’s The Thomas Crown Affair. The other house was Sean Connery’s. Now, some people had already been to Connery’s place on Thursday night, but it was nice of Matt to take us all by the house again for those who were not able to attend Thursday night’s festivities. And then there was the apartment of James Suzuki (James Bond and Kissy Suzuki’s son) from the short story Blast from The Past, which is also Raymond Benson’s old apt where he wrote The James Bond Beside Companion, the computer games A View to a Kill and Goldfinger, and the role playing game You Only Live Twice II: Back of Beyond.

    Raymond Benson / James Suzuki's Apt

    The taxi took him to the Upper East Side, where James Suzuki lived in a studio apartment at 75th Street and 1st Avenue, not far from the East River. Bond paid the driver and stepped out onto the pavement. […] Bond wondered how anyone in an apartment facing an avenue could ever sleep, for the city never stopped.

    – Blast From The Past (manuscript), Raymond Benson

    Then down into the subway we went and ended up at the location of the Live & Let Die “Harlem” Filet of Sole. The original building used in the film had been demolished and now a new building stands there and is occupied by an Ace Hardware. Returning to the subway to made our way into Harlem.

    Taxi Driver: “Hey, You know where you’re going man?
    James Bond: “Uptown, I believe.”
    Taxi Driver: Uptown? You headed into Harlem, Man.

    – ‘Live & Let Die’, Film

    Strolling through Harlem we heard someone shout, “Get out of Harlem!” (he must not like Bond Fans *wink*). We stopped at the corner of Central Park where James Bond is driven out of Central Park via Taxi and into Harlem. We could see all the way up the street and it just seemed to keep going and going. Matt told us the alleyway where Bond has his fight with Mr. Big’s two assassins was further up the street, but we would not be traveling that far into Harlem. Instead, special guest Maxine Vesterhalt dropped by to say hello before we headed back to our hotel on 42nd Street.

    Bill Kanas, Matt Sherman & John Cox in Sardis

    “Let’s go. Sardi’s is just over the way.” Leiter avoided the fashionable room at the famous actors’ and writer’ eating house and let Bond upstairs.

    – Diamonds Are Forever (chapter 8), Ian Fleming

    After freshening up we all met up at Sardis for a lovely dinner. After the meal and during mid-chit-chat, we moved ourselves across the theater district and into Charlie Axworthy’s suite at the Waldorf. The Bonding continued late into the night.

    SATURDAY AUGUST 27

    UN Security Council chamber

    BCW’s second day started way too early. Having not had enough sleep we trudged to a nearby bus stop. The bus took us to the United Nations where a warhead sat out front – now a piece of artwork. We took a group picture and then were sent through tight security and split into two tour groups so we couldn’t cause too much trouble. Each group had their own tour guide who added their own personal touch to each tour. The highlight of the UN tour was the Security Council chamber, where the British ambassador was assassinated in Live & Let Die.

    Leaving the UN, we passed the famous Daily News Building used in the Superman movies as ‘The Daily Planet‘ on our way to Grand Central Station. Once arriving at Central Station we had a leisurely lunch at the Oyster Bar. Of course we had to order James Bond’s favorite meal in New York… Oyster Stew & Beer.

    The Oyster Bar

    “[…] what about the best meal in New York – oyster stew with cream, crackers and Miller High Life at the Oyster Bar at Grand Central?”

    – 007 in New York, Ian Fleming

    After lunch we headed out on Death March #2. First stop, The Drake Hotel which appeared in John Gardner’s For Special Services.

    At the Loew’s Drake Hotel at Fifty-sixth and Park, the briefcase awaited them.

    – For Special Services (chapter 6), John Gardner

    John Cox at The Mysterious Bookshop

    We then stopped by The Mysterious Bookshop, home of The Mysterious Press who published the special editions of Licence to Kill in 1989. While there, they gave us a look at a Limited Edition (only 250 published) of On Her Majesty’s Secret Service. The thing that makes this edition extra special and a gem for any James Bond collectors vault is that this is a signed copy of OHMSS which Ian Fleming also inscribed to his mistress, Lisl. If you’re interested in obtaining this book contact The Mysterious Bookshop and mention CommanderBond.net.

    Signed Limited Edition On Her Majesty’s Secret Service
    (Inscribed to Ian Fleming’s mistress, Lisl)
    Price: $15,500.00

    After 26 years at their originally location on West 56th Street, The Mysterious Bookshop moved on September 30, 2005. Their new address and phone number is…

    The Mysterious Bookshop
    58 Warren St.
    New York, NY 10007
    212-587-1011

    Continuing on, we passed by Radio City Music Hall which hosted the premier of GoldenEye 1995. The music hall also appeared during the climactic end of the graphic novel The Quasimodo Gambit as James Bond chases Maximillian “Quasimodo” Steel across the roof tops of Music City. We also passed the Paramount Theater which not only hosted the premier of Thunderball in 1965, but also ran the film 24 hours around the clock afterwards.

    The 21 Club

    There was a question of lunch. […] In the old days it would have been the ’21.’ but the expense-account aristocracy had captured even that stronghold, inflating prices and, because they didn’t know good from bad, deflating food. But he would go there for old times’ sake and have a couple of dry martinis – Beefeaters with a domestic vermouth, shaken with a twist of lemon peel – at the bar.

    – 007 in New York, Ian Fleming

    Rockefeller Center

    Next we strutted up tothe 21 Club and stopped to take pictures like the gawking tourists that we were. The 21 Club was featured not only in 007 in New York, but in the novel Diamond’s Are Forever Tiffany Case invites James Bond to the club for dinner at 8 o-clock on Friday night.

