CommanderBond.net
  1. 'Quantum of Solace' – Official Blog Report #30

    By Devin Zydel on 2008-10-14

    The official Quantum of Solace blog has been updated today with another crew member from the 22nd James Bond 007 film: visual effects designer Kevin Tod Haug.

    ‘I’m the visual effects designer on Quantum of Solace‘, says Haug, who has worked on several of director Marc Forster’s previous films. ‘Visual effects are kind of the glue department. Everything that becomes impossible becomes our problem.’

    He continues: ‘The goal I think is to do as much of it in camera as you can and yet get the most exciting shots. We had to falls that are supposed to be 50-foot falls and yet their’s only 25 feet to fall,’ referring to the shot between Bond and Henry Mitchell from the film’s trailer.

    ‘It’s still a monster shot. It’s falling from the top of the set. You see Siena in the background, and then they fall through the glass, but the glass is all real. The hit and everything else about it is CG. Then they fall onto a real set with the CG set behind it and all these hand-offs as you go “they really did that stunt, it just didn’t happen there”.’

    Stay tuned to the CommanderBond.net main page for the most up-to-date and complete coverage of Quantum of Solace.

  2. 'Quantum of Solace' 12A Certificate And Runtime Confirmed

    By Devin Zydel on 2008-10-14

    As previously reported on CommanderBond.net, Quantum of Solace was set to become the shortest James Bond film ever with a runtime of 106 minutes.

    The British Board of Film Classification (BBFC) has today confirmed that run time, with the latest 007 adventure clocking in at exactly 105 minutes and 58 seconds.

    The website also officially announced a 12A certificate for the film, which should come as little surprise to Bond fans. The BBFC statement specifies that Quantum of Solace ‘contains frequent moderate action violence’ and made the following general remark:

    This film was originally seen by the BBFC in an unfinished version, for advice as to the film’s suitability at ’12A’. The BBFC advised the company that the film would most likely receive a ’12A’ as it was, but that care should be taken when finishing the film not to increase the intensity of certain scenes. When the completed version of the film was submitted for classification, reductions to one of those scenes had been made and the film was passed ’12A’ without cuts.

    Stay tuned to the CommanderBond.net main page for the most up-to-date and complete coverage of Quantum of Solace.

  3. Sir Ken Adam Honoured With 2008 Lucky Strike Award

    By Devin Zydel on 2008-10-14

    Sir Ken Adam was recently honoured with the 2008 Lucky Strike Award. The leading international designer prize was awarded by the Raymond Lowey Foundation along with the prize money of 50,000 €.

    007 Magazine OnLine reports that this marks the first time the Foundation has honoured a production designer. ‘Ken Adam created unique cinematic worlds, illusions on film whose images, spaces and products remain alive in the collective memory of entire generations,’ they stated.

    He will be presented with the award at a 13 November ceremony taking place at the Berlin cinema Kino Kosmos.

    James Bond fans are well acquanted with Sir Ken’s contributions to the 007 series, whether they recognize it or not. The legendary designer worked on seven films in the series–Dr. No, Goldfinger, Thunderball, You Only Live Twice, Diamonds are Forever, The Spy Who Loved Me and Moonraker–and was responsible for creating some of the most innovative and majestic sets to ever grace the Bond films. Well-known examples include Fort Knox, Ernst Stavro Blofeld’s volcano headquarters and the Liparus supertanker.

    In addition, he returned to the world of Bond in 2004 by contributing to the Electronic Arts (EA) videogame, GoldenEye: Rogue Agent.

    Visit 007 Magazine OnLine to read more about the award and Sir Ken’s response.

    For more on Ken Adam’s contributions to the world of Bond, check out the recently released book by Adam and Christopher Frayling, Ken Adam Designs the Movies: James Bond and Beyond.

    Keep watching CommanderBond.net for all the latest James Bond news and coverage from around the world.

  4. Bond Girls Hold Their Own, Says Daniel Craig

    By Devin Zydel on 2008-10-13

    Bond girls Olga Kurylenko and Gemma Arterton

    Bond girls Olga Kurylenko and Gemma Arterton

    Keeping in line with the recent string of leading, independent Bond girls such as Wai Lin from Tomorrow Never Dies and Die Another Day‘s Jinx, Daniel Craig said the Bond girls in Quantum of Solace hold their own.

