(c) Ivan McClellan Photography
Foxhound, furnishings, food? Check.
Internet connection? Working, surprisingly (scratch a German and you find a Telekom victim).
Moving from A to B: Mission Accomplished. And I sincerely hope that one doesn’t come back to bite my behind because, you know, history…
All systems seem eager to ‘go’, high time for Jim’s next 007th Minute then. The usual CBn conformance marks apply: strictly opinionated content by CBn’s resident 007th Minute expert Jacques Stewart.
Italics piffle by yours truly. File your well-reasoned and formulated complaints, thoughts and ideas here.
A limited concept stretched to its nineteenth circumnavigation of the one joke, becoming bloaty, self-indulgent and unfocused; churned out regardless. As for The World is Not Enough, submitting it to a 007th minute could be the unreadable in pursuit of the unwatchable. This may become as turgid as the film it gnaws. I could claim that this is “meta”, if I understood what that was.
Must I? Cold-blooded murder is a filthy business. I hope you’re not after “constructive”; construction isn’t exactly my speciality. Quite the opposite, in science fact. Still, there’s no point in living if you can’t smugly slag off witless entertainment with zero accountability for its failure to meet specious and whimsical criteria. It must give me pleasure. Remember… pleasure? What brings you pleasure? A pleasure you’d confess to the police or your granny? Something you’d tell the meltypops choccydrop eyes of your doggy-woggy without abusing its uncomprehending trust, even though the wretched hound is only waiting for you to fall downstairs again so it can eat your face.
Let’s assume that you haven’t found this balderdash by searching for “abused granny doggy confess police” on a wage-cage colleague’s computer at your salary-farm, avoiding whatever you “do”, marking time until a yumlunch of low-calorie wet chemicals and (avert your soul) bought cake. Assume, let’s, that giddywhirl of super isn’t your day, this only [x] day of [y] 20[zz] you’ll ever live, so a reasonable inference must be that something that has given you pleasure is James Bond.
Whyever not? Breadth of shapes, heights, perversions, fatuous belief systems and smell that the human race tolerates, within the films there must be something that appeals, even if not all of them will, save to a hardened deluded core expressing love via the medium of defamatory whining. If the lazy myth were true, that Bonds are the same thing 23 times, we would never have had 23 times.
They’re designed (some say cynically) (N.B. I am one of “some”) and (ruthlessly) targeted so that core ingredients – Gunbarrel! Explosions! Jiggaboo! Weak jokes! Cars! Guns! Beastly furr-ners! Grr! Cackle! BOOM! DahDah d’DAHHH durdurdur – the rot of continuity, routine that draws in “Bond fans” however much they snivel, the stuff those “fans” neglect to admit impedes the series’ longevity and continued interest for the passing filmgoer – all that tedious dross can be hidden in films actually aimed at those who liked Shaft or Enter the Dragon or Jason Bourne. What is Moonraker other than trying to entice fans of the Jeddy, or whatever it was. Arty-Deety, that gang. And Nazis. Diamonds are Forever? Supporters of ennui-dripped sneering and Manfrockery. GoldenEye’s patently for the Undemanding Deaf and Die Another Day for the Undemanding Dead.
These aren’t made “for the fans”, locked in their anonymous begrudgery. These are made “for the fans of other things because we want lovely money off them, too”. Taken one look at, say, George Lucas’ billions and thought – let’s devise a film for those accepting such concepts as an elected queen, must be pretty thick, lure them in with equally stilted dire-logue and an invisible car: no less ridiculous. This doesn’t always mean appalling results. If Bonds were actually made “for the fans” they would be impenetrable to the casual viewer who doesn’t give two hoots whether Bond was married, nor that the Skyfall car cannot be the Casino Royale one nor, as it turns out, the colour of Bond’s hair or where a gunbarrel is. Where the producers try direct continuity – Quantum of Solace the obvious example – the sequel aspect is its weakest element. Would civilians coming to watch The New Bond Film have expected spending ninety minutes trying to remember a film they think they saw two years previously, oh she died didn’t she, I remember now, I didn’t expect a memory test, I just wanted diversion from the kids and the perpetual threat of redundancy, what do you mean that’s the end? Bit odd. It just encouraged the more demented “fans” to whine that Bond isn’t wearing the same suit, has lost weight and doesn’t seem that upset. That way lies Star Trek. Bring on an impossible Aston Martin in a London lock-up and make a billion dollars instead. Even implicit continuity can be awful; but that’s the next film’s problem.
Helmut Schierer @ 2013-07-30