    Our death march then lead us up to the 666 building or as Elias Hazelwood called it, “the three sixes building.” This served as the villain’s lair in The Quasimodo Gambit. In chapters 24 and 25 of this graphic novel, debris from an explosion in the 666 building rained down on Rockefeller Center (pic 2), which was our next stop. We took this opportunity to take a web-heads group photo. Rockefeller Center is also the location for the final scene in 007 if New York.

    […] an untidy meeting at midnight beside the skating rink at Rockefeller Center with tears and threats of suicide from the English girl.

    – 007 in New York, Ian Fleming

    It’s time to return to our hotel, but not before a few quick stops long the way. With careful examination of Ian Fleming’s novel Diamond’s Are Forever Matt “the tour Nazi” Sherman brought us to the exact corner where James Bond hides in a doorway when he thinks he’s being followed. Well he was being followed, but by no one dangerous… just Felix Leiter.

    Bond had walked for only a few minutes when it suddenly occurred to him that he was being followed. […] He went on and turned right into the Avenue of the Americas, stopping in the first doorway, the entrance to a woman’s underwear store…

    – Diamonds Are Forever (chapter 8), Ian Fleming

    We also stopped at Bond 45 for those who had missed it on Thursday night. We then retuned to the hotel in need of a bit of rest before the nights festivities. Some people BONDed in the BCW suite while checking out some 007 memorabilia that was on display, while others hit their hotel room beds for a quick snooze.

    Niels & Jana Maclellan

    At 10:00pm the hotel lobby was filled with all sorts of odd characters: Kerim Bey, Zora, Wai Lin, Jimmy Bond/Dr. Noah, Mata Bond, James Bond (all incarnations of course) and Tee Hee who had gone through a cloning machine and now was double the trouble. Niels & Jana Maclellan won the ever so coveted “Best Costume” award and they certainly deserved it. The couple were dressed as the handcuffed James Bond (Pierce Brosnan) and Wai Lin (Michelle Yeoh) from the Tomorrow Never Dies motorcycle chase scene… yes, they’re costume included the BMW motorcycle which was constructed out of 40 feet of PVC pipe! Check out our group costume photo taken in the Waldorf Lobby.

    Charlie Axworthy, Matt Sherman, Athena Stamos, John Cox, Fraser Lomas, Darren Hayes, Greg Goodman & Deborah Lipp

    As we sat in the lobby the hotel phone rang… *ring* …“Timothy Dalton” picked it up. Our mission, should we choose to accept was to head across town to Charlie Axworthy’s Waldorf suite. We all of course accepted and stepped out of the hotel and onto the busy streets of New York. With our group consisting of scantily clad women, white men posing as black men, a toy motorcycle and lots of tuxedos and toy guns… the adventure of hailing a swarm of cabs was a great one. As we all piled in to our “fancy” transportation the precession of cabs took of through Time Square toward our destination.
    Upon the groups arrival, the party of all party’s began. Wine, champagne, imported beer, soft drinks, jumbo shrimp, cheese, crackers, veggie platters, chocolate and lots of other tantalizing munchies were waiting to be devoured. Bond music filled the air and Bond talk graced everyone’s lips. The night was young and would last till about 4am.

    SUNDAY AUGUST 28

    Now having had even less sleep than the night before, we all took the subway into downtown to begin Death March #3. Our first stop: the New York County Supreme Court building. This court house has been featured in countless episodes of Law & Order, but is also home to a controversial 007 legal battle. Monty Norman vs John Berry, Who wrote the Bond theme? The winner: Monty Norman. This is also where the ongoing battles between Sean Connery and his neighbor take place.

    Fraser Lomas on the Brooklyn Bridge

    Matt “the tour Nazi” Sherman then asked if we wanted to go see the Brooklyn Bridge since we were right near it. We said yes because although not a Bond location we couldn’t pass it up. After I scaled the bridge we continued our trek and stopped at Ground Zero. We looked around at what used to be the World Trade Center and viewed the plans for the new Freedom Tower and Center. We all had our moments of silence as we walked around the void. Matt told us that supposedly what was planned for Die Another Day was that Gustav Graves was going to destroy the Stature of Liberty using the Icarus satellite, when 9-11 happened, that plan was tossed.

    We then took a walk down Wall Street to check out the New York Stock Exchange which was the target of the villain’s evil doings in John Gardner’s Brokenclaw. Brokenclaw Lee planned on breaking into Wall Street’s computer system and wrecking financial havoc, of course James Bond came to the rescue.

    New York Stock Exchange

    Its aim was to bring down Wall Street by hacking into the Stock Exchange computers, buying, selling, altering prices surreptitiously.

    – Brokenclaw (chapter 17), John Gardner

    While on Wall Street we were able to view the building which served as Felix Leiter’s office (green roof) in Live & Let Die. We continued on our third Death March through the New York Historic District which still had its coble stone streets intact. We passed Frauces Tavern where during the revolutionary war spies would gather to exchange information.

    Live & Let Die steps

    We then visited our last BCW8 Bond location. When 007 arrives in New York in Live and Let Die he is picked up by “Charlie” in a brown sedan. Along the Roosevelt expressway “Charlie” is killed and the car looses control. Bond manages to veer the sedan off the expressway, dodging occupied cars. This results in the sedan flying over the steps of a large building and crashing into a parked van across the street, where Bond later calls Felix. These steps, our location; and for many one of the most anticipated locations for this trip. The street looks near the same and the steps are still there, but the spot where Bond’s car sails over has now been turned into a handicap access ramp and planter. And while we were there, believe it or not, in the exact spot where Bond crashes into the van sat a bus… number 007.

    Geoffrey Holder & Athena Stamos

    We made our way over to Matt Sherman’s Uncle’s place for Lunch. It was an authentic New York artists loft with drinks and two monster sub-sandwiches waiting for our hungry stomachs. Everyone grabbed some grub and took a seat as it was time to meet our special guest, Geoffrey Holder (Baron Samedi, Live & Let Die) who had an autographed photo for everybody. But Geoffrey, as he insisted we call him, was a man of many opinions more interested in talking about the mysteries of life than about James Bond.