    The 007 star made the comments in the new issue of Radio Times, which will be available on 14 October.

    ‘I think Bond is as misogynistic as he always was. But the difference is that we try to cast great actresses playing strong women who, if he misbehaves, will tell him to f–k off,’ said Craig.

    ‘Instead of it being a giggling girl in a bikini–and there’s nothing wrong with giggling girls in bikinis, sometimes it’s quite nice–there are women who challenge him. And there were strong women in earlier films–Honor Blackman and Diana Rigg. We have to maintain that.’

    Craig went on to stress the importance of the new era of Bond films being ‘part of the times we live in.’

    ‘And that’s not to say that we can’t honour that Bond tradition–with the locations, the big sets, wide camera angles and big shots–but that’s all incorporated into a contemporary, fast-moving story.’

    Stay tuned to the CommanderBond.net main page for the most up-to-date and complete coverage of Quantum of Solace.

  5. 'Quantum of Solace' Worldwide Promotional Tour Kicks Off In Moscow

    By Devin Zydel on 2008-10-13
    Daniel Craig

    Daniel Craig attends the Quantum of Solace campaign launch in Moscow

    As earlier reported by CommanderBond.net, today marked the beginning of the worldwide tour to promote the upcoming release of Quantum of Solace.

    Variety reports that the far-reaching marketing campaign was launched earlier today at the Ritz-Carlton Hotel in Moscow, Russia with key cast and crew members from the 22nd James Bond film present for the event.

    Producer Barbara Broccoli said the selection of Russia as the beginning of the Quantum campaign (the film goes on general release there on 6 November) was based on the country’s emerging film market.

    ‘This is a key, emerging market for us and it is very exciting to be here,’ she said. ‘We shot in St Petersburg and had a wonderful experience. Russia is a country with a very strong film tradition and we are very much looking forward to the Russian reaction to the film.’

    She continued: ‘At the end of Casino Royale Bond is devastated when the woman he loves is killed by an evil organization. The title of the new film reflects his journey to put things right and find a quantum of solace.’

    Broccoli was joined at the event by stars Daniel Craig, Olga Kurylenko and Anatole Taubman and director Marc Forster.

    When asked what was the most challenging sequence in his second Bond film, Craig cited the freefall sequence which involves Bond and Camille. ‘We did this in a wind tunnel with winds of 200 mph ripping around us and 20 cameras shooting from all around. That was one of the toughest days.’

    Quantum of Solace goes on general release in Russia on 6 November on 800+ prints. Michael Schlicht, the film’s Russian distributor, stated that he anticipated a box office gross ‘around $20 million’.

    Stay tuned to the CommanderBond.net main page for the most up-to-date and complete coverage of Quantum of Solace.

  6. 'Never Say Never Again' Celebrates 25 Years (Part II)

    By Devin Zydel on 2008-10-13

    ‘Good to see you Mr. Bond. Things have been awfully dull ’round here.’

    25 Years Of Never Say Never Again

    Never Say Never Again, the film that marked the return–once again–of Sean Connery to the role of 007 and sparked the Battle of the Bonds in 1983 against Roger Moore’s Octopussy celebrates its 25th anniversary this month.

    Following up it’s world premiere in Los Angeles, California on 6 October 1983, the film opened in the US the following day and then premiered in London on 14 December (opening for general release the following day in the UK). Never Say Never Again eventually went on to gross more than $137 million worldwide.

    Taking into account the 25th anniversary of the film, CommanderBond.net asked our forum members to recall their first (or most memorable) Never Say Never Again viewing experience… [Click Here For Part I]

    Never Say Never Again – Turn

    My enthusiasm for Never Say Never Again came more than a year before it came out. It was late summer 1982 and Sean Connery was being profiled on the U.S. TV newsmagazine 20-20. It was the point when his career wasn’t really going anywhere and the interviewer asked the popular question if he could keep his career going after Bond.

    The big revelation at the end of the story was the interviewer saying Connery would start shoting his new Bond film in the Bahamas in the fall. There’d been rumors for years, but that was the confirmation. The original Bond returning and his successor filming a new adventure. It was going to be the greatest year of being a Bond fan in my young life.

    Aside from being a member of the American James Bond fan club, back then you didn’t get nearly the information on the making of new films you do now. So when something new was rolled out you devoured it. Starlog Magazine that winter put out what it billed as a Double Bond issue with Connery pointing the new Walther and Moore with the classic Walther over the shoulder pose on the cover. That was my first real exposure to Never Say Never Again.