    Next we heard from our two literary guests, John Griswold (Ian Fleming’s James Bond: Annotations and Chronologies) and Michael DiLeo (The Spy Who Thrilled Us). John Griswold explained in detail how he formulated his James Bond chronology based on his research of Ian Fleming’s original novels. It was clear to everyone in the room that John really knows his stuff and is very dedicated to 007 knowledge. Even Matt Sherman said, “I never want to meet you in a Bond trivia competition!” Michael DiLeo talked about his book as well which focuses on the James Bond films with a light entertaining touch – fandom should be fun. Michael also addressed a question by talking about the trials behind writing his book when he lost a lot of content, which he kept in his office, to the 9-11 disaster. Both authors both had a small stock of their books with them which they were happily signing.

    Maxine Vesterhalt & Roger Adams

    Our next guest was Maxine “Max” Vesterhalt who’s credited as “Casino Girl” in For Your Eyes Only. Unlike Mr. Holder, Max loved talking about her experiences in the world of 007 and reveled details about the making of For Your Eyes Onl that have never been published anywhere to our knowledge. She talked about the original FYEO casting section with a director other than John Glen (although she couldn’t recall the name of this “original” director). She also went into detail about her role in the film which was originally a much more significant scene with Roger Moore. Both her and Roger were disappointed that they didn’t get to play out their scene together as originally written. She then told us about when she met up with Roger Moore and the Broccoli family in Japan for the premier of Octopussy and they treated her like family. She had autographed photos for us all as well. I have to say that Max was certainly a pleasure to BOND with.

    As the weekend was wrapping up, Jeff Marshall’s special BCW8 Lithos were revealed: one BCW8 Poster Litho and one Baron Samedi Litho. And we received our BCW gift packs which included an autographed excerpt from Deborah Lipp’s soon to be published book, The Ultimate James Bond Fan Book. We all spent our last hours together lounging in the loft. BCW8 was, as always… a success!

    This which you have just read are the BCW adventures of the following CBn web-attendees: Athena Stamos (Athena007), Bill Kanas (Bill), Charlie Axworthy (Bryce (003)), Darren Hayes (North Scorpion), Deborah Lipp (Kara Milovy), Fraser Lomas (Double-Oh-Zero), Greg Goodman (head of Univex), John Cox (zencat), John Lambert (Johnboy007), Matt Sherman (Matt Sherman), Roger Adams (TGO) and Tom Stroud (trs007). It’s because of you all that this was the best BCWs ever!

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  2. Czech Republic Locations Revealed

    By johncox on 2005-10-19

    Bond fans have known since May that Casino Royale, the 21st James Bond film which sees the debut of Daniel Craig as 007, would be filming in the Czech Republic. However, up until now it was reported that filming would be confined largely to studio soundstage work.

    Karlovy Vary

    The spa town of Karlovy Vary will play a role in Casino Royale

    But now Misha Olexova, marketing director of Stillking Films (which has landed the job of local co-producer) reveals that Casino Royale will also shoot on location in the capital city of Prague and its surroundings, as well as the spa town of Karlovy Vary. The Casino Royale team will spend six-months shooting in the Czech Republic starting in January.

    This will be the first time that a James Bond movie has filmed inside the Czech Republic. 1987’s The Living Daylights — the Bond film that saw the debut of Timothy Dalton as 007 — featured scenes set in Bratislava (then part of the united country of Czechoslovakia), but that city was doubled by locations in Vienna.

    Stillking Film’s managing director, Matthew Stillman, said the co-production deal signed with EON Productions is “an important step for us as well as the local film community.”

    Casino Royale was originally scheduled to shoot in South Africa, but problems securing locations forced the producers to look elsewhere. Apart from the Czech Republic, Casino Royale will film in The Bahamas, Italy, and Pinewood Studios in the UK. Club 007 France is reporting today that the Italian location featured in Casino Royale will be Venice, but CBn could not confirm this.

    During last Friday’s press conference, producer Michael G. Wilson called Casino Royale “very much a location based film.”

    Casino Royale will be released by MGM/Columbia Pictures on November 17, 2006.

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  3. First Details of Young Bond Book 3

    By johncox on 2005-10-18

    As Charlie Higson’s first Young Bond novel, SilverFin, continues to fly off store shelves and anticipation grows for the January release of Book 2, Blood Fever, CBn has uncovered the first details of Charlie Higson’s third Young Bond novel.

     Young Bond by Kev Walker

    Young Bond by Kev Walker

    The yet untitled Young Bond Book 3 will be set almost entirely in the darkest corners of 1930s London where young Bond battles Russian spies who are attempting to build an early computer. The release date is currently set for January 2007.

    Some fans speculated that Ian Fleming Publications might release Book 3 in late 2006 to take advantage of the onslaught of James Bond publicity surrounding the release of Daniel Craig’s debut as 007 in Casino Royale. However, it appears IFP is sticking with their plans to release a Young Bond book every year — which means the series will continue until 2009, overlapping the adult centennial Bond novel due in 2008.

    In an exclusive CBn interview, author Charlie Higson revealed that Young Bond Book 4 will be set in the Alps.

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  4. Campbell Answers Craig Critics

    By johncox on 2005-10-17

    To the media wags who have criticized Daniel Craig’s casting as James Bond in Casino Royale, director Martin Campbell’s message is clear:

     Daniel Craig is James Bond

    “He’s a very gritty, interesting-looking guy, very handsome in a different way.” -Campbell

    “Wait until the movie.”

    Speaking last night at the world premiere of Legend of Zorro at the Orpheum Theatre in downtown Los Angeles, Campbell said, “When I directed GoldenEye, they dumped on that even while I was shooting it, saying, ‘Give up. Bond is dead.” In England, Campbell says, “It went on and on and on.”

    Campbell then elaborated on why he picked Craig:

    “He’s a very gritty, interesting-looking guy, very handsome in a different way. He’s going to be a more adaptable, realistic Bond than perhaps we’ve had in the past.”

    Meanwhile, former Miss Moneypenny actress Samantha Bond has chimed in with her opinion of the new 007. “As for Daniel as Bond, I think it is an absolutely brilliant choice. He is butch, male, attractive and a bloody good actor. He was by far the most plausible choice.”

    While the media has characterized online Bond fans as universally rejecting Craig, a poll here on CommanderBond.net — the largest James Bond fan forum on the internet — shows that 60% of fans favor Craig; 28% do not; and 12% elect to take Campbell’s advice and will “wait and see.”

    Casino Royale will be the 21st James Bond film produced by EON Productions. The MGM/Columbia Pictures production begins shooting in January and is due for release worldwide on November 17, 2006. It will be filmed in the Czech Republic, the Bahamas, Italy and the UK.

    Update:

    Martin Campbell has given a terrific exclusive interview to Latino Review in which he talks more about his new Zorro film, Daniel Craig as Bond, and next year’s Casino Royale.

    Click here to read the full Martin Campbell Latino Review interview.

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  5. The CBn Dossier, Special Edition

    By Matt Weston on 2005-10-17

    Matt Weston

    Welcome to a Special Edition of The CBn Dossier, a wrap-up of all the 007 news and rumours following Friday’s Casino Royale press conference. In this column, we take a look at the formal appointment of Daniel Craig to Her Majesty’s Secret Service, the media reaction to the casting of Craig, the first news on Bond 22 and a whole pile of tidbits that slipped under the radar amidst the hubbub of a new James Bond. Today, CBn’s Matt Weston looks back on the day that was.

    Enjoy.

    Craig… Daniel Craig

    Flanked by marines in a speedboat, Daniel Craig arrived at the HMS President for the announcement Bond fans have been waiting for for over 18 months. Despite being one of cinema’s worst-kept secrets (even Craig’s mum blabbed to the press before the formal announcement was made), the interest and media coverage generated by Craig’s selection for the famed role of James Bond has been nothing short of astounding.

    Decked out in Brioni (“Because it’s a great suit!” explained Craig), the actor disembarked from the boat to pose for a series of photos for the slew of eager journalists and photographers before heading inside to partake in a half-hour press conference, addressing the media for the first time as 007.

    Following a lengthy period of silence from Eon’s camp, for many fans, Friday’s press conference signified a giant step towards restoring the order and security of the franchise – and, indeed, the franchise itself – that many have felt has been absent since word leaked that Pierce Brosnan had lost the role (for many fans, Friday’s press conference also signified a giant sigh of relief at the prospect of not having to read another freaking “X tipped to be the new James Bond” story for some time). However, the decision has also been a controversial one, with fans taking vastly opposing stances on Craig’s suitability for the part.

    “They’ll print anything these days”

    Craig’s casting as Bond has not only been controversial amongst fans, but also the media. Following in the footsteps of Popular Pierce was always going to be difficult, as Craig himself admitted on Friday, however the media has been decidedly negative in their reportage of the actor securing the role.

    Journalists have unneccessarily highlighted the actor’s blond hair as a focal point of their reports, whilst the fact Craig was wearing a lifejacket upon his arrival to the press conference has also been consistently referenced (nevermind the marines surrounding him were also fitted out with the very same lifejackets). Variety‘s Archie Thomas was more kind, writing that the entrance was executed in “classic Bond style” and lashed out at the “hacks” who criticised something as trivial as a lifejacket.

    Inside the conference, The Daily Mirror‘s Fiona Cummins got the proceedings off on the wrong foot by prodding at Craig’s private links with Kate Moss and Sienna Miller as the conference’s very first question (something the journo raised no fewer than two more times over the following half hour). Craig’s reluctance to answer such questions resulted in The Mirror‘s nasty front page story entitled The Name’s Bland… James Bland, in which Cummins labelled Craig’s debut as “deadly dull” and that he “showed none of 007’s charm and charisma” (Variety rightly backed Craig’s deflections, noting them to be done in “a suitably diplomatic fashion”).

    The Daily Mail‘s Richard Simpson was similarly unenthusiastic. “[I]t wasn’t the most auspicious of starts for the 37-year-old actor,” Simpson wrote. “Craig’s suit looked more banker than spy. Add to that his carefully-fitted lifejacket and the way he clung for dear life to the rail, and Bond he wasn’t.”

    The Sunday Times, in a particularly thorough piece, considered Craig’s casting particularly unconventional. “Craig is not an obvious choice,” the article stated. “Indeed, some think he is not the real goods.” However, the article was quick to argue that Craig’s two concerns about taking on the role – that it would limit his acting ambitions and that he could not act as well as Connery – were “ill-founded”. The article also leapt to the defense of Craig’s Liverpool roots, something also picked on by the UK tabloids. The story also favourably compared Craig’s position to that of Connery just prior to his first film. “At 37 [Craig] has a more bankable reputation than the 32-year-old Connery when the latter inaugurated the Bond series in 1962.”

    Other major media outlets were less forgiving. Reuters‘ Mike Collett-White wrote that many of Craig’s comments at the conference were “decidedly un-Bondlike”, citing his reaction to the boat entrance as an example. Fiona Hudson in Australia’s Sunday Mail (not online) wrote that Craig seemed “nervous and shy” in front of the world’s media, claiming that bookmakers are already “betting [Craig] will emulate Aussie George Lazenby and last only one Bond film”.

    Only time will tell as to how the media circus will pan out as Casino Royale‘s release approaches.

    Downsizing at MI6?

    “We’re planning to bring M back, and the script as it stands, does not have Q or Moneypenny in it.”