    The build-up was great fun. Two Bond films in the same summer competing against each other. A few magazine articles talked about it. Unfortunately, it was Starlog that also reported Never Say Never Again was being moved back to fall and we would have OP first.

    It was great, getting out of school and having Octopussy to look forward to a few days later, all the hype and excitement, the collectibles, etc. But let’s be honest, as Bond fans seeing “The end of xxxx but James Bond will return in xxxx” as the credits end is also a bit depressing no matter how good the film preceding it is. That feeling wasn’t there after I saw Octopussy, which I would see 3 more times that summer. Not so much for that reason. There was Connery’s long-awaited return awaiting.

    So around 3-4 months later, all the hype and excitement began again. New articles and stories about Connery’s storied return surfaced. Connery was on the Tonight Show singing Underneath the Mango Tree. Siskel and Ebert did their special all-Bond show. And on it went.

    One of the cool things about Never Say Never Again‘s debut in the U.S. was it occurred just four days after my birthday, so it was in a sense a late birthday present. Since For Your Eyes Only, I have a tradition of seeing the newest Bond film the day after it premieres in cinemas (with the exception of Octopussy, which I saw on opening day). So I went with my brother and a family friend to a matinee on Saturday, October 8 to the Regent Theater in my hometown of Springfield, Ohio. I actually sat through it twice that day as my parents joined us for the second show.

    My impressions were I was glad to see Connery as Bond again. I liked the fight with Lippe, Fatima and Largo and many of the lines. As a whole, I didn’t and still don’t think it comes near Thunderball. And I did miss some of the Eon touches. But it was so different and a nice change of pace at the time and I still appreciate it for what it is.

    I never did get back to see Never Say Never Again again in the cinema. I came close the next spring. I was going to a drive-in theater to see Never Say Never Again and the Dirty Harry film Sudden Impact on a double feature. But a friend who didn’t like Bond joined us and persuaded my other friend, my brother and me to watch a cheap teen picture called Hot Dog the Movie on the other screen. It wasn’t too bad because we ended up meeting some girls we went out with for a time that night. But what a double feature.

    One last note with a lasting memory. Us Magazine did a poll at the time of Never Say Never Again‘s release for the next Bond since it was Connery’s, and supposedly Moore’s, last Bond films. Outrageous names like Tom Selleck, Ted Danson and James Coburn mixed more realistic choices such as Ian Ogilvy, George Lazenby and Lewis Collins. The overwhelming winner in the poll was Pierce Brosnan, who was already annointed the obvious Bond successor the season before when Remington Steele premiered.

    Never Say Never Again – TheSaint

    I saw it in the theater when it opened in October 1983. I probably went after high school ended for the day. I liked it, thought it wasn’t better than Thunderball or Octopussy which had preceded it a few months earlier. Found it ironic that Sean was in better shape for this film than he was in Diamonds are Forever.

    Never Say Never Again – Major Tallon

    I saw it in its first week, and I liked it! Despite its flaws, I still do. Many of the things frequently mentioned, the absence of the gunbarrel and the theme, didn’t bother me at all. They’re peripherals, not what makes a Bond movie. The score is another thing frequently mentioned by fans, but I can’t say I paid much attention to it. It certainly didn’t ruin the movie for me.

    Connery looked in great shape, and he was excellent, quick with his fists when he needed to be, and equally fast with a quip. There was much to enjoy: Barbara Carrera’s scene-stealing performance as Fatima Blush, the Shrublands scenes, Bond’s line “Keep dancing!”, the shark battle and the motorcycle chase (both highlights), and supporting performances by Pamela Salem, Bernie Casey, and Alec McGowan. I even liked the finale.

    There was other stuff that puzzled or annoyed me. Edward Fox as M got old very fast, Klaus Maria Brandauer didn’t seem menacing to me (just barmy), Kim Basinger was just ok, I didn’t believe the ending of Bond’s battle with Count Lippe, the video game sequence was dull, and the North African scenes were visually uninspiring. The torpedo-launched rocket platforms struck me as silly.

    Perhaps strangest of all, given the improbabilities that I’ve accepted in Bond films over the years, I was bothered by the notion that Largo could so quickly sail a private yacht from the coast of North Africa, through the Suez Canal, and into the Gulf in the time that elapsed in the movie. This undoubtedly means I’m over-analyzing this movie, but there you go.