    Q has long been said to have been absent from the Casino Royale script, despite John Cleese only technically assuming the role in the previous Bond flick, however producer Michael G. Wilson also revealed Moneypenny may also sit out the new film (even though she featured in Ian Fleming’s Casino Royale). Four-time Moneypenny, Samantha Bond, who starred opposite Brosnan, had always maintained that she would depart the series when the Irish actor did, but it appears M’s secretary’s services will not be needed at all. Oddly, the revelation of Moneypenny’s absence from Casino Royale comes hot on the heels of the publication of the first in Ian Fleming Publications’ trilogy of books told from the perspective of Miss Moneypenny.

    Casting for Casino Royale‘s Bond girl, Vesper Lynd, is now underway. Wilson said the frame is currently very wide for casting for the role. “We haven’t really focussed on anyone,” he said. “I think we wanted to make sure we got the part cast for 007 and now I think it’s open casting. We’re just looking for someone who has to do a very important job in this film.”

    Campbell was highly enthused about the role Vesper plays in the story. “It’s a terrific part. It’s actually probably the best Bond girl part, if you will.” The director also addressed what was being sought after for the role. “First of all, what we’re going to get is a terrific actress. I think that’s really important. She has to look beautiful, she plays a very important role in the piece, and she also spends a lot of time with Bond. So clearly, when we decide who it is, it’s got to be somebody who has all of those attributes.”

    What makes 007

    Perhaps most interesting was Campbell’s revelation that Casino Royale will hint not only at the origins of 007 himself, but also some of the “embyonic” Bond trademarks, including “how, perhaps, he gets the Aston Martin, how he mixes his martini, what the ingredients are, and indeed, the make of the ingredients.” The director constantly reiterated that Casino Royale will see 007 moulded into the character we know and love.

    The news reaffirms Aston Martin’s multi-picture contract with Eon Productions that began with 2002’s Die Another Day; Wilson also denied reports that the decidedly unconventional Fiat Panda will be Bond’s car of choice in Casino Royale.

    Despite Fleming’s 007 famously being a 70-a-day smoker, director Martin Campbell firmly stated that Casino Royale‘s Bond keep his distance from cigarettes. “He’s not going to smoke, simply because it’s difficult with children or young people who go and see the movie, and given that he’s the iconic hero he is, it’s perhaps not the right thing to do. So he will definitely not smoke.” Brosnan’s Bond only ever smoked a cigar in Die Another Day.

    More controversial will be the handling of the brutal torture sequence that features prominantly in Ian Fleming’s 1953 novel. “I think there will be a lot of wide shots of the house and a bit of screaming in the background,” Campbell quipped. “But if you read the book, it’s a fairly horrific scene and it’s quite shocking and I’m sure there’s an awful lot of women who would appreciate it. Nevertheless, it is a difficult scene, and quite how we’re going to deal with it, or I’m going to deal with it, I don’t know.” The film, according to Campbell, is nonetheless aiming for a 12A / PG-13 rating.

    The limits at ‘Casino Royale’

    Attempting to dodge the topic, Campbell and Wilson fielded several questions pertaining to the film’s budget. “Of course, it’ll probably be north of $100 million, as they tend to be, because these days, ironically enough, there’s an awful lot of films that are costing that, but beyond that, I can’t tell you,” Campbell said.

    “We have plenty of action in this picture,” Wilson added. “We’ll be lucky to keep it within the balance of the last film.”

    Die Another Day reportedly cost $160 million, making it the most expensive film of 2002 (a year that saw entries in the Star Wars, Lord Of The Rings and Harry Potter franchises released).

    Bond 21 and beyond

    Yet one of the most exciting revelations to come out of Friday’s conference was the news that Bond screenwriters Neal Purvis and Robert Wade are already at work on the 22nd Bond picture. “Purvis and Wade, who wrote the [Casino Royale] script are also starting on the next Bond script, so all this is going forward,” Wilson said.

    The news comes as a positive sign to fans who have become jaded with the recent three- and four-year breaks between films. The 007 producers have typically tried to cement new Bond actors in the role fairly quickly, which may well turn out to be the strategy here. Roger Moore’s first outing was followed by his second the very next year, whilst both Timothy Dalton and Pierce Brosnan experienced two-year gaps between their first and second films.

    Bond 22 will be the writing duo’s fifth Bond script, following The World Is Not Enough (which was co-written with Bruce Feirstein), Die Another Day, Casino Royale (which is receiving a dialogue polish by Oscar-nominee Paul Haggis) and the ill-fated Jinx spin-off, which was to be directed by Stephen Frears for release in 2004.

    But for now, the focus is on next year’s Bond film.

    ‘Casino’ chatter

    With CBn’s forums hitting 5,007 members before Friday’s announcement, the discussions went into overdrive as the sixth actor to play the role was formally named.

    If you’re not yet a member, and wish to join the largest James Bond forums anywhere on the web, simply click here to register. It’s simple, it’s free and it’s your chance to sound off on any aspect of the world of Bond! With Casino Royale exactly 13 months from hitting cinema screens, there’s never been a better time to join.

    Until next time…

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  6. CBn Reviews 'For Your Eyes Only'

    By Devin Zydel on 2005-10-17

    Over the last several months, members of the CBn Forum have been reviewing all the James Bond 007 films in the “Countdown Threads“. If you wish to join in on the forum discussion all you have to do is register. Now here are some selected reviews, varying in opinion, of For Your Eyes Only

    ‘For Your Eyes Only’ by Turn

    'For Your Eyes Only' litho by Jeff Marshall

    ‘For Your Eyes Only’ litho by Jeff Marshall

    This film was touted at the time as being the film that would bring Bond back down to earth after Moonraker and he did — with a thud.

    For Your Eyes Only follows the trend began in The Spy Who Loved Me where EON began recycling popular elements of previous films on a consistent basis — underwater scenes, check; ski/snow scene, check; car chase, check; Bond hanging from great heights scenes, check; Bond pursuing a piece of equipment that could have catastrophic results if it falls into the wrong hands, check.

    For Your Eyes Only is such a deliberate reaction to the over-the-top Moonraker that it tries too hard and a lot of the fun from that film is lost. They decided to drop the exotic sets and effects in favor of stunts. That would have been fine, but compared to another stunt-filled movie that came out that year, Raiders of the Lost Ark, For Your Eyes Only looks lame.

    The underwater scenes are particularly boring. It always amuses me when people complain about Thunderball‘s underwater scenes being slow, especially in the final battle in comparison to this. At least there were interesting visuals and things going on there. Hearing Moore make lame jokes (even after he says not to speak to conserve air) and disconnecting wires is not my idea of fun. Possibly the slowest stretch of any Bond film outside of the San Francisco scenes in A View To A Kill for me. And what point did that mad scientist guy in the other attacking sub serve? Overkill.

    The villains are some of the least intersting ever. Kristatos isn’t my least favorite villain, but he’s not a great baddie by any stretch. The blood feud with Columbo is okay, but not that involving. Locque and Kriegler are basically Red Grant variations.

    I’ve grown to like the Melina character a little more over the years. She looks especially nice in the scenes in the sleigh in Cortina. But this has my vote for the least sexiest Bond film ever. You see Bond and Melina at a motel early on, but it seems like they probbly stayed in separate rooms.

    And why does the Bibi Dahl character exist at all? She does nothing to move the story along, save that she is practicing in Cortina, giving Bond an excuse to go there to visit Kristatos. Moore’s interaction with her is cute, but this is a Bond movie. If it was Connery’s Bond, it may have been a different story.

    I like Moore’s performance, and the Columbo character, the last time Bond had a good older figue type aiding him. And I really like Conti’s music, another case where fans either love it or hate it. It beats Arnold’s last 2 scores as well as Sera and Kamen. That aside, this is the most overrated film in Bond fandom.

    ‘For Your Eyes Only’ by Janus Assassin

    For me it is For Your Eyes Only. There are many things that contribute to why I don’t like this film. The PTS was kinda dumb with a man that we think is Blofeld controlling a helicopter.

    The plot… The ATAC was to control Polaris submarines to attack it’s own nation and Allies… why would you want to destroy your own nations and allies. Made no sense to me… maybe thats just me.

    The little yellow car was probably the worst chase scene I had ever seen. EVER! The Lotus should not have blown up… otherwise it would have been a cool chase scene with a cool car Bond style. Watching that was like watching Bond drive a Pinto.

    Bibi Dahl… Bond should know better not to get involved with spoiled teenage figure skaters. Although she was hot.

    The music was even worse that Eric Serra’s GoldenEye score.

    I did like Moore’s performance… Columbo was a good ally and the ski chases were not too bad. But this was a film in which individual scenes were better than the whole.

    ‘For Your Eyes Only’ by booyeah_

    The film starts off rather weakly with a poor conclusion(or is it?) to the Blofeld saga, but is followed by the start of an adventurous Cold War thriller. The weapon system known as ATAC is lost at sea and a MI6 agent and scientist is killed by a Cuban hitman. Bond confronts Gonzalez but is bested by Melina Havelock, who seeks revenge for her father’s death. A lively exciting chase pursues afterwards with an unusual small car. Bond identifies Locque and leaves for Cortina where he meets Kristatos, an informer. Bond mingles with Kristatos’ protege, Bibi, who he turns down due to age. Soon he is under assault from Locque and Bibi’s boyfriend Kriegler, which results in the most innovative, thrilling and exciting snow chases ever in cinema history. Bond dodges another group of attackers to find Ferrara, a local agent, dead with Colombo’s symbol on his body. After Columbo, James Bond finds Melina and uses a game of baccarat to identify Colombo’s mistress, Lisl, and charms her into bed. On the beach the next morning, the couple is attacked by Locque, only to be captured by the of men bearing Colombo’s symbol. On board the Colombina , Columbo tells Bond that Kristatos is the true danger as he is a heroin dealing double agent working secretly for the KGB. After a raid on Kristatos’ warehouse and an attempt to explore the ruins of the ATAC’s carrier ship, Bond is captured by Kristatos and the Live And Let Die novel sequence of Melina/007 being dragged through water was perfectly executed and is a highlight of the series. The film climaxed with a raid on Kristatos’ mountain home featuring impressive climbing stunts and fights with Kriegler.

    For Your Eyes Only marks Roger Moore’s finest hour as James Bond. With a smart but not humourless script, Bond is more of a gentleman assassin than cookie cutter action star. I cant help but cheer every time I see Locque die by car crash. Just as impressive as Mr. Moore’s performance is that of the supporting cast. Topol is perfect as a criminal smuggler turned enemy of my enemy to Bond. Carole Bouquet was stunning and believable as a woman searching for revenge. Julian Glover is also fantastic as a villain who is a wolf masked in sheep’s clothing.

    And the Margret Thatcher impression at the end was quite funny.

    ‘For Your Eyes Only’ by Double-Oh-Zero

    After Moonraker, Bond comes back down to reality.

    But he goes waaayyyy down. The film is a crashing bore, and Kristatos is probably the most unmemorable villain of the entire series. In addition, the Bond Girl here is just…unremarkable. Save for the ski chase, the film is lacking in any notable scenes or sequences.

    Not recommended for use with heavy machinery.

    ‘For Your Eyes Only’ by DLibrasnow

    There wasn’t much further 007 could go as far as sci-fi wizardry and fantastic characters after the cartoonish Moonraker that had seen James Bond propelled into space.