    On balance, I enjoy Never Say Never Again. It was great to have Connery back, and the film moved along at rapid pace. If the story was a bit familiar, and there were several aspects of the production to criticize, I was nevertheless more than happy to go along for the ride.

    Never Say Never Again – Double-0-7

    I saw Never Say Never Again at the local theater the week it came out. I took the girlfriend previous to my wife (actually how I met Mrs D07) and was excited to see the “Connery Bond movie” after seeing the very fun “Moore Bond movie” earlier in the year.

    I don’t know why it didn’t occur to me that the EON formula would not be followed, probably figured that the music and titles were Bond elements, not a production company thing. It sure left me out of balance since there was no gun barrel scene, no Bond theme, no 007 theme, the wrong M’s office, M, Moneypenny, and Q. Even my date asked “What the hell was that? It certainly wasn’t a James Bond movie!”

    Not my favorite film, but it gets watched occasionally, and has its good points: the bike chase is good fun, Largo is definitely crazy and creepy, and I think I might be in love with Fatima Blush–what an evil lady!

    I have seen every Bond movie in the theater since The Man with the Golden Gun, this just wasn’t the best one I saw in 1983!

    Never Say Never Again – Judo chop

    I was 12, and it was in my friend’s kitchen watching it on his little 17″ television.

    I distinctly remember him saying “I think Sean Connery is the best Bond. He was the toughest.” And I distinctly remember thinking that he was off his rocker. I guess must have been a Moore guy at that time.

    Never Say Never Again – trevanian

    After years of waiting, I had gotten cold feet about it (Semple being the screenwriter was part of that; was he going to Batman The Series this thing?)

    So a few friends saw it ahead of me, and while they weren’t diehards, they had seen most of the others, and all of them really liked it.

    I … well, I didn’t. It wasn’t the disappointment that the first Trek movie was, but it was a pretty huge downer anyway. I thought Brandauer was the only thing of interest, and it was interest that didn’t really belong, like it should have been a movie about him and not a Bond movie at all. Connery seemed very secure and unstar like. The bit where he says, ‘I wouldn’t know I’ve never lost’ isn’t a closeup or even on him, it is over his shoulder at Largo … very few stars wouldn’t have demanded to be full on for that kind of line, so I remember thinking, hmmm, but the fact I was thinking about this stuff while the movie was going on made it clear it wasn’t connecting for me.

    I’ve seen it maybe half-dozen times over the years (about the same as some of the Moore ones, which is basically, not anywhere near as often as good Connery ones), but it is just paces so ‘stately’ it doesn’t feel right. And it is the one movie where you can tell the stuntman is there every time, because none of them seem to move as well as Connery, so Bond goes from being graceful in closeup to clumsy and/or arthritic when the stunt guys come in.

    I think it peaked for me about 1 minute in, when you got a good closeup of Sean through the brush, before he invades the dwelling to rescue the girl. It was all downhill after that.

    Never Say Never Again – Mr. Somerset

    I was 8 and saw it with my folks one bright (for October) Saturday at an old school style cinema, which has since been torn down. I recall that day vividly as there were car issues and I was afraid we’d be late for the matinee.

    Thunderball had aired on ABC a few weeks earlier, sans gunbarrel (and jetpack as I recall!), so for some strange reason, in my innocent 8 year old mind, I guessed that maybe not all Bond films carried the trademark. The poster was cool, and it was in the lobby reading an article about the film I discovered it was in fact a remake of Thunderball. I actually liked Never far more than Thunderball the first time. But in defence I can say thanks, ABC for butchering Thunderball and, thereby ruining my first impressions of that classic! Let’s give a hearty well-done to ABC! Beg your pardon, that should be a different thread.

    I remember the shot of Sean through Barbara’s lense and in the green hue thinking he he looked real old. Also his goofy facial expressions when being strangled in the gym with the bench press made me laugh. I loved the laser watch and the esacpe from Palmyra, but quickly forgot the climax of the film.

    At the time I had decided for myself that Sean was my favorite after seeing Dr. No earlier that summer, so liked the new film even better than Octopussy.

    Funny looking back how positive Never Say Never Again was in those days. The 21 years of Bond special with Siskel and Ebert really praised Never ay Never Again as one of the best films in the series, as did Benson’s Bedside Companion. So in that mindset, and for nostalgia reasons I can appreciate the film. However, now I feel it is nowhere near Octopussy, but above just a titch, to A View To A Kill. Never does look like From Russia with Love when compared to Die Another Day.

    Never Say Never Again – john.steed

    I always remember 1983 and its “Battle of the Bonds”. I had already enjoyed Octopussy and was looking forward to Never Say Never Again. I was in grad school in 1983 in the Washington D.C. area (where I still live) but I was back in Boston visiting my family and working on my dissertation that October. Hence, as usual, I went to see Never Say Never Again at a first day matinee and enjoyed it very much. I loved seeing Connery back again and thought Klaus Maria Brandauer was a really great as Largo. The one area where I think that the film was substantially weeker than the Eon Bonds of the day was with the music. That is just one think however. Loved it then and still love the film to this day.

    Never Say Never Again – Harry Fawkes

    Seeing Sean back as Bond after so many years was a treat I will never forget.

    I grew up in the Moore era but Connery always fascinated me more as Bond although I’m a Moore fan too.

    The film isn’t that bad but compared to, say, Octopussy or the other EON Bond films it is, unfortunately, a major let down–especially the music! But then having said that, Never Say Never Again wasn’t about being better than EON’s franchise. To me it was about Connery returning in a role he made famous so at the time I couldn’t have given a damn if the film itself was crap.

    To see Sean back up their on the silver screen as the intrepid 007 was tantamount to a couple of hours in heaven.

    And hearing him say: ‘I do owe you an explanation…My name is Bond. James Bond. May I buy you a drink.’ was tops, no less.

    The poster was one of the best I’d seen in a long time and Connery’s pose and devil-may-care look and the way he holds that gun was classic Bond!

    The first time I saw Never Say Never Again I felt as if I was on op of the world!

    Never Say Never Again – manfromjapan

    Never Say Never Again was the second James Bond film I saw in the cinema; Octopussy being the first. So 1983 was an amazing year for an impressionable eleven year-old 007 fan! I very much enjoyed the film, probably the main reason being that I was at that stage a massive Moore fan, and seeing a different actor as Bond was exciting. Connery looked very different in Never Say Never Again, remember!! I did and still do prefer Octopussy though. I remember feeling underwhelmed by Never Say Never Again overall. I feel the same way I do now as I did then, I think. It’s a good, worthwhile, entertaining film. But it didn’t justify the ‘back to basics’ talk, and it’s a film that seems to just lose momentum and interest about the half-way mark. The ending is very anti-climactic. The music is horrendously inappropriate. But it’s a witty film, moderately exciting, and something of a curio with it’s remake status and the return of Connery. The girls are beautiful, Brandauer is awesome, Alec McCowen and Bernie Casey good fun. But it lacks the epic scale of the Eon films, is sometimes incoherent and suffers from pacing issues. A mixed bag…but as is so often the case with the controversial Bond films, it’s neither the disaster or the masterpiece many claim, but a good, if flawed film.

    Interested in sharing your own experience of seeing Never Say Never Again for the very first time? Simply register for the CommanderBond.net Forums and then visit this thread!

    As always, stay tuned to the CBn main page for never-ending James Bond coverage.

  7. 'Another Way To Die' CD Single Available For Pre-order

    By Devin Zydel on 2008-10-13

    Following up the news that a promo ‘Another Way To Die’ CD had started to show up on eBay, CommanderBond.net can now report that the official CD single of the Jack White-Alicia Keys James Bond theme is now available for pre-order.

    Bond fans in both the UK and US can currently pre-order online from Amazon.co.uk and Amazon.com as the single is scheduled for release on 20 October by J Records. It is expected to contain the original version of the song as well as the instrumental.

    Retail price is £3.99 and $8.99, respectively.

    Keep your eyes on the CommanderBond.net main page for most up-to-date and complete coverage of Quantum of Solace.

  8. James Bond Puts The Pressure On Marc Forster

    By Devin Zydel on 2008-10-12

    James Bond will be back on the big screen in just matter of days (as if you didn’t know). And director Marc Forster is really feeling the pressure.

    In a recent interview which has just been published by The Times, the Quantum of Solace director spoke about his current predicament: how to top Daniel Craig’s debut 007 film while still leaving his own mark on the 22nd instalment to the Bond series?