    What was called for was a ‘back to basics’ approach that emphasized realism, exotic locations, less gadgetry, down to earth villains and a return to the ruthlessness that Roger Moore had exhibited in movies such as The Man With The Golden Gun and The Spy Who Loved Me. What better way for the filmakers to return Bond to his roots than to tap into original Fleming source material.

    Taking characters and situations from the Fleming novel For Your Eyes Only, but also the keel-hauling sequence from Live And Let Die writers Richard Maibaum and Michael G. Wilson wove together a complex and enticing cold war spy drama that included some of the staple setpieces underwater and on the slopes that had served the character so well in the past.

    As the late John Brosnan noted in his review of the movie this production is essentially one long chase, but in the one solitary tip of the hat to the fantastic plots of the previous two movies, here the stakes could not be higher. Those stakes are the fate of all the British nuclear missiles in the polaris fleet. Forget the kidnapping of a few nuclear warheads in previous movies, here the balance of nuclear brinksmanship is at risk and ultimately the fate of the world.

    This movie sports several of my favorite characters from the entire EON canon. Topol plays a brilliant, amiable Greek smuggler named Columbo and the good natured trust and friendship between him and Roger Moore’s James Bond is clearly evident in every scene they share together. Noted British television actor Julian Glover plays Greek mercenary and chief villain Kristatos and I love the understated mannerisms and menace that literally oozes from every line. The movie also has one of the series most beautiful women with the appealing Carole Bouquet and this particular Bond fan had a huge crush on Lynn Holly Johnson who portrayed the chipper Bibi Dahl. Add these elements together and place it against the backdrop of the Italian Alps and the Adriatic and you have one of the best entries in the series.

    ‘For Your Eyes Only’ by Harmsway

    It’s usually hailed as one of the greats in the series, but I find it to be bland and boring.

    It’s Glen’s directoral debut, and his direction is incredibly lacklustre (as it is throughout all his films). The action is slow (the ski chases have been done before and better in On Her Majesty’s Secret Service and The Spy Who Loved Me) The story is incredibly uninspiring, using characters that illicit little emotional response as either heroes or villains. Not to mention that incredibly DREADFUL score.

    ‘For Your Eyes Only’ by Freemo

    Well made, “good”, but dull and uninviting. Supposably a “return to Fleming”, but I don’t recall Fleming ever being dull and uninviting. Nothing from it particularly sticks out as memorable, which is such a rarity for Bond films. Sandwiched in the middle of the Moore years, but particularly in the spirit of his tenure. The car chase at the start is great, and the rock climbing at the end is one of the more suspense filled Bond scene, but between those two highlights lies a alot of tedium and plodding around. Fine, but very unmemorable.

    ‘For Your Eyes Only’ by Qwerty

    This is a good film, do not get me wrong, but it’s just not a great film. I often see Roger Moore said to be giving his best performance in For Your Eyes Only, but I partially disagree. Sure it’s a fine performance, but I don’t see much wrong with The Spy Who Loved Me or Live And Let Die performances then for example.

    Melina Havelock is an average Bond girl, and while Carole Bouquet is nice looking, I don’t think I liked her character as much as I used to. Just doesn’t seem to have as big an impact as other Bond girls, but she is no means bad.

    The plot is good, but the ATAC just doesn’t seem to evoke enough danger as alot of the previous James Bond film plots have.

    Kristatos, Claus, Kriegler, Locque, and all the others make for some good villains, but not stand-outs. It was a step down from Moonraker, but was it too big a step?

    That said, I like Conti’s effort to the film and Sheena Easton contributes a very nice title song.

    ‘For Your Eyes Only’ by tdalton

    For Your Eyes Only was by far the best of the Roger Moore Bond films. Granted, The Spy Who Loved Me was a good film, but when stacked up against For Your Eyes Only, it pales by comparison. Roger Moore stumbled out of the gate with Live And Let Die and the awful The Man With The Golden Gun, gained some swagger with The Spy Who Loved Me, and faltered again with Moonraker. For Your Eyes Only, however, was the only movie in the Moore Era that resembled a true Bond film, one that harkened back to the Connery Era and even the Lazenby Experiment.

    Roger Moore turns in his best performance as James Bond in this film. For once, he is not jokey, but is instead dead serious, and this comes across well on the screen. If ony all his Bond films had been like this.

    As the producers decided to reel in the fantasy of Moonraker, this creates more realisitc and more interesting villians. Kristatos is one of the more memorable Bond villians simply because he is a real, flesh and blood, human being. There is a very real and understandable reason why he and Columbo hate eachother. It is this type of feud that the Bond films need more of, rather than the larger than life Bond villian who wants to destroy the world.

    The plot is a simple one. A British decoder is stolen from a British ship. Bond is charged by the Defense Minister to find the device and who took it, as well as finding who murdered the Havelocks in order to recover the device. This type of plot is a far cry from the space exploits that Bond engaged in during the previous film.

    The smaller scale approach works better here than does the larger scale approach when it comes to the plot and the locations of the film. Bond proved in Moonraker that space is the one place where he should not go. The locations of For Your Eyes Only, while still exotic, are some of the better ones in the series. The climb up the Meteora in the film’s climax is much more suspenseful than Bond piloting a space ship. It is very well done, with the audience kept on the edge of their seat as Bond climbs very slowly up the face of the mountain where Kristatos is hiding, trying not to be seen by the guards as well as trying not to fall to his death.

    The car chase towards the beginnning of the film is also another high point. Bond is forced to rely more on his driving abilities rather than gadgets after his Lotus is destroyed. It was good to see that Bond still had the ability to elude the bad guys on his own, after the few previous films where we had seen Bond rely more on his gadgets than his wits.

    Carole Bouquet’s Melina Havelock is also one of the finest Bond heroines in the series. She’s tough, and she hangs with Bond every step of the way. Her sidequest to kill her parents’ killers is very riveting, and gives her more depth than your average Bond girl who is just there to be eye candy for the audience as Bond runs around trying to save the world yet again.