    Director Marc Forster

    Director Marc Forster

    ‘There’s really no upside,’ says Forster, referring to the task of following up the commercially successful and critically adored Casino Royale, helmed by Martin Campbell. ‘If I make a film that isn’t as good as Casino Royale, it’s going to be a failure. If it doesn’t make as much money, it’s going to be a failure. Casino Royale was so beloved, people now expect more. The film has to be better.’

    Thankfully, Forster seems up to the job (the Swiss director was busily editing away the film while this interview took place).

    Quantum of Solace Directed By… Marc Forster?

    If one judge solely by Forster’s previous films, which include the brooding Monster’s Ball, the magical Finding Neverland and the zany Stranger Than Fiction, then the announcement of him helming James Bond #22 may have come as a bit of a surprise to some movie fans.

    According to Forster, producers Barbara Broccoli and Michael G. Wilson were taking a slightly different approach to this Bond entry. They wanted ‘an art-house movie’, he said.

    'Quantum of Solace'

    Quantum of Solace

    ‘My agent called me and said, “They want to offer you Bond. Are you interested?”,’ Forster recalls. ‘I said, “Not really.” He said, “They’d like to meet you.” And I said, ‘Look, I’m not going to do it, there’s no point.”‘

    Forster’s outlook on Bond changed after meeting with the producers and discussing how they wanted him to continue the serious journey for 007 which began in Casino Royale. He said: ‘It was a pleasant meeting, and I liked them. They were much more open than I ever would have thought, because you hear these stories of them being protective of the franchise–there’s a sort of machine in place, and you become a manager, and I wasn’t interested in doing that.’ After being assurred of creative control within the Bond framework as well as the option to choose his own crew, Forster ‘still wasn’t convinced.’

    Enter Daniel Craig.

    ‘So I met with him,’ Forster said. ‘I thought, “He’s really real. There’s no bullshit. I felt like I wanted to work with this guy.” The next thing I knew, I was on a plane.’

    After that, the Bond machine kicked into full gear. The film’s key cast, including Olga Kurylenko, Mathieu Amalric, Gemma Arterton and Dame Judi Dench were announced in January of this year (as was the film’s Ian Fleming-inspired title) and shooting began around the world. Speaking specifically about the exhaustive effort in locating Kurylenko as the right actress for the role of Camille, Forster commented: ‘It was an amazing thing to find a beautiful woman who could act and speak English.’

    Quantum of Solace

    As for the title song, Forster wouldn’t comment much on Amy Winehouse as the favourite for the job until it went to Jack White and Alicia Keys. ‘I thought with Amy it was going to work out, then it didn’t.’

    Forster could now apply his understanding of the 007 character in creating his take on a Bond film: ‘That’s why he always sleeps with women, but can’t find a relationship, because he doesn’t love himself. And you can’t love yourself, because otherwise you wouldn’t be able to kill without a conscience.’

    ‘In Casino Royale, Bond lost someone he loves, but at the same time he kills people,’ Forster continues. ‘That’s very interesting psychologically, because someone like that can’t be at ease with themselves. They must constantly be haunted.’

    J.B.

    'Quantum of Solace'

    Quantum of Solace

    Just don’t mention that other action film icon with the same initials to Forster or the Bond crew.

    ‘It always comes up, this comparison [between James Bond and Jason Bourne],’ he says. ‘I feel there’s a huge difference–it’s like apples and oranges. Stylistically alone, Bond should never be in the Bourne vein. Bond has a different kind of quality. He can still transport you.’

    So get ready to be transported. Quantum of Solace will be here before you know it.

    Keep your browsers pointed to the CommanderBond.net main page for most up-to-date and complete coverage of Quantum of Solace on the web.

  9. Marc Forster: Creating His Own James Bond

    By Devin Zydel on 2008-10-11

    It may be hard to believe, but less than three weeks from now will see Quantum of Solace hitting theatres around the world.

    Director Marc Forster

    Director Marc Forster

    While the many months of waiting for the 22nd James Bond film may have been hard for 007 fans, it’s director Marc Forster–who speaks about the film in a new Star eCentral interview–that faced the really difficult task: fitting into the framework of the series, while still creating his ‘own Bond’.