    Musically, For Your Eyes Only is a very solid film. The musical score continues to reflect the style of the time, but it is still quite good and very Bondian. The title track by Sheena Easton is one of, if not the, best in the series and perfectly fits the film.

  7. Watch the Full 'Casino Royale' Press Conference

    By johncox on 2005-10-16

    Bond fans can now watch the full, uncut Q&A with reporters from Friday’s press conference where Daniel Craig was announced as the new James Bond 007 in Casino Royale. The conference was attended by producers Michael G. Wilson and Barbara Broccoli, as well as director Martin Campbell.

    CLICK HERE TO WATCH THE FULL ‘CASINO ROYALE’ PRESS CONFERENCE
    Provided by www.pulse24.com

    Casino Royale will be the 21st James Bond film produced by EON Productions. The MGM/Columbia Pictures production begins shooting in January and is due for release worldwide on November 17, 2006. It will be filmed in the Czech Republic, the Bahamas, Italy and the UK.

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  8. Purvis & Wade Already Working on 'Bond 22'

    By johncox on 2005-10-15

    At yesterday’s press conference, where the world was introduced to James Bond #6, Daniel Craig, producer Michael G. Wilson revealed that work is already underway on Bond 22, which will be Craig’s second outing as James Bond after his debut in next year’s Casino Royale.

    “Purvis and Wade, who wrote the [Casino Royale] script are also starting on the next Bond script, so all this is going forward,” said Wilson near the end of the press conference.Despite turning to screenwriter Paul Haggis for a dialogue polish, EON Productions appear to be very happy with the screenwriting duo.

    Neal Purvis and Robert Wade first co-wrote 1999’s The World Is Not Enough with A-list scribe Bruce Feirstein (GoldenEye, Tomorrow Never Dies), then went solo on 2002’s Die Another Day. The also penned the aborted Jinx movie spin-off for EON in 2003.

    Many Bond fans found this news an encouraging sign that we may see our second Daniel Craig James Bond movie within the franchise’s traditional two-year film cycle. The Bond franchise shifted to a three-year cycle between 1999’s The World Is Not Enough and 2002’s Die Another Day. Casino Royale was originally scheduled for release in 2005, but was delayed by the sale of MGM to Sony Pictures Entertainment.

    If Purvis and Wade are able to deliver a first draft of Bond 22 by summer, does this mean we might see the return of yet another James Bond tradition of revealing the title of the next film during the closing credits of the last? “James Bond Will Return in…”

    Let’s hope.

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  9. Wilson Clarifies Craig Casting Decision

    By johncox on 2005-10-15

    In a revealing interview with the New York Times, producer Michael G. Wilson has clarified the facts surrounding yesterday’s casting of Daniel Craig as James Bond in Casino Royale.

    “I was desperately afraid, and Barbara [Broccoli] was desperately afraid, we would go downhill,” said Wilson, who shared this concern with Craig’s predecessor, Pierce Brosnan. “We are running out of energy, mental energy,” Wilson recalled saying. “We need to generate something new, for ourselves.”

    Wilson says the decision to not go with Pierce for a fifth film had nothing to do with money. “If we wanted to make a deal, we would’ve made a deal with Pierce at some financially viable level,” he said. “This was about us trying to find new inspiration for the series.”

     Daniel Craig is James Bond

    Barbara Broccoli wanted Daniel Craig in April, but Sony wanted more tests

    The decision to cast a new James Bond also came about partly because of a shift in the leisure habits of young men, who used to be the most avid moviegoing audience but have been migrating to other interests. In the late 1990’s, market research showed Bond movies to have the oldest demographic of any action-adventure series. Lately, however, the booming success of Bond video games has driven a younger audience to the movies, said Wilson. Sony and the producers did not want to disappoint this new audience.

    However, the sale of MGM/UA slowed down the casting process, said Wilson. Casting had already been going on in London when a consortium led by Sony won a bidding war with Time Warner and acquired the historic studio and its a long-time partnership with the Bond franchise. Casting had to be re-examined when MGM came under the aegis of Sony motion picture group’s chief executive, Amy Pascal.

    The Times cliams that, according to several executives involved in the project, Barbara Broccoli had already settled on Craig by April. Indeed, this was about the time when Craig was first announced to the world media as being the new Bond. But Pascal wanted to begin a more exhaustive search that would include other, younger actors.

    Eventually, some 200 actors from throughout the British Commonwealth “came up for discussion.” They included well-known names like Colin Farrell, Orlando Bloom and Clive Owen, as well as many unknowns. Those who rated screen tests included the British actor Henry Cavill, the Australians Alex O’Lachlan and Sam Worthington, and the Croatian-born Goran Visnjic.

    It was only after all these ruminations that the producers and Sony finally settled on Daniel Craig. “I think that he has a kind of intensity, and a sexuality, and a roguishness,” says Pascal. “And he seems like he could be a spy.”

    Casino Royale will be the 21st James Bond film produced by EON Productions. The MGM/Columbia Pictures production begins shooting in January and is due for release worldwide on November 17, 2006. It will be filmed in the Czech Republic, the Bahamas, Italy and the UK.

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  10. 'Casino Royale' Website Online

    By johncox on 2005-10-14

    Following today’s announcement in London that Daniel Craig will be James Bond in Casino Royale, Sony Pictures Entertainment has launched the official Casino Royale website, complete with the first photo of Craig as Bond, the Casino Royale logo, and the official press release.

    The site also confirms the release date: Novermber 17, 2006.

    Click here to view the official Casino Royale website

    Casino Royale will be the 21st James Bond film produced by the franchise holders, EON Productions. The MGM/Columbia Pictures production begins shooting in January in the Czech Republic, the Bahamas, Italy and the UK.

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