    ‘My first reaction was that I didn’t want to do the movie. I wasn’t interested,’ said the Swiss filmmaker. ‘I only did the meeting out of courtesy to the studio. I like Sony, and I’d worked with them before and eventually when I sat down with them I thought Barbara and Michael were very charming and interesting, and I felt like they were very director-driven.’

    ‘And I felt that, yes, there is this framework of the Bond world and one has to make the movie within that, but at the same time I felt like I could have the space to create my own Bond.’

    And judging by the numerous changes in the crew working on Quantum of Solace, it’s evident that Forster was set from the beginning in accomplishing that goal by getting the people he felt best suited the job.

    Panama: One of the many location stops in 'Quantum of Solace'

    Panama: one of the many location stops in Quantum of Solace

    Like any other Bond film, the locations in Quantum of Solace prove that there are no limits to where 007 travels. Panama, Chile, Italy, Austria and the UK were all visited during the shooting schedule.

    ‘It was the longest shoot I’ve ever done, and we did a lot of six-day weeks, so it was tiring,’ said Forster. ‘But now it’s all done, I’m feeling great about the movie and in good spirits.’

    He continues: ‘Actually, one of the reasons why I took it was because I wanted to see how an action film is made. It was a challenge but it was a lot of fun too. I think what I realised is that shooting action is not as difficult as writing action. The key to really good action is writing it. It has to be there on the page so you can figure it out. Because shooting action ultimately is executing what is on the page, and it has to be really detailed.’

    Dame Judi Dench is 'M'

    Dame Judi Dench is ‘M’

    The director also praised the film’s supporting cast in addition to Daniel Craig, commenting first on the return of Dame Judi Dench as ‘M’ in her sixth Bond film.

    ‘Judi Dench is one of the greatest actresses living today,’ he said, ‘and I felt that she was always slightly underused in the other films. I felt like they didn’t give her a large enough part, and personally I could watch her read the phone book. So I wanted to make her part bigger and give her more scenes and have her interact with Bond more because she is the only woman Bond doesn’t see in a sexual context, and I find that really interesting.’

    Forster went on to explain his approach for the film’s hard to classify lead villain, the eco-driven Dominic Greene,’ portrayed by Mathieu Amalric.

    ‘Mathieu Amalric is one of the most brilliant actors working today, and I wanted someone who had this very innocent, friendly and soft demeanour because you know the interesting thing about villains these days is that it’s not like it was during the Cold War, where there were clearly defined good guys and bad guys.’

    Daniel Craig is James Bond

    Daniel Craig is James Bond

    ‘Now the good guys and the bad guys are mixed up and there’s not someone who is just bad or just good. You know, Bond can be as bad as the bad guy can be good,’ he added.

    As for the requisite Bond girl, Forster aimed for a counterpart to 007. And he found Olga Kurylenko perfectly suited for the job. ‘The idea with casting Olga was to find someone who is a mirror image, a counterpart to Bond, who also has lost someone and understands what that feels like and is looking for someone who took the loved ones from her. And at the same time her character is someone who has the same emotional unavailability that Bond has. Because Bond is someone who obviously struggles with expressing his emotions, we wanted to find someone who was like that.’

    ‘We wanted someone who is very physical and strong and knows how to handle a gun. And Olga was just fantastic.’

    ‘And so was Gemma,’ he said. ‘She plays an MI6 agent stationed in Bolivia. Her Agent Fields is the opposite of Camille’s character. Her character feels more quirky and light and funny and vulnerable.’

    ‘The important thing about casting those two is that you see Bond reacting with both of those girls and you can see how he is in both of those situations.’

    Keep your eyes on the CommanderBond.net main page for most up-to-date and complete coverage of Quantum of Solace.

  10. 'Another Way To Die' Promo CD Available

    By Devin Zydel on 2008-10-11

    In addition to the recently released limited edition 7 inch vinyl single, copies of ‘Another Way To Die’ promo CDs have started to show up online.

    This CD single contains the Jack White-Alicia keys theme for Quantum of Solace as well as the instrumental version (which was also released on the vinyl single).

    Since this is a promo CD, there are no listings for it at online retailers such as Amazon, but interested James Bond fans can likely track down a copy on eBay.

    The promo CD features the image of Daniel Craig as 007 from the second Quantum of Solace teaser poster.

    Keep your eyes on the CommanderBond.net main page for most up-to-date and complete coverage of Quantum of Solace.